The most recommended police books

Ian is probably the most famous of all Tartan Noir writers. In fact the term Tartan Noir was coined when Ian met James Ellroy at a crime fiction event in Nottingham many years ago. Ian explained that he too was a crime writer and wrote about Edinburgh and the darker side of Scottish life. He said, you could call it Tartan Noir. Ellroy laughed and signed the book 'To the king of Tartan Noir'.

Black and Blue was Ian’s breakthrough novel and when you read it you can see why. Dark and compelling and complex, with perhaps greater depth than the ones that came before, this was my introduction to Rebus and remains a favourite still. 

For anyone about to enter the world of Ian Rankin’s Rebus, Black and Blue is the ideal way in, with plenty more in store.

Nabb’s Marshal Guarnaccia, unflamboyant and patient, is an unspectacular thinker but a brilliant listener with a real, if unsentimental sympathy for the people he deals with on both sides of the law. Without fancy vices or personal charisma, Guarnaccia’s fundamental decency is nowhere on better display than in The Marshal’s Own Case, set among the desperate young transgender prostitutes of the Florentine sex trade, a culture quite different from the Marshal’s own secure family life.

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.” 

This is a much-needed antidote to the navel-gazing tendencies of American criminal justice thought.

Reading contemporary treatments, you might almost be fooled into thinking that certain types of police controversies have a specifically American – or at least modern – origin. They don't. In fact, the peculiar challenges of policing and its inevitable discontents might even be universal.

Certainly, they were present at an early stage in medieval Italy, long before the first English "bobbies" ever dawned a uniform. Use-of-force controversies, weapons prohibitions, reluctant witnesses, hostile crowds, simmering beefs among local gangsters: it's all here. Roberts' medieval world so eerily resembles our own when it comes to law enforcement that one ends up surprised to encounter any differences at all.

Here's one, though: medieval town dwellers did not have cell phones with which to film the cops misdeeds. Instead, they hollered for notaries to scribble records on the spot.

This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.

Deborah Crombie, a Texan, has authored this successful British series featuring two Scotland Yard detectives, Det. Sup. Duncan Kincaid and his wife Det. Insp. Gemma James. A Killing of Innocents is the 14th entry and it does not disappoint.

First, because Crombie knows the Brits well and writes like a native. Second, Crombie combines clever plots with a realistic portrayal of the couple and their balancing act of demanding police work while also maintaining a blended family with three children. 

The story concerns a stabbing victim Duncan notices in a pub. He is called to investigate the homicide, and so is Gemma, now employed at a different branch, but sent as part of a task force on the increase in knife crimes in London. Their parallel investigations twist and turn as another killing occurs, upping the ante to solve the murders.

Crombie highlights the different approaches Duncan and Gemma take… show more.

This book is so much more than a police procedural set in the South with a Black female detective as its protagonist. Snowden writes Southern Gothic stories with all the wonderful emotional obsessions and foreboding suspense that anchor that genre. As the child of a serial killer, Detective Raven Burns witnessed many of her father’s deadly attacks, including the murder of Raven’s mother. Haunted by her past, Raven struggles with both real life and personal demons to secure justice for victims in the present.

Police departments are comprised of, and are considered, the largest gangs in the country. They have developed a culture all its own. Within that culture are good cops and bad cops. I have personally encountered both while an FBI Agent and working cases of joint jurisdiction. Corruption within certain departments was so great during my tenure with the Bureau that we were ordered not to share information. That is why the author’s position as head of NYPD’s Internal Affairs Bureau for nearly two decades is incredible. It is a position where its chief is the most disliked cop in the entire department. Blue on Blue goes deep into the world of cops. Its content has provided a major portion of my Criminal Justice syllabus and teachings on “Leading Police Resilience.”

Character transformations do it for me every time and boy, does this book deliver. Rachel escapes a religious community knowing what she wants and unafraid to go for it. She recruits Ben to take her virginity without telling him, and when he finds out, fireworks ensue. He’s initially an unworthy hero with a cynical heart, but we gradually see him become a better man with her.

Anything by Anne Calhoun delivers great steamy scenes, but in this particular book, Rachel’s discovery of sex, with Ben to teach her, is off the charts. Anne draws you in from the first word. Their undeniable chemistry is engrossing. Couple that with complex characters and a beautiful story between two very different people, and you have a barnstormer!

I've read quite a few Maigret's now, but this is my favourite so far. As a detective, Maigret is the opposite of Columbo. There's never "just one more thing here". In fact, there's rarely any questioning at all.

By his very presence, Maigret seems to invite confessions, for the 'villains' to bottle everything up in fear of interrogation only for themselves to let everything out. It's a tour de force of sustained suspense to keep a novel at that bubbling point, and the plot here is intricate and tragic; essentially, a man who has worked his way up to have everything but through egoism and happenstance can't find the right people to share it with.

And even more tragic, he finds himself harking back to those simpler times, undoing his status. There's much to relate to here, and the prose is knife-edge sharp.