This year, I took a deep dive into the Romantasy (Romance & Fantasy) genre. Across the dozens I read this book was by far my absolute favourite. Now, this is a hefty book, coming in at 1200 pages, but it is technically four books in one.
With an intriguing plot from the get-go, immaculate world-building, and a relatable FMC that will have you laughing and rooting for her at every turn, this book is truly one of a kind. Imagine if Throne of Glass and the movie Brave came together to create an enemies-to-lovers masterpiece.
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
You know why this maddening, captivating book is on this list. Where else would you find it? Where could your chapter-by-fragmentary-chapter search have brought you but to this repository of titles?
Perhaps you will discover a deeper meaning waiting for you in these linked disconnections. You offer Ludmilla a glass of wine. The story awaits.
"You are about to begin reading Italo Calvino's new novel...Relax. Concentrate. Dispel every other thought. Let the world around you fade." —from If On A Winter's Night a Traveler
Italo Calvino's stunning classic imagines a novel capable of endless possibilities in an intricately crafted, spellbinding story about writing and reading.
If on a Winter's Night a Traveler is a feat of striking ingenuity and intelligence, exploring how our reading choices can shape and transform our lives. Originally published in 1979, Italo Calvino's singular novel crafted a postmodern narrative like never seen before—offering not one novel but ten, each with a…
I fell in love with Romantic poetry when I was young. Then, after a gap of several years, I began to write historical fiction, and it was at this time that I found myself being drawn once more to the Romantic poets, this time as people as much as for their work. I discovered their place in the world, contested and controversial, and their influence became a driving light to me and my characters. InBeneath Black Clouds and White, Delphi explains: “It has a pulse, you see, like any other living thing. You must treat each poem as though it were alive.” I feel the same way!
I’m a sucker for a good primary source, but I’m even more of a fan of the 1.5 sources. I love the sources which are of the time but are influenced as much by rumour as fact. This collection of essays does its best to be objective, but there are people amongst these pages who have been so strongly immortalised in popular opinion, but sometimes facts have been discarded in favour of Hazlitt’s own opinion. But, from the point of view of a historical fiction writer, this is priceless, because it unearths a contemporary viewpoint and opens a window onto the thoughts of a people about The Spirit of the Age!
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a café terrace in Paris watching the world go by.
You should meet her. She is a great woman. She is even the chapter four of my book written in French about 5 inspirational Parisian women.
Unfortunately my book is not translated in English yet. So in the meantime, don't miss this biography of George Sand, famous French writer from Romantic era who took a male nom de plume.
George Sand inspired Charlotte Brontë, she was lover and muse of Chopin and Alfred de Musset.
In the rigid 19th century she did not care to have younger lovers, to wear trousers, when it was illegal for women to wear trousers, and smoking cigars in public. How shocking!
The romantic and rebellious novelist George Sand, born in 1804 as Amantine Lucile Aurore Dupin, remains one of France's most infamous and beloved literary figures. Thanks to a peerless translation by Gretchen van Slyke, Martine Reid's acclaimed biography of Sand is now available in English.
Drawing on recent French and English biographies of Sand as well as her novels, plays, autobiographical texts, and correspondence, Reid creates the most complete portrait possible of a writer who was both celebrated and vilified. Reid contextualizes Sand within the literature of the nineteenth century, unfolds the meaning and importance of her chosen pen name,…
Sometimes I have to take a trip back to my reading "roots": gothic mystery and suspense. This list is a deep dive into some of my very favorite vintage gothic authors and ones that I consider to be icons of the genre. These writers formed the foundation not only for my reading tastes but also for who I have become as a writer. The memories of my younger self come flooding back when I revisit these authors and their works as I have done with this list. Some of these novels are hard to come by now but, in my opinion, the older and more beat-up paperback, the better.
This novel put a pin on what became a life-long fascination with gothic fiction for me.
I first read it over forty years ago and it is hands-down the most memorable novel ever from my early reading diet.
Why is it so memorable? It hits all the high notes necessary for gripping suspense/mystery/romance in this genre and is laden with all the gothicky feels.
It includes a bit of the supernatural, mystery of an old gravestone, mood setting in the Virginia hills, and a heroine in a dangerous pickle.
Originally published in 1971, it is out of print now but find a copy if you can. You won’t regret it.
I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.
