Women’s empowerment is my passion and my purpose, which is why I founded Women Connect4Good, Inc., a 501(c)3 foundation to help support other organizations that work to advance women and girls. Our name says it, and our work proves it. Women make phenomenal leaders, and while I can do a lot through my foundation to promote women’s leadership, we can all do something in our day-to-day lives to help women lead. Every day we can do something to support another woman, or partner with another woman, like the women who’ve written the books I’ve reviewed here – friends, colleagues, and fierce advocates for equality on every level. We are all lifting as we rise.
Guess what? Your abilities matter and according to Linda Rendleman simply taking a few minutes to recognize and utilize them positions you to be part of the change and spread positivity in the world. Linda takes time in this third book in the Women Like Us series to share the stories of some well-known and not-so-well-known women who are coming together with their own voices to speak up for more vulnerable women, linking arms with compassion and connection. Most importantly, she shares how you can also be a part of the change in your own way. When we hear one another’s stories, we are inspired to learn more and support each other. I couldn’t agree with her more.
Your basic abilities matter and by recognizing and utilizing them, you can be a part in positive change for the world. This third book in the Women Like Us Series focuses on the stories of well-known and little-known women who are coming together in their own way with their own voices to speak up for the vulnerable, link arms with compassion and connection and share how the reader, in her own way, can be a part of the change.
Narrated by Linda Rendleman, MS, CEO and Cofounder of the Women Like Us Foundation, she introduces you to women who have…
I write about unusual places, unusual people, and unusual stories. Places, people, and stories that are rough, different, authentic, often forgotten, full of troubled history and a magical present.
A novel that reads like a reportage, almost a documentary, on contemporary (the Nineties) life in Kenya for the small and influential (but not rich) community of “white Kenyans”: some native of Kenya, some adoptive sons and daughters of the country that invented the safari a century ago and that is the main hub for all news organizations in the continent. So, reporters, conservationists, dreamers, adventures, misfits, eccentrics populate this hugely evocative and partially autobiographical book that has some of the best “sound bites” on the question we are often asked: Why You Love Africa?
In the vast space of East Africa lives a close-knit tribe of expatriates. They all meet at dinner parties; they share the same doctors and eat at the same restaurants; they sleep with each other and take the same drugs.
Set in contemporary Nairobi, Rules of the Wild is at once a sharp-eyed dissection of white society in modern Kenya and the moving story of a young woman, Esme, struggling to make sense of her place in Africa, and her feelings for the two men she loves - Adam, a second generation Kenyan who is the first to show her…
Writing for children is the most gloriously tricky thing in the world, and I love doing it. With fiction, am I telling a story worth telling to someone who’s new to the planet and new to our way of life? With non-fiction, am I distilling complexity into a shape they can grasp quickly? Am I showing them how wonderful and strange our world is, and can I make ‘em laugh while learning? I’ve written 18 books for kids, many commissioned by Think Equal for their global SEL program and used in the national curricula of 20 countries.
I found Kenyan biologist and environmental activist Wangari Maathai’s story inspiring, heartbreaking, and ultimately, triumphant.
Prévot’s text may require you to read this one closely with your kids – and be ready for conversations about authoritarianism and political rights. At the same time, Maathai’s successes and accomplishments are astonishing: the book’s title is an understatement – the Green Belt Movement which she founded has planted about 50 million trees now.
Fronty’s illustrations are beautiful, easy to get lost in, and make this book sing. This is a visually striking work with an important story to tell about science, perseverance, and the true value of a tree.
“Trees are living symbols of peace and hope.” –Wangari Maathai, Nobel Peace laureate
Wangari Maathai changed the way the world thinks about nature, ecology, freedom, and democracy, inspiring radical efforts that continue to this day.This simply told story begins with Green Belt Movement founder Wangari Maathai’s childhood at the foot of Mount Kenya where, as the oldest child in her family, her responsibility was to stay home and help her mother. When the chance to go to school presented itself, she seized it with both hands. She traveled to the US to study, where she saw that even in the…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I found this novel on a secondhand stall in Kenya when I was 18 or 19 and devoured it. Little known today, it was shortlisted for the Booker Prize and later adapted by the BBC.
Judd relates a tour by a fictional British Army unit in Northern Ireland in some of the most violent days of the Troubles in the 1970s. The protagonist, Charles Thoroughgood, is an Oxford graduate at a time when most army officers were school leavers, and the book chants his increasing disillusionment.
My early edition featured on the cover – next to a crouching individual in combats toting a pistol on a lanyard – an endorsement from Jack Higgins: “Quite simply one of the best novels of army life I’ve read in years.” Higgins was right.
