I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through.
Aelflet meet Cyr. Cyr, meet your match. I loved this spunky heroine immediately, her courage to stand up to a pushy knight had me cheering her on. And who doesn’t love a handsome, silver-haired knight who might have a reputation of being merciless but who proves to be the opposite. This D’Argent family has become part of mine and I hope you will invite them into yours as well.
THE WULFRITHS. IT ALL BEGAN WITH A WOMAN. A battle. A crown. The conqueror. The conquered. Medieval England—forever changed by the Battle of Hastings. And the rise of the formidable Wulfriths.
AN HONORABLE NORMAN Chevalier Cyr D’Argent convinced himself he joined Duke William’s invasion of England to reform its church and place its rightful king on the throne. But after a decisive Norman victory, the truth of his quest is revealed when his search for fallen kin leads to a Saxon grieving a boy slain by one of his own. Certain the defiant young woman will become the pick of…
I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.
Finally, one of my recommendations has lots of pictures in it. The Death of Anglo-Saxon England charts the closing century of Saxon England. This book was written for a general audience and is a thoroughly engrossing read. I can remember taking it with me on day trips so that I could find a corner and stick my head in the book, and my version is replete with many, many bits of paper sticking out from the pages. Complete with all the images and pictures, the author presents an easy-to-understand and chronological account of the events that led to the Norman Conquest of 1066. I’m not saying I agree with everything in this book, but it’s a very good starting point for those with a growing interest in the period.
Perhaps the best-known fact of English history is the Norman Conquest of 1066, which dispossessed the Anglo-Saxon royal house, marginalized English cultural values and began the near total exclusion of English figures from influence in the realm. The events of that year form the end-point of this study which focuses on royal succession and the descent of the crown during the last century of the Anglo-Saxon period. The text examines questions of factional conflicts, external raiders and warrior kings, and attempts to explain why the English dynasty proved vulnerable to usurpation during the 11th century. Of central importance is the…
I first came across Byzantium when I read Robert Graves' Count Belisarius and studied as much of its history as I could while at King's College London. Later I taught English in Turkey and was able to visit the Byzantine sites of Istanbul, Iznik, and Cappadocia. I now teach medieval and Byzantine history at Royal Holloway, University of London. For those living outside eastern Europe and Russia, Byzantium may appear to be rather remote and exotic: that is part of its appeal! But just because it is strange and different does not mean that we should not try to understand it on its own terms. That is what I have tried to do in my books and teaching.
Both readable and minutely researched, this book analyses the reasons behind Byzantium’s sudden collapse in the mid-eleventh century. Kaldellis offers a refreshing alternative to the prevalent narrative of the achievements of Basil II being squandered by the feeble emperors who came after him. Instead, stress is laid on the problems to which the expanded borders gave rise after 1025 and the very reasonable steps taken by Basil’s successors to deal with them. He even comes to the rescue of the much-maligned Constantine IX (1042-1055), an emperor whom Psellus presents as affable and likable but a completely incompetent ruler.
Kaldellis points out how Constantine secured the frontier in Northern Syria through his treaty with the Fatimid caliph of Egypt and how his administrative reforms would have seemed sensible at the time. He drives home the lesson that it is never satisfactory to single out a few individuals to blame for a…
In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests: first in the southeast against the Arabs, then in Bulgaria, and finally in the Georgian and Armenian lands. By the early eleventh century, the empire was the most powerful state in the Mediterranean. It was also expanding economically, demographically, and, in time, intellectually as well. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks in the east and the Normans in the west brought an end to Byzantine…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Perhaps no book has moved me more than Ireland by Frank Delaney.
Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present.
Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.
One evening in 1951, an itinerant storyteller arrives unannounced and mysterious at a house in the Irish countryside. By the November fireside he begins to tell the story of this extraordinary land. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves, he devotes his life to finding him again. It is a search that uncovers both passions and mysteries, in his own life as well as the old man's, and their solving becomes the thrilling climax to this tale. But the life of this boy is more than just his…
My first introduction to Ireland was in 1953 when my parents took the entire family over for two months. We stayed mostly in Dublin as "paying guests" with a threadbare, though incredibly proud, Anglo-Irish mother and her adult daughter in their decrepit apartment. What a learning experience for a seven-year-old boy! My fascination with the country's culture and history has never dampened, climaxed by my purchase of a 16th-century ruin, Moyode Castle, in County Galway, now finally restored. Over the years I have written seven books, six of them on Irish themes, plus innumerable articles in scholarly journals. The Elizabethan Conquest of Ireland is my magnum opus as an Irish historian.
It may seem strange to include a selection here that does not mention Ireland once, but the Norman incursion that began in 1167 is fundamental to understanding the country's ensuing history. The first Normans in Ireland were vagabonds, for the most part, a restless, grasping underclass of the French-speaking wave of freebooters that subdued England beginning in 1066 with William the Conqueror. Denied an outlet for their limitless ambition, these often renegade adventurers, many of whom were younger sons or rebellious underlings of the ruling Norman caste, unleashed chaos in Celtic kingdoms they invaded, both militarily and socially, often in escapades of unimaginable daring.
Douglas does an excellent job introducing and explaining the unique character of these intrepid soldiers and administrators, as they tramped through much of the known European world, and then on to Jerusalem for the Crusades.
