Here are 76 books that Cackle fans have personally recommended if you like
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I’m drawn to stories about the human experience in the throes of extreme situations. When I was younger, I lived on a military base. I remember hearing snippets of life through the walls of our duplex, seeing things through open windows in our cul de sac. Of course, it wasn’t all sinister, but I was impacted. Secrets and how people cope with trauma are a common theme throughout my work, and I seek out stories with them as a focus. Books that deep-dive into characters and their lives will always make the top of my list!
Sarah Langan tells you the story of a crime on Maple Street in layers, peeling back the lives of the residents there. While it may seem like a regular suburb, nothing is quite as it seems. Secrets are almost the lifeblood of the street. With news snippets, dissertations, and articles, along with the traditional narrative, the novel immerses the reader into the world Sarah Langan created. But the most impressive part is how trapped the temperature, the very environment itself, makes you feel. Unable to escape that, even the fairly benign secrets of Maple Street feel heavy.
Named by Goodreads as One of the Most Anticipated Mysteries and Thrillers of 2021
"A modern-day Crucible....Beneath the surface of a suburban utopia, madness lurks." -Liv Constantine, bestselling author of The Last Mrs. Parrish
"A sinkhole opens on Maple Street, and gossip turns the suburban utopia toxic. A taut teachable moment about neighbors turning on neighbors." -People
"One of the creepiest, most unnerving deconstructions of American suburbia I've ever read. Langan cuts to the heart of upper middle class lives like a skilled surgeon." -NPR
Celeste Ng's enthralling dissection of suburbia meets Shirley Jackson's creeping dread in this propulsive literary…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
So few books give me chills, but I could feel my temperature downright drop the deeper into this graphic novel I went. Certainly not for the weak-hearted, or stomached for that matter, Powell and Schechter plunge into one of the most depraved characters of the Midwest… none other than Ed Gein himself. There is an odd beauty to the madness at display here. It just goes to show you never know what’s going on behind the closed doors of your next-door neighbors.
“It is fantastic! Not only is Eric Powell's art on point, but Harold Schechter introduces some new ideas about Ed Gein that have never been heard.” - THE LAST PODCAST ON THE LEFT
“A natural choice for true-crime fans.”―BOOKLIST
“As extensively researched as the Alan Moore/Eddie Campbell Jack the Ripper graphic novel From Hell, ”Did You Hear What Eddie Gein Done?” is a masterpiece of the form, standing as the best possible dramatization of Ed Gein's tale in any medium.”―BLOODY DISGUSTING
“This is a new true crime comics essential.”―SYFY WIRE
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
Samson’s one and only novel, The Auctioneer is a wonderfully unnerving tale of how a community can find itself completely hollowed out in a matter of a single devil’s bargain. Predating Stephen King’s Needful Things, this book is a literary garotte that slowly closes around the reader’s throat. The paranoia is palpable in these pages, believe me.
One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers
In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.
Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.
I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.
"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." ―Stephen King
Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire!
"Brilliant....[a] deeply frightening deconstruction of the illusion of the self." ―The New York Times
Catriona Ward's The Last House on Needless Street is a shocking…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading.
Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.
The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy.
The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe.
The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone.…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).
Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.
You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.
The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!
There is a little-known tradition of witch lore in Newfoundland culture. Those believed to have the power to influence the fortunes of others are not mythological characters but neighbours, relations, or even friends. Drawing from her own interviews and a wealth of material from the Memorial University Folklore and Language Archive, Barbara Rieti explores the range and depth of Newfoundland witch tradition, looking at why certain people acquired reputations as witches, and why others considered themselves bewitched. The tales that emerge - despite their seemingly fantastic elements of spells and black heart books, hags, and healing charms - concern everyday…
Since I was a child I have viewed the world differently. I dreamed of magical worlds, and I always was curious to find answers to questions that were hard to find. When I began to question a local legend about the Lady in White, I had to know more. I spent countless days researching to find anything about this mystery lady. Unfortunately, I never did find out who the Lady in White was, but I did find information on every one of her so-called victims. With a handful of real-life events, and a lot of imagination, my Lady in White series was born.
I love stories that are based on legends, myths, and folklore. This one is the latter.
Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!
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Thirteen year old Daniel Anderson doesn't believe Brody Mason's crazy stories about the ghost witch who lives up on Brewster's Hill with Bloody Bones, her man eating razorback hog. He figures Brody's probably just trying to scare him since he's the new kid ...a "stuck-up snot" from Connecticut. But Daniel's seven year old sister Erica has become more and more withdrawn, talking to her lookalike doll. When she disappears into the woods one day, he knows something is terribly wrong. Did the witch strike? Has Erica been "took"?
There's magic in a book that opens a window to the lives of ordinary people who lived in a time and place very different from our own. That’s why I enjoy exploring these stories. The narratives of the famous are often polished to the point that all the odd edges of a delicious pea soup or a long trip in uncomfortable boots are worn away. But I love these little details: how certain boarding house rules meant women had no place to stay when Jack the Ripper was prowling, or how a journal might consist of rag paper with a hand-stitched binding. They show us a distant era, but also reinforce our common humanity.
Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.
This amazingly wise and nimble collection investigates the horrors inflicted on so-called "witches" of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives. In one essay about a trial, we learn through folklore that Jesus's mother was a midwife who cured her own son's rheumatism. In other essays there are subtle parallels to contemporary discourse around abortion and environmental destruction. Nuernberger weaves in her own experiences, too. There's an ironic look at her…
As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.
Isn’t it wonderful when you pick up the right book at the right time? That’s exactly how I felt about this book.
I inhaled this novel, reading it in just a few sittings over two days. I loved how the three female protagonists were linked through time by their connection to Weyward Cottage and their exceptional connection to nature.
This novel moves effortlessly between points of view in 1619, 1942, and 2019. Hart ties the three women’s stories together beautifully at the end, making this read as satisfying as a perfect cup of tea on a cold winter’s day.
An Indie Next March 2023 Pick • A LibraryReads March 2023 Pick • An Amazon "Best Books of the Year So Far" 2023 Pick
"A brave and original debut, Weyward is a spellbinding story about what may transpire when the natural world collides with a legacy of witchcraft." ––Sarah Penner, New York Times bestselling author of The London Séance Society
I am a Weyward, and wild inside.
2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the…
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