The most recommended Leo Tolstoy books

I didn’t expect to like this book so much!

Caveat, I’ve studied Soviet history and my husband is Ukrainian, so when I saw Kissing Tolstoy was heavily drenched in Eastern European commentary—the hero being a Russian Literature Professor—I worried the author would miss a lot of the nuance. But she didn’t!

Now, you don’t need my background to like this book, but I did laugh out loud at some of the aptly put cultural quirks. Kissing Tolstoy is a wonderful mix of inner-city edge, meets intellectual romance.

A real treat if you’re looking for something fun and with depth!

When it comes to finding inspiration in our memories, Marcel Proust is literature’s gold standard. The French novelist devoted the balance of his life to the art of refracting his memories through the lens of his writerly self. Proust understood implicitly that our memories are triggered by sensory experiences—sights, sounds, smells, and touch, to be sure—but most especially through the pleasures of the text. In Du côté de chez Swann, the first volume of his epic À la recherche du temps perdu, Proust interrogates the ways in which memory is catalyzed by the senses, while comprehending, at the same time, the manner in which the reality of our memories becomes shaped by the ruinous work of nostalgia, of a sentimentality that exists beyond our ken.

If you love to write, then this book will open up your thinking to different approaches in constructing a story of fiction.

The book was written by George Saunders, who is an accomplished author and a professor of writing at Syracuse University. He selected seven short stories from Chekhov, Turgenev, Tolstoy, and Gogol and takes us through these narratives, asking questions about life, truth, and character.

As you are reading the stories, Mr. Saunders peppers you with questions that are aimed at eliciting what the story means to you, as well as shining a light on the technical aspects of storytelling.

I came away from this book being more reflective of any story or book I’m reading and learning some lessons about creating compelling fiction that I can apply to my own writing.

Reading this book was like getting a master class in fiction writing.

Shows the hidden writing techniques of well-known Russian authors and their placement of subtle clues—how they speak to the reader as a conversational equal.

In this way the reader feels welcomed, or initiated, into the creative process of different great writers such as Turgenev, Chekhov, and Tolstoy. This approach enhances the reader’s appreciation and understanding of six Russian classics that the book includes. As a writer myself, though not of fiction, this book had great educational value.

If you were to read one of Kundera’s novels, let it be this, Immortality! It’s the last of a trilogy (that includes The Book Of Laughter And Forgetting and The Unbearable Lightness Of Being), and Kundera’s masterful attempt to answer questions such as: What’s the meaning of life? And is immortality so unbearable as our brief existence?

Its plot is Kunderian, light, and poetical. The story initiates from a simple gesture by Agnes, one of the protagonists, but as it progresses the reader begins to feel the heaviness of mortality and the endless challenges of love. It’s a beautiful discussion on the nature of one’s legacy, and how one changes (or not) through the passage of time, and unfortunately can’t do much about it.

Leo Tolstoy is considered a master storyteller with an unmatched grip on presenting the inner emotional struggles of mankind.

This novel presents the stress caused in the lives of people and society when French General and Emperor Napoleon Bonaparte attacked Russia. The book had a deep impact on future generations. I read the book in my early 30s and found it fascinating. 

I have a deep interest in the evolution and reaction of societies to crises, both natural and man-made. The discussion on leadership, whether it is by birth or upbringing, was fascinating for me. 

Tolstoy describes and plays with religious experiences across various of his novels. He doesn’t take them for granted: the initial enthusiasm and prospect of personal change seldom leads to real transformation. Here, though, in one of his last writings, we follow the contagious spell of true conversion of heart. When a serial murderer meets a pure soul his self is transformed and goes on to change the life of others. 

"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.

Despite having been published 70 years ago, this eloquent book still has enduring appeal as it provides an intellectually stimulating way of approaching big ideas.

It teaches us how to think both deeply and pragmatically about the monumental challenges facing humanity. In his unique way, Berlin, a Fellow of All Souls College in Oxford and one of the most important thinkers of the twentieth century, gives us prescient philosophical insights into human behaviour.

This book is brimming with themes that are super meaningful to me—love, loss, healing, the nature of reality, time travel, spirituality, faith, and redemption. He does this through language that waxes poetic in a formal, archaic voice, dropping into and out of time, occasionally lapsing into a hilarious, modern tone. Laurus, the protagonist, reminds me of myself, a holy fool, who believes in the healing power of mercy and compassion. As well, he keeps one foot in this world and the other in a mystical realm to which he longs to return.