I love history as did my mother and her family. I am English by birth and, so, it is English history I am most interested in. To know who you are and where you are from is, to me, very important. At school history was the subject I excelled at. In my mature years I worked as a Business Unit Manager at a University and took history papers for amusement, but I never continued with a degree as BA papers were too basic and an MA and PhD too expensive. I did, however, write academic peer-reviewed papers that were published.
Harold is one of my heroes. I have many books about him, texts and novels, but this novel I feel captures him best. King Harold was a very complex man and a very competent man. Most remember him for losing at the Battle of Hastings and do not know just what a good organiser and general he actually was and how his previous actions prove this. Harold was a political man who knew when to push and when to stand back, when to compromise and when not to.
I can point you to textbooks and academic papers on Harold, as a man, an Earl, and as King, but Helen Hollick’s book is very well researched, and I am someone who has also done his homework on this period, and indeed produced an educational DD-ROM on the period. But why not let Hollick take all that research and information and weave…
An epic retelling of the tide of events that led to the Norman conquest of England. This saga weaves together the history of a powerful family of noblemen with that of the aggressive bastard of Normandy, culminating in the fierce and tragic battle which changed the course of England's history.
I am a historical fiction writer, specializing in ancient history through a female perspective. My first series, The Queens of the Conquest, follows the wives of the men fighting to be King of England in 1066 for a vitally neglected take on a key year. My second, Shakespeare’s Queens, revisits three of the bard’s greatest female characters via the real historical figures who inspired them. I love the way fiction can lift facts, settings, and cultures into something hopefully more vibrant than a straightforward history lesson and aim to offer the best possible time travel for readers. I believe the books on this list do that beautifully.
As a writer fascinated by the period around 1066, I’ve long been intrigued by Emma of Normandy – a woman whose marriage to King Aethelred ‘the Unready’ and, after him, to King Cnut could be said to have started England on the path to the Norman conquest. It was a joy, therefore, to find this gutsy, involving, and utterly convincing novel about her life. Queen Emma is a woman who truly demonstrates that there has always – even in the seemingly most misogynistic of times – been space in history for determined women with the self-belief to step up and claim the power they deserve and Patricia Bracewell’s novel vividly brings to life both the woman and the times.
Set in England when Vikings are on the brink of invasion, this is an epic tale of seduction, war, and unrequited love from an outstanding new voice in historical fiction
In 1002 AD Emma, a young Norman girl, must take her place as bride to England's King AEthelred, a ruler who is looking for nothing more than a political pawn to protect his shores and bear his next child. But Emma soon realises that her new role comes with danger: the seductive Elgiva, mistress to the King, will stop at nothing in her battle for the circlet of gold.
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
Most books covering the early Middle Ages in Britain start with the fifth century and end around the tenth or eleventh. Edward James’s Britainis different, in that it embraces the Roman period too. Breadth on this level is stimulating, especially when (as here) it is accompanied by elegant and insightful prose that takes care to pay attention to diverse constituencies in society.
Ideal for undergraduates, this survey of medieval Britain is a coherent narrative of events between the two great invasions from continental Europe. It is unique both for its broad historical perspective and for its wide geographic coverage: it spans the 'long' millennium from the first century BC through the Norman conquest and covers events across the whole of Britain, from Cornwall to the Shetlands. Edward James provides the European context for events in England while also examining the many ways Britain differed from the rest of Europe. Students of medieval Europe will find his book an invaluable synthesis.
I became fascinated by the history of the period from 900 to 1250 as an undergraduate at the University of Exeter where I was supervised for a doctorate by Professor Frank Barlow. The subject of my thesis was Odo, bishop of Bayeux (1049/50-1097), a biography that introduced me to a multitude of subjects. That time stimulated a fascination with France and with the place of English history, British history, and the history of the Normans in a European context, as well as an interest in biography and individual lives.
Like Marc Bloch’s book, this helped me to grasp how to take an international perspective on the history of the central Middle Ages. In this case, its central theme was that we must think about Normandy and England as politically, socially, and economically joined together after 1066. It has inspired a lot that I have written and my teaching to students. See my The Normans and Empire for personal reflections.
I’m an actor as well as a writer. I’ve spent more hours than can be counted dissecting stories and characters in order to better understand and transmit them to an audience. While standing on a stage, an actor is never unaware that they are performing for others. We may lose ourselves in a moment, in a character, in emotion, but the applause and the gasps, and the laughter always bring us back. As a writer, I spend a lot of time tapping into that feeling of ignoring-while-being-totally-aware of the fourth wall. I love books that wink at readers the way actors can at audiences.
A gentler, kinder version of Inkheart and The Untold Tale, this novel is still thrilling. I love the idea of consuming a book as literally as we do figuratively. In this one, our protagonist absentmindedly eats a page out of his favourite bedtime story and wakes up inside it. He has to hop from story to story to get home, crossing through his sister’s horse books and many an adventure before making it safe to his own bed. I think it’s totally charming.
Norman Jespers-Vilnius is just an average eleven-year-old kid–until he absentmindedly nibbles on the edge of a page and wakes up inside his favourite book, the Undergrowth Series. Norman finds himself smack in the middle of an epic battle of animal kingdoms, where he forms a close friendship with young Malcolm, a future king. After joining Malcolm’s fight he winds up back in his own bed, dirty and in torn pyjamas. But his adventures have only just started. It soon becomes clear that Norman has been caught by a mystifying force called “Bookweird”– Norman finds himself inside books his family is…
