I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.
The innovative thinking in this book inspired me to put my original ideas into writing. Here was someone else who was looking into the profound origins of humanity and how the world is made up. It reassured me I was on the right track in associating the Major Arcana of the Tarot with the I-Ching. Michael Hayes goes further in detecting a numerical and musical synthesis between ancient doctrines and current scientific discoveries. It is not a quick read, but a real eye-opener. Whilst not agreeing with all of it, there was so much fascinating information; I had to read it through twice straight off.
This is a numerical study proving that religion and science share a common underlying structure, which is very similar to music theory. This study proposes that all the world's major religious and esoteric doctrines share a common scientific origin. Further that this hidden science is none other than musical theory: music being the true common denominator of both religious and scientific traditions. From the mysterious cults of ancient Egypt, China and India and Greece right through to the latest findings in molecular biology and particle physics, there is a law of proportions that corresponds to the rules of music.
I
picked this one up because I became friends with the author, but I finished it
because it was really good solid fantasy with a decent mystery – and I say that
as someone who struggles to find books I enjoy.
The characters were familiar
archetypes without being too tropey, and the world building had some very cool substance
to it. I enjoyed it enough that I will be reading the sequels and prodding the
author to produce more.
Like my saga, the Agents of
Kalanon books switch protagonist focus each book while staying with the
same crew of characters – which is something I love. I’m big into character-driven story and enjoy when enticing side characters end up becoming main
characters.
Solve the Murders. Save the World. The war is over. There’s supposed to be peace. So why is a member of the royal family murdered? Why is an ambassador no one trusts somehow connected? Why does Kalanon’s mage have a new body? Brannon’s attempt at peace is over. If he doesn’t solve the murder – and fast – war will return to Kalanon. But that’s not the worst of it. Dark magics are afoot and schemes no one could expect. The darkness is a threat not just to Kalanon but to the whole world. Brannon’s life is about to change...That’s…
Until my early 50s, I detested all things spiritual. These books showed up practically on their own, without dogma or jargon, mainly to convince me that the divine existed. They’re easy to read and open to interpretation. They tricked me into a spiritual life by making it seem logical and simply a place to explore at my leisure. I try to write things that are clear and simple, and these books persuaded me that the ineffable isn’t so hard to write about. Also, I could return to these books years later, and they still speak to me. Each is capable of opening something new to me later in life.
Poetry is supposed to be difficult, right? The erudite poets like Milton, Shakespeare, Yeats, and Dickinson blend insight, psychology, philosophy, wisdom, meter, and magic sauce into a puzzle to suss out. Eliot is like that most of the time, but not in this book, where he is so direct, plain and simple, amazed and amazing, that I am not once tempted to apply critical theory.
If there is a possibility of divine inspiration, this has always felt like Exhibit 1 to me. Every time I think I might have to figure out what he’s saying, he says, “Don’t bother,” by taking me into a picture that is so concrete and full of the everyday that it paradoxically shines the divine out at me. This book can be opened anywhere, started anywhere, and it will bring me comfort and joy.
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
Don’t let terms like “neuroscience” and “psychology” scare you away.
This text is a must-have for any writer curious about why people still love basic storytelling despite our technological advances. Storr makes learning fun through the use of myths, archetypes, and man’s ambition as well as the works of Jane Austen and pop culture favorites like Breaking Bad—perfectly curated examples to help us make our stories more compelling.
'If you want to write a novel or a script, read this book' Sunday Times
'The best book on the craft of storytelling I've ever read' Matt Haig
'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Who would we be without stories?
Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in our…
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I write character-driven fiction and it is always the people and their relationships that most engage me in any story. I found the characters here complex, real, engaging, and, in some instances, foul specimens demonstrating that existence for survival alone is an inadequate way of life for any person. These are fully developed people, though they are mostly unusual individuals; archetypes rather than stereotypes. The people hooked me from the start. I cared what happened to these adventurers. I also cared that those who deserved retribution would receive it.
I’m a writer and teacher from Ama, Louisiana, who has also been a reader of comic books since I first learned how to read. I spent many years as a columnist, reviewer, and podcaster for a now-defunct comic site, while also working on my own novels, humor columns, and even the occasional stage play. My time these days is split between my day job as a high school English teacher, my dream job writing, and my full-time job of being the father of a five-year-old.
