The most recommended classic books

I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.

Two things I absolutely loved growing up: fantasy novels and history. Swashbuckling pirate stories are like a fantastic combination of both, and the way that the age of sail touched all corners of the world creates an opportunity for so many different kinds of stories to be told through this lens. As a queer writer, my passion is writing the kind of stories I loved as a child. As a trans adult, I find joy in making the next generations feel comfortable in their own skin. Living in Vancouver, B.C. I write novels and animated television, and I also co-host a podcast about advertising called Ad Creeps. 

If you’re anything like me, you are driven by your passions. And the key to stoking our passions is finding inspiration—sometimes in the most unlikely of literary places. The study of literature is intrinsically about the act of knowing. It is about knowing the world—a vast, uncharted universe of people and places, ideas, and emotions. But in helping us to know the world, literature is mostly about coming to know yourself. It is about exploring the recesses of your mind, the vicissitudes of your memories, the weight and pleasure of your deepest, most personal experiences. It is about getting closer and ever closer to understanding your own essential truths—and yet never quite arriving there. It is, in short, the most intimate and transformative journey that you can possibly take through the lens of your mind’s eye. It is about you.

I’m a poet, short story writer, novelist, essayist, and writing professor at New York University. I also have a fascination with altered states of consciousness, especially with mysticism, psychosis, and psychedelic art. (My book James Joyce’s Mandala examines all three.) My first novel, Claiming De Wayke, delves into those elements too, but with a particular focus on vivid first-person narration, so most of my recommendations involve books that are not only trippy in terms of plot and characterization but are also psychedelically inflected in their use of language itself. I hope you check some of them out.  

As a writer and a professor, I love sharing knowledge of my birth country (India) and the experiences of Indian immigrants in America. My first book, Arranged Marriage, is about the transformed lives of immigrant women and won an American Book Award. Mistress of Spices is about a spice-shop owner who knows magic, was a national bestseller, and became a film. One Amazing Thing is a multicultural novel about nine people trapped by an earthquake, was a Citywide Read in over 25 US cities. Recently, fascinated by the richness of Indian history, I have delved into it in novels like The Last Queen, set in the 1800s, and Independence, set in the 1940s. 

I am a writer, author of the science fiction novel The Site, and a contributor to the website Internet Looks. During my work as an aerospace engineer and manager I participated in NASA and Department of Defense projects such as the International Space Station, the Space Shuttle, the Strategic Defense Initiative, and the USAF C-5A aircraft. I authored various aerospace system functional requirements documents and technical papers, and developed and taught courses in dynamic simulations, aerodynamics, and space vehicle guidance, navigation, and control. When writing fiction, I use my technical background, understanding of physical principles, and documentation to provide clear and concise descriptions and dialog for the reader.

I was four years old when I was given a pony. The freedom of roaming the countryside with her was amazing, and I was hooked! All horse breeds have supported humans; their strength and speed have enabled farming, war, travel, and settlement. Horses feature in the art, religion, and sports of diverse cultures. My Historical Horse series contains three books—each one is a completely different story about a specific breed of horse, and a fictional girl who loved it and depended on it, even to stay alive. Writing the books was like time-traveling with horses!

I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.

Poetry is language at its most condensed and pure, potent and direct—the closest thing to thought. At its best, this mode and method is cinematic and penetrates like a powerful dream, and bringing it to narrative prose in a legend and key that can be woven together, like a tapestry, has been my lifework. Nothing in this list is ancient or even old, nor is any of it new—I've picked all books from the 20th century, because that was the world and writing that immediately influenced me, it's long enough past to be settled and safely buried, but still new enough to have some currency with the life and language of now.

 I’ve always loved a good mystery that doesn’t give you all the details upfront. My favourite stories growing up were those where I had little epiphanies along the way until I got to the end, where everything finally fell into place. But perhaps why I’m most drawn to these types of stories is because they parallel learning about your surroundings in the real world. After living in several different countries, I’ve come to learn many situations piece by piece, where some ended in danger, while others were more humorous events that I can now laugh about.