Terry Brooks is a long-time favorite author of mine, but I
believe that Child of Light is one of
his best books.
The world is rich and the action captivates your attention, but
the story’s heart lies in the defiant hope that you can be more than what
outward appearances or circumstances suggest is possible. The very best stories
plant resilience and light in your heart, and this book is one of them.
NATIONAL BESTSELLER • The electrifying first novel of an all-new fantasy series from the legendary author behind the Shannara saga, about a human girl struggling to find her place in a magical world she’s never known
“Enticing . . . Brooks’s fans will be thrilled to have a new series to savor.”—Publishers Weekly
At nineteen, Auris Afton Grieg has led an . . . unusual life. Since the age of fourteen, she has been trapped in a Goblin prison. Why? She does not know. She has no memories of her past beyond the vaguest of impressions. All she knows is…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
I’ve only ever lived in small Midwestern towns. I grew up there, raised my kids there, recovered from a divorce there, remarried there. I’ve had the same best friends for 40 years. I’ve paid and bartered for my classmates’ trade services. I’ve argued with them in churches and cafes, rooted for and against their kids at high school basketball and football games all over the state. We’ve celebrated and buried each other’s loved ones. I’ve run hundreds of miles of Wisconsin trail, soaked in her waters, marveled at her sunsets. It’s as home to me as my own body, and I’ll never tire of reading about it.
I’ve lived in Wisconsin since 1985, and somehow I had no idea there used to be a thriving Playboy resort in Lake Geneva, Wisconsin.
After the book came out I learned I even have a family member who worked security there—that’s how little people around here talk about this juicy history. Christina Clancy’s book is set in the 1980s in both Lake Geneva and the smaller community of East Troy, and she does an excellent job of balancing the celebrity and historical elements with the young Wisconsin women themselves and the complex relationship so many of them had with the seedy perception of Playboy. A lot of them were from farms and rural towns, and their families didn’t even know they worked there.
This particular Playboy resort was even known as a family-friendly destination. I loved learning about a world I had no idea existed, set against one I thought…
The small town of Lake Geneva, Wisconsin is an unlikely location for a Playboy Resort, and nineteen-year old Sherri Taylor is an unlikely bunny. Growing up in neighbouring East Troy, Sherri plays the organ at the local church and has never felt comfortable in her own skin. But when her parents die in quick succession, she leaves the only home she's ever known for the chance to be part of a glamorous slice of history. In the winter of 1981, in a costume two sizes too small, her toes pinched by stilettos, Sherri joins the daughters of dairy farmers and…
What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.
While not written for Young Adults, one of this book’s main characters is a young teen that I believe many of us can relate to; I know I certainly could, having been a total outsider and outcast when I was in school. Thank God, though, that I had both my parents and they were wonderful, and not ‘loopy’ like Marcus’s mom is made out to be. Still, I think that many of us are either going through similar experiences to what Marcus deals with throughout this story, or we went through them as teens. And I believe that, even though the character of Will starts out to be a somewhat reprehensibly selfish person, he learns, as we all need to, that the world doesn’t revolve around us as individuals. At least not all the time.
THE MILLION COPY NO. 1 BESTSELLER THAT BECAMEAN ACCLAIMED FILM STARRING HUGH GRANT AND NICOLAS HOULT
'A very entertaining and endearing read' The Times ___________________
Thirty-six-year-old Londoner Will loves his life. Living carefree off the royalties of his dad's Christmas song, he's rich, unattached and has zero responsibilities - just the way he likes it.
But when Will meets Marcus, an awkward twelve-year-old who listens to Joni Mitchell and accidentally kills ducks with loaves of bread, an unlikely friendship starts to bloom.
Can this odd duo teach each another how to finally act their age?
Napolitano puts words together so beautifully that sometimes I had to pause the audiobook so I could take a minute to reflect on and admire her turns of phrase. Sometimes writing like that can get bogged down, but that isn’t the case with this book.
The variety of characters and voices and the toying with the timeline kept me intrigued and wanting more. Though the story is tragic, the themes of love, friendship, and hope resonate.
A transcendent coming-of-age story about the ways a broken heart learns to love again.
One summer morning, a flight takes off from New York to Los Angeles: there are 192 people aboard. When the plane suddenly crashes, twelve-year-old Edward Adler is the sole survivor.