Not a novel, but Supergodsis one of the most intriguing books about the superhero as a concept that I’ve ever read. In Supergods, the always thought-provoking Grant Morrison digs into what superheroes actually are by picking apart archetypes, delving into the history of the medium, and exploring their place as a sort of modern mythology. Having written countless superhero comics, including some of the most surreal such stories ever to exist, Morrison is in a unique position to dissect the genre in a way that leaves you thinking about what superheroes mean and why they matter. It's the kind of book that makes you examine what the building blocks of superheroes are, and as someone who enjoys playing in that sandbox, it makes me look at one of my favorite genres in new and unique ways.
NATIONAL BESTSELLER • What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human
Superman, Batman, Wonder Woman, Iron Man, and the X-Men—the list of names as familiar as our own. They are on our movie and television screens, in our videogames and in our dreams. But what are they trying to tell us? For Grant Morrison, one of the most acclaimed writers in the world of comics, these heroes are powerful archetypes who reflect and predict the course of human existence: Through them we tell the story of ourselves. In this exhilarating work…
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
Marian Woodman has been my shero ever since I attended a workshop of hers. I recall sitting in the audience listening to her speak and blinking my eyes. How could it be that she could shape-shift from a coy flirtatious maiden, into a warm nurturing mother, and then moments later appear as a regal, confident, and sovereign queen and then a deeply wise crone? She clearly understood and embodied the full range of the conscious feminine in its various aspects.
Of her many books, this is the one I love the most because, in this collection of interviews with her, the passion of her speaking voice comes through the written word loud and clear. Her phrasing is so delicious, my tattered copy is underlined throughout.
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.
Although I had many intriguing dreams during my childhood, including fantastic flying dreams, the idea of becoming a sleep scientist never crossed my mind. All that changed during my first year in college. It was then that I experienced an exceptionally long and vivid lucid dream that changed my life; it was because of this dream that I decided to become a dream researcher. Today, I’m a professor of psychology at the University of Montreal, director of the department’s Dream Research Laboratory, and have published over 100 scientific articles and book chapters on sleep and dreams. I don’t have as many flying dreams as I once did, but I do have a really cool job while awake.
Jung proposed many fascinating ideas about the inner workings of the mind. His concept of the archetypes and of the collective unconscious are two of his best-known contributions, and both are intimately tied to his conceptualization of dreams. The idea that dreams not only emanate from our personal unconscious, but also from our collective unconscious (a deep stratum of the unconscious common to all humankind) and contain universal patterns, images, and dispositions, has helped countless people develop a deeper understanding of their dreams.
What’s more, this book exposes Jung’s view of dreaming as a wholesome, natural process that can give rise to creative—even transcendent—experiences featuring personal challenges, unmapped potentials, and elements of one’s personality. Not always the easiest of reads, but highly rewarding.
Essays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" and "The Relations Between the Ego and the Unconscious," with their original versions in an appendix.
I’m a clinical psychologist who has specialized in women’s issues and disordered eating for over thirty years. Born on the island of Guam, I was raised in a matriarchal and multicultural household where storytelling was a means of transmitting important concepts, traditions, and values, and was a way to experience meaningful and joyful connections with others. Because I was raised by strong women and my indigenous ancestors were Chamorro, a matrilineal culture that honored the motherline, I have always been interested in the archetypal feminine rooted in these stories, although I didn’t discover the term until I began to study psychology.
When I read this book, I felt much the way I did as a teenager when I discovered astrology and began to appreciate there were patterns of behavior found in humans that were reflected in the vastness of the cosmos -- and vice versa. Who would have thought that what I considered idiosyncratic tendencies within myself and others actually were a part of a much bigger pattern that had existed for millennia in the form of ancient goddesses? I was astounded to see the personalities of my sisters, friends, mother, aunties, as well as celebrities, accurately depicted by Greek goddesses.
In this book, Shinoda-Bolen brings to life many dimensions of the archetypal feminine that get played out in our modern lives, our individual psyches, and in our relationships.
Jean Shinoda Bolen's celebrated work of female psychology that uses seven archetypical goddesses to describing behavior patterns and personality traits, as relevant and timeless today as when it was first published thirty years ago. Myths are fascinating stories that become even more intriguing when we realize that they can reveal intimate truths about ourselves and others. Jean Shinoda Bolen brings the Greek pantheon to life as our inner archetypes and applies the power of myth to our personal lives. Once we understand the natural progression from myth to archetype to personal psychology, and realize that positive gifts and negative tendencies…
