Here are 100 books that The Invention of Nature fans have personally recommended if you like
The Invention of Nature.
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I’m drawn to the idea of doing what you think is right when others are against you because I’ve always felt the desire to row against the current and just do my own thing. I tend to avoid following the crowd because oftentimes I simply don’t agree with them. Am I being purposely difficult? Maybe. But I fear a society that goes with the flow simply because it’s easier and it doesn’t require them to think for themselves. It’s okay to listen to other people, but before you make any major decisions, ask yourself a question: Is this right for me?
Here’s my confession: I hated Chris McCandless by the time I finished this book. I hated his cockiness and lack of respect for the power of the wilderness.
But you know what I give him credit for? His ability to leave his life of privilege and the courage to go out into the world and forge his own destiny. He did what he thought was best for him despite the pushback he received from his friends and family.
I think I hated him so much because I wanted him to succeed, and he doomed himself through his own hubris.
Krakauer’s page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." —New York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all…
Chris Fitch is a writer, geographer, and storyteller. Formerly a senior staff writer at Geographical, the magazine of the Royal Geographical Society, he has reported from Australia to Kenya, Arizona to the Galápagos Islands, covering global stories on climate change, ecological urbanism, wildlife conservation, cultural revitalisation, sustainable development, geopolitics, science, travel, and more.
A profoundly depressing but important explanation of the paradox that the more power humans gain over the Earth, the more the planet we call home will turn against us, a fundamental shift in humanity's relationship with nature, and making our existence ever more precarious.
Humans have become so powerful that we have disrupted the functioning of the Earth System as a whole, bringing on a new geological epoch the Anthropocene one in which the serene and clement conditions that allowed civilisation to flourish are disappearing and we quail before 'the wakened giant'. The emergence of a conscious creature capable of using technology to bring about a rupture in the Earth's geochronology is an event of monumental significance, on a par with the arrival of civilisation itself. What does it mean to have arrived at this point, where human history and Earth history collide? Some…
Starting with Tolkien’s novels as a child, I’ve devoured countless SF&F stories. My love of the genre, particularly high fantasy, combined with the irritatingly fashionable trend of so many fantasy authors to stop writing their stories partway through and leave we readers high and dry, motivated me to start writing, to see if I could create something that I was missing as I hunted for new material to read. As an intense hater of winter, spring always signified to me a time of hope, of new growth, of opportunity, of the ending of difficulty, and the start of a time when all things were possible.
Much SF&F literature has explored the concept of what the world might look like with fewer (or no) humans.
Weisman’s well-researched book imagines how our environment would recover; how nature might take back control without humans around to continue wrecking it.
He imagines the primacy of nature in a fascinating way and manages to avoid the normative language that might be off-putting, drawing the reader into a place that might as well be 1000 light years away from Earth.
Revised Edition with New Afterword from the Author
Time #1 Nonfiction Book of the Year
Finalist for the National Book Critics Circle Award
Over 3 million copies sold in 35 Languages
"On the day after humans disappear, nature takes over and immediately begins cleaning house - or houses, that is. Cleans them right off the face of the earth. They all go."
What if mankind disappeared right now, forever... what would happen to the Earth in a week, a year, a millennium? Could the planet's climate ever recover from human activity? How would nature destroy our huge cities and our…
I have loved insects and other wildlife for all of my life. I am now a professor of Biology at the University of Sussex, UK, specializing in bee ecology. I have published more than 400 scientific articles on the ecology and conservation of bumblebees and other insects, plus seven books, including the Sunday Times bestsellers A Sting in the Tale (2013), The Garden Jungle (2019), and Silent Earth (2021). They’ve been translated into 20 languages and sold over half a million copies. I also founded the Bumblebee Conservation Trust in 2006, a charity that has grown to 12,000 members.
EO Wilson died just a few weeks ago, at the age of 92. It was a sad day for me, as he has always been one of my great heroes. “E.O.” was a fantastic scientist, a world authority on ants, and sometimes known as the “father of biodiversity”. In this book, he argues that we have no right to drive millions of species extinct and that our own future depends upon setting aside half the Earth for nature.
History is not a prerogative of the human species, Edward O. Wilson declares in Half-Earth. Demonstrating that we blindly ignore the histories of millions of other species, Wilson warns us that a point of no return is imminent. Refusing to believe that our extinction is predetermined, Wilson has written Half-Earth as a cri de coeur, proposing that the only solution to our impending "Sixth Extinction" is to increase the area of natural reserves to half the surface of the earth. Half-Earth is a resounding conclusion to the best-selling trilogy begun by the "splendid" (Financial Times) The Social Conquest of Earth…
Writing my first book, I found out how dependent my thinking about the world beyond my doorstep was on language made up by engineers (“Please don’t block the driveway”). Engineering language defined how I saw the street. It was a shock to realize how severely this had limited my thinking about public space but also a liberation to become aware of this: now I could perceive streets in completely new and different ways. The books I recommend all have made me perceive the world differently. I hope they do the same for you. Also, see the recommendations by my co-author, Marco te Brömmelstroet.
Fungi live mostly underground, much less visible than plants or animals. When Merlin Sheldrake started studying fungi at Cambridge, he did this in the Department of Plant Sciences. There is no Department of Fungi Sciences, which helps explain why scientists know so little about them and why society keeps regarding them as less important than plants or animals.
