I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
I am a huge fan of Halloween and love decorating my porch to greet our neighborhood kids. This past year I gave away a couple dozen copies of my own picture books along with candy, which was a huge hit. I live in Baltimore with my family, including my silly, spooky kid, and love animals, especially dogs and horses. This past Halloween, my daughter wanted to dress up as a dentist, of all things, so my husband and I went along dressed up as giant teeth. She never got the irony of asking for candy while dressed as a dentist. We’ll have to wait until she is older for that.
I am from Baltimore, where famous spooky writer Edgar Allan Poe lived and died right outside a bar I used to go to in my twenties (a few centuries before I ever went there!). Our football team is even named after his famous poem, "The Raven," and its mascots are named Edgar, Allan, and Poe. So of course I love this adorable book about a tiny raven who just won’t go to bed! Stucki’s illustrations make a kind of scary animal—a raven—very appealing to little kids. And everyone can relate to a kid not wanting to go to bed! There is a whole series of books by this duo covering different Poe stories, if you want a very literary Halloween.
Meet the plucky toddler Edgar the Raven! He's mischievous, disobedient, and contrary. Dinnertime, cleanup-time, and bedtime are all met with one word: NEVERMORE! But as the evening winds to a close, Edgar's mom knows just what to do to get her son into bed-a bedtime story.
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In The Wire and Homicide: Life on the Streets, David Simon, also an author of nonfiction books about Baltimore, depicted Baltimore cops as Sisyphean figures trying to fight an endless wave of crime and failing. Baynard Woods and Brandon Soderberg tell a much less positive story about the police. They examine an elite unit called the Gun Trace Task Force which became, under its leader Wayne Jenkins, a criminal syndicate. Using their badges as weapons, these police officers robbed drug dealers of tens of thousands of dollars, planted weapons and evidence, and terrorized Black Baltimore residents.
As media pundits were wringing their hands about whether Baltimore’s people had gone out of control when they rioted after Freddie Gray’s death, we learn that these cops were literally robbing prescription drugs to sell them on the street. Even if you’re suspicious about the role of police in inner-city communities, this book…
The explosive true story of America's most corrupt police unit, the Gun Trace Task Force (GTTF), which terrorized the city of Baltimore for half a decade.
When Baltimore police sergeant Wayne Jenkins said he had a monster, he meant he had found a big-time drug dealer―one that he wanted to rob. This is the story of Jenkins and the Gun Trace Task Force (GTTF), a super group of dirty detectives who exploited some of America’s greatest problems: guns, drugs, toxic masculinity, and hypersegregation.
In the upside-down world of the GTTF, cops were robbers and drug dealers were the perfect victims,…
Emily Blejwas directs the Alabama Folklife Association. She is the author of The Story of Alabama in Fourteen Foods (UA Press) and two middle grade novels: Like Nothing Amazing Ever Happened and Once You Know This (Random House). Emily grew up in Minnesota, attended Auburn University, and now lives in Mobile, Alabama with her husband and four children.
The premise is simple but ingenious. Winik catalogs the lives and deaths of people she’s known throughout her life, some well, others hardly at all. Each entry is no longer than a page or two, and her writing is stark and unruffled, creating moments of dark humor. She never glorifies the departed, yet her emotion buzzes below the surface. And you immediately wonder how your own page or two might go.
Marion Wink is esteemed for bringing humor and wit to that most unavoidable of subjects: death.
At last, Winik's critically acclaimed, cult favorites, Glen Rock Book of the Dead and Baltimore Book of the Dead, have been carefully combined in their proper chronological order, revealing more clearly than ever before the character hidden throughout these stories: Winik herself.
Featuring twelve additional vignettes along with a brand-new introduction, The Big Book of the Dead continues Winik's work as an empathetic, witty chronicler of life.
I am African American, so colorism is part of living on this planet as a Black person because it’s a byproduct of racism. I am also the mother of a “mixed” child. Her father is White. I am brown-skinned and my daughter is light-skinned and looks racially ambiguous. Since she was a newborn, people have made colorist and racist remarks toward us. The Half Series – When Black People Look White was written based on real-life experiences.
In this memoir, Petula talks about the light-skin privilege and pain she suffered through growing up in the 70s and 80s in Paterson, New Jersey and Baltimore, Maryland with a dark-skinned mother and a light-skinned father. Her father, Walter, raised her to be as “White” as possible by neglecting her Black heritage which caused her to have a huge identity crisis.