FROM THE HIGHLY ACCLAIMED AUTHOR OF LEGACY AND ACCIDENTAL AGENT
After university and Sandhurst, Charles Thoroughgood has now joined the Assault Commandos and is on a four-month tour of duty in Armagh and Belfast. The thankless task facing him and his men -- to patrol the tension-filled streets through weeks of boredom punctuated by bursts of horror -- takes them through times of tragedy, madness, laughter and terror.
Alan Judd tells Thoroughgood's tale with verve, compassion and humour. The result is an exceptionally fine novel which blends bitter human incident with army farce.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Etabo dreams of being a camel racer but is thwarted by the fact that his family must now sell their camels because of impending drought.
What I find so interesting about this book is how the narrative does such an amazing job of showing a slice of life amongst the Turkana, a remote people in the deserts of Northwest Kenya. So very little of these amazing people have ever been shown in children’s literature and so I was so captivated by how this book gives such a great opportunity to peek into their world, illuminated by the tender illustrations and enthralling theme of not giving up on one's aspirations.
Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Written and photographed by three of Britain’s leading wildlife personalities, The Marsh Lions remains a seminal text when it comes to lions. Scott’s and Jackman’s unrivalled knowledge of what is perhaps Africa’s most famous lion pride (which was immortalised in Big Cat Diary, hosted by Jonathan Scott) shines through in the writing, which is patient wildlife storytelling at its best.
A bestseller when first published in 1982, The Marsh Lions portrays a vivid picture of life and death on the African savannah through the story of a pride of lions in Kenya's world-famous Masai Mara game reserve. The story is essentially a true one. All the central characters are real, and most of the incidents described actually happened. For five years, Brian Jackman and Jonathan Scott followed the Marsh pride and their progeny, painstakingly recording the daily drama of life and death on the African plains. In time they came to regard them as old and familiar friends and real…
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Michela Wrong’s story centres on one country, Kenya, and one person, but it resonates throughout the continent and far beyond it – everywhere, where corruption is as systemic, as it is in Kenya. John Githongo, a journalist who fought corruption, was appointed to head an anti–corruption unit by a new president. As in every decent detective novel, involving corruption, the hero discovers that the roots lead to the very top, finds the proof and, after many adventures, publicizes it. Only this is not a novel, though it certainly reads like one. Wrong’s hero is a real person, who did what he did and who suffered for it. This is a story of personal honesty, decency, and courage. But this is also an inside story of how many African societies work.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.
When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.
Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this…
EM Forster said, "Only Connect." That has inspired my life and work. The Oxford Times published my Oxtopian castaway series, and those life stories were turned into three books. The castaways, with links to Oxford, were from five continents. One of those castaways was Kenyan-born Nancy Mudenyo Hunt. Nancy founded the Nasio Trust, which has transformed the lives of hundreds of disadvantaged young people in West Kenya and Oxfordshire. With friends, I’m currently fundraising to build the first community library in West Kenya. Nancy asked if we could write a book together, and we did. We wrote a novel inspired by her life.
Feel the force of fifty children’s voices and celebrate how art and story-telling unite young people who live continents apart. At age seven, I discovered libraries and a love of reading and writing, but the idea that a working-class girl from Luton could become an author was as crazy as eating the straw boater with which my birthplace was associated.
Middle-class parents can afford to buy books for their children. Lack of access to books for children without them is a handicap for upward mobility. That is why the Nasio Trust wants to build the first community library in West Kenya, and Cosmic Cats will be the first book in the library to show the children that they belong there. In our imaginations, we are all equal. BBC South recorded the launch, bringing together the two schools.
Feel the force of fifty children's voices. Recognise the bravery of turning an empty page into a living story and celebrate how art and story-telling brings together young people who live continents apart.
Cosmic Cats connects Mumias Township Primary School (Kenya) and St Swithuns CE Primary School (England).
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Wangari is from Kenya and grew up among many trees. When she is older and returns home, she notices that the trees have all been cut down. She decides to replant her own trees which starts a movement with many to reforest the land. She has many obstacles to overcome but, in the end, prevails. This is a story that shows determination in the face of many challenges to make a difference. I, of course, love that it also introduces children to a very different and very beautiful part of the world. This is another story that can connect us all. Jeanette Winter’s text and beautiful illustrations complement each other perfectly.
As a young girl growing up in Kenya, Wangari was surrounded by trees. But years later when she returns home, she is shocked to see whole forests being cut down, and she knows that soon all the trees will be destroyed. So Wangari decides to do something - and starts by planting nine seedlings in her own backyard. And as they grow, so do her plans . . .
This true story of Wangari Maathai, environmentalist and winner of the Nobel Peace Prize, is a shining example of how one woman's passion, vision, and determination inspired great change.
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