Merlin explains fungi are closer to animals than plants. They are crucial, fascinating, and intelligent beyond ways Western man has words for. He uses language in a sensitive and creative new way to describe and visualize the fungi world. This book is not for fungi lovers (I’m not one); it is for anyone who wants to expand his view of life.
NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems.
“Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of I Contain Multitudes
ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
After reading this novel, I discovered Powers’ list of 25 (out of many more) books that influenced him while he was writing the book. Now I have read a significant share of these books too, and I have incorporated fascination and facts in my own writing. This novel, perhaps more than any other I have read, has led me to examine the vast and disturbing question that seems to haunt Powers—our alienation from nature, why? To question this, I feel, suggests a search that may lead to the “new story” our culture needs.
Powers is a brilliant writer, and I admire his ability and finesse to weave together an extraordinary cast of characters, factual and historical material, and a reverent feeling for another form of life: trees.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of-and paean to-the natural world. From the roots to the crown and back to the seeds, Richard Powers's twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours-vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see…
I have lived in Florida since 1969, attended public school here, and received my Master’s degree from a state college. My husband, Bob Randall, a photographer and an entrepreneur, and I have written six nonfiction books about Florida. An Ocklawaha River Odyssey is our favorite. Kayaking the 56 miles of winding waterways became less of a research expedition and more of a spiritual journey as the ancient river cast its spell on us. From wildlife, including manatees and monkeys, to wild orchids and pickerelweed, the Ocklawaha provides more than exercise and recreation; it also touches your soul. I hope my writing and Bob’s photography provide that experience for our readers.
Carson’s Silent Spring is full of unsettling environmental details, including the poisoning of species of birds by insecticides and politicians' proposals to use a nuclear bomb to form a dam. Although it was published in 1962, the book is even more relevant today, and I love that it is easy to read and gives environmentalists the facts they need to counter those who would poison and destroy wildlife and, ultimately, the environment.
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. "Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time"s 100 Most Influential People of the Century). This fortieth anniversary edition celebrates Rachel Carson"s watershed…
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
How often do we consider the people behind the objects we use every day?
This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.
While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.
This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important…
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China.
China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta.
As a science journalist I have concentrated on the consequences of climate change. It´s the most frightening as fascinating experiment, we conduct with our planet. In 2018 I wrote a book on extreme weather together with climate scientist Freddy Otto from the University of Oxford (Angry Weather). After this I got immersed in a different climate consequence: How it is affecting biodiversity and with it the foundation of our societies. But what I also love is good storytelling. I quickly get bored with texts that have no dramaturgy or that don't give the reader any pleasure—unlike the fantastic and highly relevant books on this list.
Not many can manage the task of mastering a complicated subject and turn it into life—which means storytelling—as good as David Quammen. In his books he writes long passages on scientific discourses that sometimes come close to textbooks. But I enjoy reading them, because I learn so much and because he alternates these sections with (often very funny) stories. Stories of people that shape their scientific field, which reads like a good novel. Like in “The song of the Dodo”—a portrait of the scientific field of “Island Biogeography,” which explains why animal and plant species are where they are and why they become extinct when their habitat becomes too small.
“Compulsively readable—a masterpiece, maybe the masterpiece of science journalism.” —Bill McKibben, Audubon
A brilliant, stirring work, breathtaking in its scope and far-reaching in its message, The Song of the Dodo is a crucial book in precarious times. Through personal observation, scientific theory, and history, David Quammen examines the mysteries of evolution and extinction and radically alters our understanding of the natural world and our place within it.
In this landmark of science writing, we learn how the isolation of islands makes them natural laboratories of evolutionary extravagance, as seen in the dragons of Komodo, the elephant birds of Madagascar, the…
I’m a professor of economic psychology at the London School of Economics with affiliations in developmental economics and data science. Before that, I was at Harvard in Human Evolutionary Biology. During my PhD, I took graduate courses in psychology, economics, evolutionary biology, and statistics. I have undergraduate degrees in engineering and in psychology and took courses in everything from economics and biology to philosophy and political science. As a child, I witnessed the civil war in Sri Lanka; a violent coup in Papua New Guinea; the end of apartheid in South Africa, living in neighboring Botswana; and London’s 7/7 bomb attacks. I’ve also lived in Australia, Canada, USA, and UK.
The new science of DNA reveals a lot about how we think about identity.
Humans are a migratory species and our stories are complicated. Ancient DNA don't always match people's stories about their ancestors. Rather than being in a place for thousands of years, sometimes we replaced those who were there before or only the males of the group.
Sometimes we completely replaced the group that was there before but the original group's culture persisted or even replaced the invading culture. The book complicates our understanding of indigeneity and belonging.
The past few years have witnessed a revolution in our ability to obtain DNA from ancient humans. This important new data has added to our knowledge from archaeology and anthropology, helped resolve long-existing controversies, challenged long-held views, and thrown up remarkable surprises.
The emerging picture is one of many waves of ancient human migrations, so that all populations living today are mixes of ancient ones, and often carry a genetic component from archaic humans. David Reich, whose team has been at the forefront of these discoveries, explains what genetics is telling us about ourselves and our complex and often surprising…
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