I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead—these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and everyday with profundity and poignancy. Like his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.
Aira is one of the most interesting novelists alive today, a writer whose wit, energy, and unfailingly restless imagination ensure that his books never follow a straightforward path, and thus always surprise you. Ghosts, my favorite of those books, presents the story of a half-constructed luxury apartment complex, the ghosts who wander its beams and its floors, and the adolescent girl to whom they call. Recommended if you like your ghosts circumambulating and avant-garde.
"On a building site of a new, luxury apartment building, visitors looked up at the strange, irregular form of the water tank that crowned the edifice, and the big parabolic dish that would supply television images to all the floors. On the edge of the dish, a sharp metallic edge on which no bird would have dared to perch, three completely naked men were sitting, with their faces turned up to the midday sun; no one saw them, of course." - from Ghosts
Ghosts is about a construction worker's family squatting on a building site. They all see large and…
Beagle is best known for his novel The Last Unicorn, but A Fine and Private Place, written when he was just nineteen, is even better, I think. It takes place in a Brooklyn cemetery, where two recently disembodied spirits meet, fall in love, and resolve not to sink into oblivion. Recommended if you like your ghosts wistful, lyrical, and romantic.
A kindly raven brings food to and is the companion of a man who has taken refuge in an abandoned mausoleum in a New York City cemetery for nineteen years. Title: A Fine & Private Place Author: Beagle, Peter S. Publisher: Tachyon Publications Publication Date: 2007/05/28 Number of Pages: 264 Binding Type: PAPERBACK Library of Congress: bl2007019271
This, Dorst’s first novel, adopts the trappings of a police procedural but is at heart a character drama seasoned with elements of the supernatural. It follows the fortunes of a rookie cop in the “cemetery city” of Colma, California, whose charges, he quickly discovers, include both the living and the dead. Recommended if you like your ghosts eerie and your human beings haunted not only by wakeful spirits but by their own personal blunders and false starts.
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living.
Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to…
Harington was one of the great unheralded—or at least under heralded—novelists of the last fifty years, bursting with stories and whole populations of flawlessly captured human voices, and With was one of his highest achievements. It follows the fortunes of a kidnapped girl in the Arkansas Ozarks who befriends the woods’ menagerie of animals, as well as the ghost (or, as Harington would style it, the “in-habit”) of a twelve-year-old boy whose body did not die but moved away and abandoned him. Recommended if you like your ghosts warm-hearted and aching for home.
With is the sensual, suspenseful and irresistible tale of Robin Kerr, a young girl abducted from her family and brought to a remote Ozark mountaintop, where she is left to fend for herself. Over the course of a decade, Robin grows up without human relationship, but with the company of animals and an inhabit, the half-living ghost of a young boy. In this magical novel in the Stay More series, Harington gives us one of the most original survival, coming-of-age, and love stories ever told.
One of the most inventive novels of recent years, Leanne Shapton’s Guestbook uses prose, photographs, and illustrations to find thirty-three ways of approaching the ghost story. The book moves swiftly and exhilaratingly through its pages, which are knit together by a sense of what it means for spirits to fasten themselves unexpectedly to people and what it means for people to feel haunted. Recommended if you like your ghosts both abundantly imagined and abundantly pictured.
'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July
Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely.
'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world…
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today
Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.
A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread…
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