After working on the writings of the 15th-century French writer Christine de Pizan for a while I turned to researching the queen of France whom Christine addresses in some of her works. As I read the primary sources, it quickly became clear to me that poor Isabeau of Bavaria’s terrible reputation had been produced by misogynistic and nationalistic nineteenth-century French historians who promulgated images of political women as promiscuous harridans. I was astounded. How could it be that we were still circulating simplistic old narratives of incompetence and debauchery without critically examining what people of the times had to say?
I have been studying the afterlives of infamous noblewomen ever since.
Mariana of Austria (1634-96) has long been underestimated. Regent for her young son, Carlos II, last Habsburg ruler of Spain, she is reputed to have been pig-headed, incompetent, and not very bright. The famous Velasquez painting showing her in a skirt too wide to fit through a door and hair stretching out like an accordion has not helped her reputation. But Silvia Mitchell has mined the archives and produced a wonderful revision of this queen’s regency, showing how, over the course of her regency, Mariana led the Spanish monarchy into transformative military and diplomatic alliances with the English and the Dutch and, through her style of ruling, helped bring about a new political culture. This study makes clear how much our picture of pre-modern politics has been distorted by the failure to take female roles seriously.
When Philip IV of Spain died in 1665, his heir, Carlos II, was three years old. In addition to this looming dynastic crisis, decades of enormous military commitments had left Spain a virtually bankrupt state with vulnerable frontiers and a depleted army. In Silvia Z. Mitchell's revisionist account, Queen, Mother, and Stateswoman, Queen Regent Mariana of Austria emerges as a towering figure at court and on the international stage, while her key collaborators-the secretaries, ministers, and diplomats who have previously been ignored or undervalued-take their rightful place in history.
Mitchell provides a nuanced account of Mariana of Austria's ten-year regency…
Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
From the Windsors’ Nazi leanings in the 1930s to the perceived chilliness of the royal family following the death of Diana in 1997, Clive Irving chronicles every detail in this analysis of the modern monarchy – while never losing respect for its most adroit exponent, Queen Elizabeth II. As founder of the renowned Insightteam of the LondonSunday Timesthat exposed Profumo and Philby, Irving directs his sharpest focus on the Crown’s relations with the tabloid media. But his book went to publication prior to the horse-loving Queen’s humorous reaction to Harry and Meghan’s notorious 2021 encounter with Oprah Winfrey – Her Majesty named her fastest new racing foal “Interview”.
A timely and revelatory new biography of Queen Elizabeth (and her family) exploring how the Windsors have evolved and thrived, as the modern world has changed around them.
Clive Irving’s stunning new narrative biography The Last Queen probes the question of the British monarchy’s longevity. In 2021, the Queen Elizabeth II finally appears to be at ease in the modern world, helped by the new generation of Windsors. But through Irving’s unique insight there emerges a more fragile institution, whose extraordinarily dutiful matriarch has managed to persevere with dignity, yet in doing so made a Faustian pact with the media.…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
It’s often said that the golden rule for storytelling is “thou shalt not bore.” While as a history buff, I get a kick out of historical fiction even when it might read more non-fiction than fiction, the genre risks falling prey to having to balance fact over fun. This is not the case with esteemed historical fiction author, Philippa Gregory. For those who like their history with a touch of steam and can forgive historical “embellishments,” Gregory delivers heavily researched stories that put character arcs and plot twists front and center. These tempting books follow the women in power behind the scenes of the War of the Roses. As a prolific writer, Gregory bestows upon us a bounty of six books in this series, carrying the reader on more of a year abroad than just a quick vacation.
The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life the extraordinary story of Elizabeth Woodville, a woman who rises from obscurity to become Queen of England, and changes the course of history forever.
Elizabeth Woodville is a woman of extraordinary beauty and ambition. Her mother is Jacquetta, also known as the mystical lady of the rivers, and she is even more determined to bring power and wealth to the family line. While riding in the woods one day, Elizabeth captures the attentions of the newly crowned King…
Even though I was born and grew up in the Kenyan Highlands (which taught me the value of storytelling in Technicolor!) and studied in Paris (where I won a short-story competition) before moving to London, the Germano-Russian ambivalence runs straight through my family: my father grew up in the GDR. He still remembers the people’s terror when the US tanks withdrew one morning, and the Soviets rolled in after renewed territorial negotiations. On the other hand, my cousin owns a high-brow publishing house that publishes nothing but latter-day Russian intellectuals. My fascination for the early Romanov women and their unique century of female reign started when I was thirteen – I'm theirs ever since!
