I’m an actor as well as a writer. I’ve spent more hours than can be counted dissecting stories and characters in order to better understand and transmit them to an audience. While standing on a stage, an actor is never unaware that they are performing for others. We may lose ourselves in a moment, in a character, in emotion, but the applause and the gasps, and the laughter always bring us back. As a writer, I spend a lot of time tapping into that feeling of ignoring-while-being-totally-aware of the fourth wall. I love books that wink at readers the way actors can at audiences.
This book follows Pip, who is pulled against her will into the epic fantasy novel series she’s loved since she was a teenager. However, the world is darker and far more dangerous than she could have ever predicted, especially when it turns out the hero is a much bigger misogynistic ass than she knew.
Pip knows how to circumnavigate the Hero’s Journey and the pitfalls and loopholes of this particular world – but what will happen to her beloved characters outside of the comfort of the fantasy they were written for? And what happens when it’s not the male-power-fantasy hero, but the hero’s overlooked and bullied little brother who proves to be her biggest champion?
Based on the tale of the Tenth Labour of Herakles, this queer, lush, and cheeky novel grabbed my heart from the moment I was assigned to teach it. I did an undeclared minor in Classics during my undergrad, and aside from being extremely clever with the wordplay, I was delighted by how Carson absolutely takes the mickey out of academic writing around mythology, classical archeology, and translation. Told as a form of free-verse poetry, this novel is comprised of some of the most incredible word-crafting I've ever experienced.
By changing the word “arrows” in the original tale to “eros”, Carson skews and plays with the relationship between the monster Geryon and the hero Herakles, all the while letting Geryon speak to the reader directly.
In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.
There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by…
I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.
This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.
East meets West in this innovative and very smart graphic novel by Barry Lyga, illustrated by Colleen Doran.Sci-fi adventure meets love story—and East meets West—in Mangaman, an original graphic novel for teens. Ryoko, a manga character from a manga world, falls through the Rip into the “real” world—the western world—and tries to survive as the ultimate outsider at a typical American high school. When Ryoko falls in love with Marissa Montaigne, the most beautiful girl in the school, his eyes turn to hearts and comic tension tightens as his way of being drawn and expressing himself clashes with this different…
I read this book all in one summer’s day while in university, and came away with a wicked sunburn in the shape of a novel on my thighs and an absolutely wide-eyed fascination with the idea that you write books about writing books and people who understand that they’ve been written. I had grown up reading and writing fanfiction and loved the sorts of fics where people took the tropes of the genre of the show and broke/inverted/discarded them.
I loved playing with narrative focus, themes, character development, and my fave fanfic trope…when the actors meet the characters they play. And to see that someone had done it in a real published novel? That blew me away. Later when I decided I’d like to try my own profic take on that beloved trope, ‘creation meeting creator’, that I conceived of The Accidental Turn Series.
The first book in Cornelia Funke's internationally celebrated trilogy - magical, thrilling and mesmerising.
'I don't think I've ever read anything that conveys so well the joys, terrors and pitfalls of reading' Diana Wynne Jones
Meggie loves books. So does her father, Mo, a bookbinder, although he has never read aloud to her since her mother mysteriously disappeared. They live quietly until the night a stranger knocks at their door. He has come with a warning that forces Mo to reveal an extraordinary secret - a storytelling secret that will change their lives for ever.
A gentler, kinder version of Inkheart and The Untold Tale, this novel is still thrilling. I love the idea of consuming a book as literally as we do figuratively. In this one, our protagonist absentmindedly eats a page out of his favourite bedtime story and wakes up inside it. He has to hop from story to story to get home, crossing through his sister’s horse books and many an adventure before making it safe to his own bed. I think it’s totally charming.
Norman Jespers-Vilnius is just an average eleven-year-old kid–until he absentmindedly nibbles on the edge of a page and wakes up inside his favourite book, the Undergrowth Series. Norman finds himself smack in the middle of an epic battle of animal kingdoms, where he forms a close friendship with young Malcolm, a future king. After joining Malcolm’s fight he winds up back in his own bed, dirty and in torn pyjamas. But his adventures have only just started. It soon becomes clear that Norman has been caught by a mystifying force called “Bookweird”– Norman finds himself inside books his family is…
Though not a book, the film starring Will Ferrell and Emma Thompson borrowed heavily from "Niebla" by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit the writer. This film lives rent-free in my heart because the style of self-awareness that Ferrell’s character experiences in this film is close to the way I conceived of the meta-awareness of the characters Forsyth and Kintyre in The Untold Tale. I love the idea of someone learning they are being puppeteered and breaking free of the expected, the prescribed, and the narrative laid out for them. Maybe that’s why I like the film The Truman Show so much, too.
In this strange and delightful tale, an IRS agent namedHarold Crick suddenly finds himself the subject of a narrationonly he can hear—narration that soon affects everythingfrom his work to his love life to his death. Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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