"She's Such A Bright Girl: An American Story" is a story of respectability politics gone very wrong. Petula Caesar is raised in the 1970s and 1980s in Paterson, New Jersey and Baltimore, Maryland. Petula's Black parents, dark-brown skinned Christine and a very light-skinned Walter – migrate north from the south to find work. Once their light-skinned daughter is born, Walter realizes her complexion could give her a great advantage in her life if used correctly. Walter raised Petula to be as "White" as possible by straightening her hair, surrounding her with White dolls, only exposing her to culture created by…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This book reminds us that in addition to shaping our laws, our institutions, and our culture, white supremacy has also shaped our nation’s landscape, from housing discrimination and redlining to blockbusting and urban renewal.
Although Brown focuses on racial segregation and Black neighborhoods in Baltimore, his insights speak to communities of color throughout the United States and how decades of hypersegregation in American cities have adversely impacted health, livelihoods, and lives.
What makes Brown’s analysis of the landscape of urban apartheid so compelling, however, is his recipe for dismantling it and replacing it with a new landscape of racial equity.
The best-selling look at how American cities can promote racial equity, end redlining, and reverse the damaging health- and wealth-related effects of segregation.
The world gasped in April 2015 as Baltimore erupted and Black Lives Matter activists, incensed by Freddie Gray's brutal death in police custody, shut down highways and marched on city streets. In The Black Butterfly-a reference to the fact that Baltimore's majority-Black population spreads out like a butterfly's wings on both sides of the coveted strip of real estate running down the center of the city-Lawrence T. Brown reveals that ongoing historical trauma caused by a combination…
I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Mancini wrote "Moon River," "Days of Wine and Roses," the Pink Panther theme and, for TV, music for Peter Gunn, Newhart, and The Thorn Birds.
He was the first film composer to become a household name in the 1960s and '70s. His cool jazz for Peter Gunn was so popular and influential that every cop and detective for the next 20 years was accompanied by "crime jazz," as it became known.
This is less about Mancini's personal life than about his career (the composer covered that already in his autobiography, Did They Mention the Music?), but I was captivated, particularly with Caps' ability to convey the essence of Mancini's music in descriptive words and phrases.
Through film composer Henry Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the…
As an educator, I’ve experienced the power of true stories to engage readers, widen their world, spur thinking, and support content areas. I’ve learned plenty from these books, too! As an author, I’m fascinated with many aspects of the American Revolutionthat I never learned about as a student. Researching this time period has revealed much more than men at war. The revolution affected every aspect of life—a “world turned upside-down.” Today, we’re fortunate to have a range of stories that help kids understand that history is about people much like them facing the challenges of their time and place.
We all know about the Declaration of Independence and recognize at least a few of the dozens of signatures of the men who signed it. But who knew about the single female name that appears on the document?
Here’s the story of Mary Katharine Goddard, a businesswoman and newspaper publisher, who dared to break the norms of society. When the call went out for a printer to publish the treasonous Declaration, she rose to the task and went so far as to put her name on it! This story offers a fascinating peek into the life of a revolutionary woman.
A rousing picture book biography of the only woman whose name is printed on the Declaration of Independence.
Born in 1738, Mary Katharine Goddard came of age in colonial Connecticut as the burgeoning nation prepared for the American Revolution. As a businesswoman and a newspaper publisher, Goddard paved the way for influential Revolutionary media. Her remarkable accomplishments as a woman defied societal norms and set the stage for a free and open press. When the Continental Congress decreed that the Declaration of Independence be widely distributed, one person rose to the occasion and printed the document-boldly inserting her name at…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Every English major in the 20th century (maybe even in the 21st!) came to grips with T.S. Eliot.
People remember J. Alfred Prufrock and his love song. And The Waste Land has just passed its 100th birthday and readers are still scratching their heads over it.
T. S. Eliot was the man—along with several others—who made modern poetry “hard” and complicated, and he was quite a complicated figure himself.
Lyndall Gordon gives us Eliot in all his complexities and shows how he became our age’s Dr. Johnson.
In this "nuanced, discerning account of a life famously flawed in its search for perfection" (The New Yorker), Gordon captures Eliot's "complex spiritual and artistic history . . . with tact, diligence, and subtlety" (Boston Globe). Drawing on recently discovered letters, she addresses in full the issue of Eliot's anti-Semitism as well as the less-noted issue of his misogyny. Her account "rescues both the poet and the man from the simplifying abstractions that have always been applied to him" (The New York Times), and is "definitive but not dogmatic, sympathetic without taking sides. . . . Its voice rings with…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