Who would have thought that one of the most important rulers of Egypt’s powerful eighteenth dynasty was a woman, who was never intended to rule, yet eclipsed them all – had not her (male) successor diligently erased all literary & visual traces of her reign. I love the first-person narrative, adopting the same today for my own novels. Also, Gedge’s fine plotting teaches us that the ups and downs of life are not enough to keep a reader enthralled. It takes a red line with a good hook to pull the reader in. This brilliant novel about Pharaoh Hatshepsut spawned my life-long passion for ancient Egypt. I cried when I first visited her temple in Deir-El-Bahari, which still inspires modern Architects.
Thirty-five centuries ago the sun had a daughter: Hatshepsut. Youngest daughter of the Pharaoh, she was a lithe and magical child. But when her older sister died, it became her duty to purify the dynasty’s bloodline. She was to wed Thothmes, her father’s illegitimate son, who was heir to the throne. But fearing his son’s incompetence, Hatshepsut’s father came to her with startling news. She was to be Pharaoh, ruler of the greatest empire the world had ever known--provided, of course, that the unprecedented ascension by a woman did not inspire the priests to treason or instill in her half-brother…
As a historian of early modern France and a professor at Southern Methodist University, I have taken students to Paris on a study abroad program for more than twenty summers. Students were invariably intrigued by the relationship of Henry II, Catherine de Medici, and Diane de Poitiers. The young prince married Catherine de Medici at the age of fourteen but the thirty-six-year-old Diane de Poitiers became his mistress when he was sixteen and remained so for the rest of his life. The complexities of that relationship and the significance of both women led me to conclude that the history of the Renaissance could be told through the lives of the queens and mistresses.
From her arrival as a fourteen-year-old bride to her death as queen mother fifty-five years later, Catherine de Medici was praised as a devoted wife and mother and able ruler but also condemned as a foreigner, a poisoner, and murderer of Protestants. This rare collection of primary sources translated into English allows readers to become familiar with the sources of such positive and negative assessments of this controversial queen. The letters included here, selected from her many volumes of correspondence, reveal her concerns as a mother and as a political figure.
Excerpts from Venetian ambassadors' gossipy reports bring to light principal figures of the French court--their character, their motives, and political interests. Other sources in the collection extravagantly praise the character and actions of the queen. The several polemical sources included in the collection offer a sharp contrast. The vehement charges leveled against Catherine allow readers to recognize and understand…
Catherine de Medicis was portrayed in her day as foreign usurper, loving queen and queen mother, patron of the arts, and Machiavellian murderer of Protestants. Leah L. Chang and Katherine Kong assemble a diverse array of scathing polemic and lofty praise, diplomatic reports, and Catherine's own letters, which together show how one extraordinary woman's rule intersected with early modern conceptions of gender, maternity, and power.
I am an Associate Professor of medieval history at Robinson College in the University of Cambridge. One exciting aspect of research about early medieval Britain is that there is always more to discover and understand, whether from artefacts being uncovered in archaeological excavations (like the Staffordshire Hoard), or from manuscripts that languish in archives and libraries across Britain without a modern translation and commentary. The books on this list—which offer insights into different aspects of early British life—are some of those that have captivated me most over my years of reading.
Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.
We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally.
Through detailed study of these women the author demonstrates the integral place of royal queens in the rule of the English kingdom and in the process of unification by which England was made.
I am an associate professor at Nottingham Trent University and my interest in the Mongols first began many years ago during my MA at Royal Holloway University. I had always been interested in the historic relationships between nomadic and agricultural societies, but what I found fascinating about the Mongols was the sheer speed and range of their expansion—how could they have conquered the greater part of the Asia within only a few decades? Exploring how the Mongols grappled with the realities of ruling such a vast imperium remains a very thought-provoking issue, so too is the question of how the peoples they overthrew accommodated themselves to Mongol rule.
