I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
We all think we know the story of Joan of Arc – she’s possibly one of the world’s most famous women. But what Kelly Devries’ book does is to put Joan’s military accomplishments into the spotlight.
By focusing on Joan as a military leader, the book reminds us that women’s military experience was often dismissed. In Joan’s case, the only explanation people had for the military capacity of a teenage girl was magic. The British thought Joan was a witch, the French that she was divinely inspired – but no one thought that she may just have been a good fighter and a good leader.
Devries unpacks some of the more prosaic explanations behind Joan’s military success, explanations that indicate that Joan (like other women) may have had military talents rather than magical ones.
Where previous works have concentrated on the religious and feminist aspects of Joan's career, this title addresses the vital issue of what it was that made her the heroine she became. Why did the soldiers of France follow a woman into battle when no troops of the Hundred Years War had done so before, and how was she able to win? The English called her whore, and believed her to be possessed, but her own troops trusted her without any proof of her abilities. And she did have very great abilities - in particular her remarkable prowess as a military…
As a child, I was drawn to the silences in family stories and as a young adult, the gaps in official records. Now I’m a former English professor turned full-time writer who is fascinated with who gets written out of history, and why. I love exploring overlooked lives, especially women’s lives—from Stalin’s female relatives to nineteenth-century shopgirls, and most recently, a pair of early medieval queens.
In Women Warriors, the footnotes are every bit as informative and bitingly funny as the text itself. Toler travels across many cultures and eras, from ancient times up until the 20th century, to show that, like it or not, “women have always gone to war.” She covers some women you’ve likely heard of before—like Boudica, Hua Mulan, and Joan of Arc—as well as many others you probably haven’t—like Tomyris, Artemisia II, and Lakshmi Bai. These mini-biographies, taken together, provide an eye-opening and unforgettable corrective about women and warfare.
Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor.
The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
The
Pariah features a protagonist, Alwyn Scribe, with such a distinct voice and
motivations you cannot help being captivated by him. Ryan is also incredibly
gifted at making the medieval fantasy setting feel grounded and real.
The plot
is twisty, taking Alwyn through transformations that are incredible, yet
believable every step of the way. And when we are swept into the greater plot
and war, its version of the Joan of Arc story continues to captivate and awe.
'A gritty, heart-pounding tale of betrayal and bloody vengeance' John Gwynne
When the task is a killing, be quick and make sure of it.
Torment is an indulgence.
Save it for only the most deserving.
Born in the troubled kingdom of Albermaine, Alwyn Scribe is raised as an outlaw. Quick of wit and deft with a blade, Alwyn is content with the comradeship of his fellow thieves. Yet an act of betrayal sets him on a new path of blood and vengeance, which leads him to a soldier's life in the king's army.
More than anything, I consider myself an artist. I rely on intuition or “gut feelings” to guide me. The laws of the universe have proven to me that thoughts do become things. I often say, think good thoughts. The books I’m recommending, are all about following your instincts and releasing any outcome to find the treasures in your life. I believe in the law of attraction. I love food, music, and Hollywood and have invited it all into my restaurant. I’m a chef with a culinary arts degree, an award-winning author and chef to the stars. Feeding many celebrities from Bradley Cooper and Ryan Gosling to The Cake Boss and Alton Brown. Dreams do come true!
After making a fortune then losing it all, David Ponder meets Archangel Gabriel and teaches David the laws of the universe. Years later, David’s wife passes away and Archangel Gabriel reappears and informs David that he is the only one who can save all of humanity. But David must use the help of fellow travelers from the past. Welcome to the minds of great men and women who have shaped history. Churchill, Lincoln, Joan of Arc, and many more who help David and assist him on his quest to save all humanity.
The Traveler's Summit explores the historically proven principles that have guided our greatest leaders for centuries, and how we might restore these principles in our own lives...before it's too late.
Dave Ponder is back, and this time, the fate of civilization may be in his hands.
Centuries of greed, pride, and hate have sent humankind hurtling toward disaster, far from our original purpose. There is only one solution that can reset the compass and right the ship, and that answer is only two words.
With time running out, it's up to David Ponder and a cast of history's best and…
For a number of years, I was a historical interpreter at two of Toronto’s oldest and finest houses. While looking at the furniture, paintings, and below-stairs bells and open-hearth cooking in these upper-class mansions, I became immersed in the lives of the people who once lived in these places. I have always been interested in history, and I have a post-graduate degree in Canadian literature, but my schooling in history seemed confined to the Tudor period and Greek and Roman times. Working in Toronto’s fine homes led me to a deep understanding of the fascinating history we have right here on our doorstep!
I grabbed this book from a friend when I visited her cottage this summer. Recently published, it’s a stunning collection of short facts and spectacular portraits of 158 women who changed our world for the better. Most of these women’s contributions to our knowledge of the world have been ignored or forgotten. I was particularly interested in the brief description of Mary Anning who was living in Devon, England at the same time as Anne Powell was residing here in Toronto. Anning’s amazing discoveries about fossils from centuries ago gave a new understanding of the history of our planet.
From the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. With a Foreword by Roxane Gay
“This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.” —Roxane Gay, from the Foreword
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
In Voices, David Elliott uses formal verse to explore the last hours that Joan of Arc lived. Told from multiple points of view, including the voice of the flame that will burn Joan at the stake, Elliott chooses specific poetic forms to reflect fundamental truths about the different characters. All forms of verse in the book were popular during Joan’s actual lifetime, and Elliott provides an interesting author’s note at the back of the book. Aside from being a poetic tour de force, Voices is a true page-turner, and readers will root for Joan to triumph over her enemies, even as they dread the inevitable outcome.
Told through medieval poetic forms and in the voices of the people and objects in Joan of Arc's life, (including her family and even the trees, clothes, cows, and candles of her childhood), Voices offers an unforgettable perspective on an extraordinary young woman. Along the way it explores timely issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.
I’m an academic researcher interested in this topic but also one of the people who gets demonized in conservative media: the parent of a transgender child. I want my daughter to know that similar people have existed in history and that lawmakers are wrong to claim that we’re in a scary new world when we advocate for respect and the rights of trans people. While doing that advocacy work, I’m alarmed by positions within the LGBTQI+ movement echoing right-wing ones, including what’s known as “gender critical feminism.” My book argues a positive case for coalition in the face of pressures to fracture along distinct lines of sexuality and gender identity.
This is a great place to begin thinking about trans history. Feinberg, who died in 2014, crisscrossed the line between butch lesbian and trans man and was not particular about what pronouns they preferred. In that spirit of inclusiveness, some readers might find her book outdated or too loose in some of the people it includes—any book that ranges from Joan of Arc to NBA star Rodman is covering a lot of ground, but what’s less visible from that subtitle is the work Feinberg has done in crosscultural, anthropological, and comparative mythology studies. What results is a daring and provocative re-reading of world history that puts gender nonconformity at the center, and a stirring call to activism and solidarity that is if anything more needed since its original publication.
This groundbreaking book far ahead of its time when first published in 1996 and still galvanizing today interweaves history, memoir, and gender studies to show that transgender people, far from being a modern phenomenon, have always existed and have exerted their influence throughout history. Leslie Feinberg hirself a lifelong transgender revolutionary reveals the origin of the check one box only gender system and shows how zie found empowerment in the lives of transgender warriors around the world, from the Two Spirits of the Americas to the many genders of India, from the trans shamans of East Asia to the gender-bending…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