Few nineteenth-century celebrities were as fascinating as Maria Malibran (1808-1836). She made her debut at London’s King’s Theatre at the ripe age of seventeen, and then blazed a trail across Europe and New York City, becoming one of the most in-demand and beloved prima donnas of her day. But, as April FitzLyon compellingly illustrates, Malibran’s life was anything but perfect. Her father, the famous tenor Manuel Garcia, may have abused her as a child, and her first husband, Eugene Malibran, went bankrupt shortly following their wedding. Most disturbing was her premature death at the age of 28, the result of overwork and a gory horse-riding accident. This biography presents a devastating account of the pressures, pains, and glories inherent in leading the life of a superstar during the first half of the nineteenth century.
I’m fascinated by houses and the memories that haunt them. I grew up on a private estate in rural England where my father worked. When I was little I knew a witch. She rode a bicycle, not a broomstick: she cured my warts. The trees I played under were planted when the big house belonged to the 17th-century statesman and historian, Lord Clarendon. I knew storytellers who performed in the local pubs – part of an oral tradition that goes back millennia. I moved to London, but I kept thinking about those rural enclaves where memories are very long. I set my novel in that beautiful, ghost-ridden, peculiar world.
Clumsy peasant schoolboy, Meaulnes, and his friend – the narrator of this haunting story – get lost, and happen upon a great house, deep in the woods, where a phantasmagorical fancy dress party is underway. Everything at ‘the lost domain’ is topsy-turvy. Children are in charge. The passage of time is suspended. Social inequality has been erased. The time the boys spend there is dream-like, disconcerting, life-spoiling because nothing can ever be so strange and marvelous again.
Later, after much searching, Meaulnes make his way back, but the domain is like youth itself. If you return, it will be to find everything drabber than you remembered, and the people you adored merely human.
This book is even greater than its reputation. Generally thought of as one of the last works of romanticism, a celebration of illusion, it is actually clear-eyed, tough-minded, bracingly truthful about the inevitably of disillusion. Alain-Fournier was…
Le Grand Meaulnes est le seul roman de l'auteur français Alain-Fournier qui a été tué dans le premier mois de la Première Guerre mondiale. Il est un peu biographique - en particulier le nom de l'héroïne Yvonne, avec qui il a eu un engouement condamné à Paris. François Seurel, 15 ans, raconte l'histoire de son amitié avec Augustin Meaulnes, dix-sept ans, alors que Meaulnes cherche son amour perdu. Impulsif, imprudent et héroïque, Meaulnes incarne l'idéal romantique, la recherche de l'inaccessible, et le monde mystérieux entre l'enfance et l'âge adulte.
Rupert Read is an Associate Professor of Philosophy at the University of East Anglia in Norwich, UK, where he works alongside some of the world’s leading climate scientists. He is a campaigner for the Green Party of England and Wales, a former spokesperson for the Extinction Rebellion, and co-founder of the Climate Activists Network, GreensCAN.
Why did Wordsworth and Coleridge decide to produce this book, together? Well, basically, it was because they regarded themselves as having something to say, something to contribute that went way beyond the sphere of pleasing or thought-provoking in a purely literary sense.
The form of the poetry was very shocking at the time and they were also bringing a new point to poetry. And that point is what really brings this very close to eco-philosophy. What they tried to do in theLyrical Balladswas to produce a sort of poetic manifesto for thinking about nature in a different way, in a more serious way, than was customary at the time.
Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general.
This is the only edition to print both the original 1798…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"The Forsaken Merman" is one of the most beautiful and saddest fantasy poems I have ever read. Being a songwriter, I have a keen ear for music in words. This is a lyrical poem that sings in rhyme and meter. It’s a tragic song to love lost. The longing is real. You will feel it and you will be moved by it.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
This book expanded how I thought about time and about the landscape we take for granted.
It opened up the prehistoric world from a contemporary perspective, showing how a sense of deep geological time can help us understand our own place in the world better today.
Gordon explains why categories of things can be useful in deepening our understanding of a place: as she says, ‘a named landscape thickens.’
I also found this book so useful in working out how to cram 100,000 years of history into one volume for my book!
'Astounding ... To call this a "history" does not do justice to Helen Gordon's ambition' Simon Ings, Daily Telegraph
'Awe-inspiring ... She has imbued geological tales with a beauty and humanity' Shaoni Bhattacharya-Woodward, Mail on Sunday
The story of the Earth is written into our landscape: it's there in the curves of hills, the colours of stone, surprising eruptions of vegetation. Wanting a fresh perspective on her own life, the writer Helen Gordon set out to read that epic narrative.
Her odyssey takes her from the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from…