The governance and administration of the Mongol Empire was an unimaginably complex exercise. Faced with endless factional rivalries as well as the need to erect and enforce the empire’s authority over a vast span of territory, the challenge of ruling the empire was truly formidable. In Women and the Making of the Mongol Empire, Anne Broadbridge examines the central role played by leading women in shaping Mongol society and its armies, thereby drawing out the sinews of power driving this vast imperium.
How did women contribute to the rise of the Mongol Empire while Mongol men were conquering Eurasia? This book positions women in their rightful place in the otherwise well-known story of Chinggis Khan (commonly known as Genghis Khan) and his conquests and empire. Examining the best known women of Mongol society, such as Chinggis Khan's mother, Hoe'elun, and senior wife, Boerte, as well as those who were less famous but equally influential, including his daughters and his conquered wives, we see the systematic and essential participation of women in empire, politics and war. Anne F. Broadbridge also proposes a new…
When I lived in France as a youngster, museum portraits became friends. I could hear courtiers scheming in Versailles and gladiators clashing in coliseums. Naturally, decades later, when I learned Napoleon Bonaparte tried to write a novel of love and betrayal, I vowed to finish it for him. But to ghostwrite for Napoleon, I had to know him as personally as his great love Josephine did. I dove into research, translated his writing to capture his cadence, and became secretary of the Napoleonic Historical Society. Finally, on remote St. Helena Island in the ramshackle rooms where Napoleon died in exile, I found the intimate connection I demand from historical fiction.
May I suggest historical fiction fans of the English Tudors try the French royalty for a change? For me, Tudor intrigue pales in comparison to France’s 16th-century queen and regent, Catherine de Medici. This lush, biographical novel from C.W. Gortner follows Catherine from traumatic childhood to poignant death, revealing the necessity behind her ruthlessness. Since the era’s religious conflicts echo today’s cultural divides, the history feels surprisingly fresh. I can’t help thinking that this strong woman who stopped at nothing to protect France, her children, and her power would be more admired if she had been a man.
“The Confessions of Catherine de Medici is a dramatic, epic novel of an all-too-human woman whose strength and passion propelled her into the center of grand events. Meticulously-researched, this engrossing novel offers a fresh portrait of a queen who has too often been portrayed as a villain. Bravo Mr. Gortner!”—Sandra Gulland, author of The Josephine B Trilogy and Mistress of the Sun
The truth is, not one of us is innocent. We all have sins to confess. So reveals Catherine de Medici, the last legitimate descendant of her family’s illustrious line. Expelled from her native Florence, Catherine is betrothed to…
I am a history fan, especially when it comes to Ancient
Egypt.
I loved this story as a wonderful blend of fiction, ancient and Biblical history,
expertly woven by the author into an intriguing tale. It kept me turning the
page to find out what happened to the young protagonist, Lydia, who starts out
in servitude to the evil Cleopatra, and eventually becomes the handmaid to
Herod’s wife, Mariamme.
The story spans a period of many years, after Lydia is
tasked by a dying Jewish man to reunite ancient scrolls with a secret group of
mystical keepers. The characters were engrossing and believable and took me on
a wonderful journey of imagery and reality combined. I wanted Lydia to win,
after her early mistreatment in life. I wasn’t disappointed.
In Egypt, 39 B.C., young Lydia serves as a handmaid to an aging Cleopatra and her son, until she is entrusted with an ancient set of sealed scrolls and joins the household of a visiting Galilean governor to return them to Jerusalem.
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
I read this book many years ago, but I went back to it as my first port of call when I began to research my own book on Mary. It’s a fantastically readable, detailed, and sympathetic portrait of Mary. And the sympathetic bit was important to me. It’s almost impossible not to take sides when reading or writing about Mary, and she did make some disastrous decisions, but I keep coming back to how young she was, and that’s well illustrated here.
“A book that will leave few readers unmoved.”–San Francisco Chronicle
She was the quintessential queen: statuesque, regal, dazzlingly beautiful. Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head.
Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape and even murder. Betrayed by those she most trusted, she would be lured into a deadly game of power, only to lose to her envious and unforgiving…