In the aftermath, Edward struggles to make sense of his grief, sudden fame and find his place in a world without his family. But then Edward and his neighbour Shay make a startling discovery; hidden in his uncle's garage are letters from the relatives of other passengers - all addressed him.…
Charles Templeton has been there and understands the stories of those who served in combat. He understands the wounds that do not heal after fifty years and those warriors, who in their writing, try to provide a sense of understanding and vision to their stories. He served as a Marine helicopter crew chief during the American War in Vietnam. His love of Vietnam literature began in 1967 and continues to this day. One voice that he feels has been neglected, is that of the women who served in that war, on both sides, and those who still carry the scars of that war with them. After fifty years of researching and writing about the war, he believes there is a literature of the Vietnam War with a female perspective, and enough of it that you can identify the good and the bad. He writes book reviews for the Vietnam Veterans of America. Charles also edits and publishes an avant-garde literary online magazine, eMerge. And, he and his wife started and published a weekly newspaper in Eureka Springs, Arkansas for a few years, The Independent.
Lê Thi Diem Thúy’s novel tells the story of a young refugee girl in San Diego. The novel is a lyrical accounting, full of disjointed narrative and poetic language, that captures her thoughts and feelings as a Vietnamese immigrant to San Diego in 1978. Early on in the war, most of the literature was written by soldiers and correspondents and dealt strictly with the military side of the war. Later in the eighties and nineties, the scope and quality of the writing about Vietnam has vastly improved, as different perspectives are brought to bear on the war. Lê Thi Diem Thúy writes about refugees whose experiences were much more traumatic compared to the American soldiers who never actually saw combat. Originally published in 2003, it is imminently relevant today.
In 1978, six Vietnamese refugees were pulled from the sea just off California. In San Diego, a little girl's matter-of-fact innocence masks the ghostly traumas that still haunt her: the cataclysm that engulfed her homeland; the memory of a brother who drowned; the heartbreaking spectacle of her parents trying to make a new home, their struggle backlit by the memory of a forbidden love when they were young. le thi diem thuy has revealed a world of great beauty and enormous sorrows. The Gangster We Are All Looking For is an authentically original novel about remembering and forgetting, about home…
The voice in this coming-of-age novel was smart,
funny, raw, caustic, and filled with heart and truth. You will start this book, you
won’t put it down, and you’ll wish it didn’t have to end because you want to keep
that narrator with you.
Joey’s in art school in San Francisco, but her family
is poor and dysfunctional in Lodi. Her sister’s an addict, and Joey has to
constantly navigate disparate worlds while under relentless financial strain and the pressure of trying to make art.
The prose was full of surprises, and I
totally related on every level.
"Portrait of the artist as a broke and brilliant, hungry and funny young woman" (Lynn Steger Strong, author of Want), this hilarious and incisive coming-of-age novel about an art student from a poor family struggling to find her place in a new social class of rich, well-connected peers is perfect for fans of Elif Batuman’s The Idiot and Weike Wang’s Chemistry
At her San Francisco art school, Joey enrolls in a film elective that requires her to complete what seems like a straightforward assignment: create a self-portrait. Joey inexplicably decides to remake Wes Anderson’s Rushmore despite having never seen the…
I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.
I am actually only part-way into this book, but I love it so far. I have always loved Charles Dickens, and learning more about his family interests me. This book is about his 10th child, Edward. He was a difficult child and was sent to the Outback. He lived among the aborigines and mostly convicts. It is a life story about how he handled it and tried coming out on top. I recommend this book because it gives hope and encouragement to all people. Young and old.
By the Booker-winning author of Schindler's Ark, a vibrant novel about Charles Dickens' son and his little-known adventures in the Australian Outback.
In 1868, Charles Dickens dispatches his youngest child, sixteen-year-old Edward, to Australia.
Posted to a remote sheep station in New South Wales, Edward discovers that his father's fame has reached even there, as has the gossip about his father's scandalous liaison with an actress. Amid colonists, ex-convicts, local tribespeople and a handful of eligible young women, Edward strives to be his own man - and keep secret the fact that he's read none of his father's novels.
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.
"They discussed the expediency of a speedy departure. Seth would first seek employment, and then return for Mag. They would take with them what they could carry, and leave the rest with Pete Greene, and come for them when they were wanted. They were long in arranging affairs satisfactorily, and were not a little startled at the close of their conference to find Frado missing. They thought approaching night would bring her. Twilight passed into darkness, and she did not come. They thought she had understood their plans, and had, perhaps, permanently withdrawn. They could not rest without making some…
Much laughter is born out of sadness. Humor can be a way to cope or even reinvent our realities in ways that bring relief—and release. There's a misconception that “serious literature” should be humorless; crack a smile and you’re a fraud. However, the worlds and characters that emerge from this way of thinking do not ring true to me. Who among us hasn’t joked to help deal with sorrow? Or to satirize the outrageous? Or simply because life--however brutal—is also sometimes funny? The more a writer allows laughter to intermingle with tears, the more I believe in the story, and the more I enjoy it. That is why I wrote a “funny-sad” novel, The Australian.
Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.
Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering…
