I grew up reading dark fiction, and the only two books I kept from that period were The Wicked Heart and Whisper of Death, both by Christopher Pike. Though both were categorized as horror, the first is a crime mystery that partly follows the murderer, while the latter feels like an episode out of The Twilight Zone. I never cared for pure horror, and a book doesn’t have to scare me for me to find them enjoyable. What I often wanted was a tangible sense of dread paired with insight into the human psyche, which I believe makes for a more potent reading experience.
The Monkey’s Paw is one of those short stories we either read or heard someone tell us about it. And so it goes overlooked. If you haven’t read it, do yourself a favor and read it. If you have read it, do yourself a favor and revisit it. It’s short, it’s available, it’s a horror classic, and it’s very likely what Stephen King had in mind when he wrote Pet Sematary.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
I’m a retired professor of American literature (Queens College, City University of New York) and a true-crime historian who has been writing nonfiction books about some of our nation’s most heinous serial killers and mass murderers for over thirty years.
Until I entered grad school for my Ph.D. in American literature, I had never heard the name Charles Brockden Brown and my guess is that few people alive today would recognize it. In his own time, however, he was an important literary figure. The author of a quartet of books composed in a yearlong creative frenzy at the close of the 18th century, he is regarded as "The Father of the American Novel." As the creator of our nation's first Gothic fiction, he was a major influence on writers like Poe and Hawthorne. His 1798 novel Wieland was inspired by a sensational crime that happened seventeen years earlier in upstate New York, when a farmer named James Yates, allegedly acting under orders from a divine voice, slaughtered his entire family. If by "best" we're talking about most enjoyably readable, then Wieland, like all Brown’s novels, doesn't exactly qualify. But it's…
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When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
The news is full of stories about chilling developments in artificial intelligence.
And you don’t have to venture into the fantasy world of killer robots to be terrified. Already, “chatbots” are blurring the lines between human and machine intelligence.
It’s gotten to the point that you can’t trust what you see or read online—because it may have been created by some AI designed to cheat or scare you into doing something you really don’t want to do.
Ira Levin’s novel, published in 1970, shows us a world ruled by artificial intelligence. It’s dystopia in the truest sense—and it’s likely to frighten you, as it did me.
'Marvellously entertaining. A cross between Brave New World and Doctor Who' Look Magazine
Considered one of the great dystopian thrillers - alongside A Clockwork Orange and Brave New World- Ira Levin's terrifying glimpse into the future continues to fascinate readers even forty years after publication.
Set in a seemingly perfect global society, where uniformity is the defining feature, one man leads the resistance against UniComp - a central computer that has been programmed to keep every single human on the surface of the earth in check. All ethnic groups have been eugenically merged into a single race called 'The Family',…
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him…
Why did the solitary girl leave her rented house on the French Riviera only for short walks at night? Why was she so frightened? Why did animals shrink away from her? The girl herself didn't know, and was certainly not aware of the terrible appointment which had been made for her long ago and was now drawing close. Molly Fountain, the tough-minded Englishwoman living next door, was determined to find the answer. She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined. Dennis Wheatley returned in this…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.
This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.
A chronological collection of all of Poe's poems and stories includes tales of adventure, farce, science fiction, black humor, and romance, as well as horror
I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror. In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival. Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.
As contemporary Gothic author and artist Franklin Bishop observe, John Polidori ‘was responsible for introducing into English fiction the enduring image of the vampyre in the guise of a suave, cynical, and murderous English Lord. With the presentation of Lord Ruthven [Byron] as a vampyre, Polidori created a personification of evil that countless authors have since imitated in attempting to satisfy the enormous public interest in this genre of literature. The literary-metamorphosed vampire that emerged from the Villa Diadoti ‘ghost story’ contest quickly developed a life force of its own – which was not surprising since it was the collective brainchild of Byron and his physician John Polidori – and created a minor literary scandal when it was published in 1818. The Vampyre was based on Lord Byron’s unfinished story "Fragment of a Novel," but it is arguably the most influential vampire work of the early 19th century.
I was born in Macon, Georgia, in 1942. My father was a druggist and my mother a housewife until his illness put her to work as a newspaper reporter and eventually as a school teacher. After spending four years in the U.S. Air Force I earned a B.A. and a M.A. in English. After teaching English for thirty-one years, I retired in 2006. My wife and I live in Savannah and have two daughters, five grandchildren, and a black Lab. Among the many novels that I taught during my years as an English professor, the five on my list were invariably the ones to which my students most actively responded.
First published in 1900, Theodore Dreiser’s Sister Carrie chronicles the rise of a poor girl, Carrie Meeber, and the contrasting, complementary decline and fall of the older, well-to-do man who is obsessed with her, George Hurstwood, whose steady, emasculating ruin is the most poignant narrative sequence, bar none, that I’ve ever read.
"Sister Carrie" by Theodore Dreiser. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“He was at once The Evil and The Exorcist.” Considering the date of publication, a very modern account of grooming, toxic masculinity, and the objectification of women. Feeling deserted by family and friends, a bored boarding school girl entertains herself by sneaking out of the grounds after dark. One night in the woods she encounters an older man who claims to be an artist and invites her back to the workshop where he creates suspiciously lifelike dolls. Apparently oblivious to the fact he spouts creepy comments like “the craftsman must feel the willingness of his material” and undeterred by rumors of young girls going missing in the neighbourhood, our heroine embarks on a doomed (and vaguely BDSM) relationship with the stranger. An unforgettable novella about living dolls and manipulative relationships.
Described by no less an authority than E.F. Bleiler as “excellent”, “The Doll Maker” is the story of Clare Lydgate, a young woman studying at boarding school for her Oxford scholarship examinations. In the evenings, she escapes the school grounds by climbing over the wall of Brackenbine Hall. It is here that she encounters the charismatic and mysterious Niall Sterne, the “Doll Maker” of the title. This is a subtle, intelligent and compelling tale of horror. The Penguin Encyclopedia of Horror and the Supernatural describes Sarban’s stories as “nicely written, with solid characterizations, convincingly detailed backgrounds . . . and…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.
Dive into this collection of exquisite, classic horror stories-just make sure to have the lights on and the doors locked! First published in 1904, Ghost Stories of an Antiquary contains eight tales of supernatural horror by genre master M.R. James. Highly regarded as a masterwork of horror, this collection is a must-have for fans of the frightful. The stories in this collection include: "Canon Alberic's Scrap-Book," "Lost Hearts," "The Mezzotint," "The Ash-Tree." "Number 13," "Count Magnus," "Oh, Whistle and I'll Come to You, My Lad," and "The Treasure of Abbot Thomas."
I was introduced to vampires through Barnabas Collins of Dark Shadows fame, but I was a child and found the show boring. But, when I was 15, I was handed the paperback edition of Salem’s Lot and it scared me to death. I was hooked, reading books, and watching movies about vampires whenever the chance arose. When I wrote the first draft of Redemption, it sat for years before I reworked it, reading Dracula again and taking notes, researching Vlad the Impaler, and watching lots of vampire movies before re-writing it. Since then, I’ve continued reading vampire fiction and watching movies and shows about the creatures whenever I can.
This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.
Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar Ásmundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt…
