100 books like Wolf at the Door

Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.

The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.

All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma. 

All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma. 

In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.

I have always been fascinated by human behaviour since going to a school where we were told there was a right and a wrong way to do everything. That never felt right to me – human beings are much bigger than that! I studied Counselling and Therapy at Norwich City College in the 1990s and later specific courses on Transactional Analysis. Many years on, I am still learning…

I'm a research psychologist. My expertise is in evolutionary psychology, which is a lens through which all mental processes and behavior can be framed. I've studied a wide variety of topics, ranging from love to murder. I do believe that we evolved morbid curiosity as a mechanism of protective vigilance. People have a great interest in consuming material about the who, what, why, how, where, and when of these terrible crimes. In Just as Deadly, I provide fact-based information derived from my own empirical research in addition to about 1200 other sources. It was important to me to pursue and write about truths. In addition, I don’t—and won’t—engage in drama or gore.

I've been writing since I learned how to write, first poems, then short stories. I spent a decade in the rock music business, writing about and becoming friends with Elton John, John Lennon, Bryan Ferry, among others. But I grew up reading thrillers and wanting to write novels but seemed hesitant to start. One day, I ran into an old high school friend who was writing westerns for Avon Books. I thought if he can, so can I. So I did. I majored in Sociology in college, so the intricacies of individuals within society always fascinated me. After reading The Outsider, I realized I really wanted to write about the people outside of society.

The first day of my career began with 1,000 people being laid off citing “post-merger efficiencies.” I was the young whippersnapper walking in as many more were walking out, boxes in hand. I saw, firsthand, the impact of uncertainty, lack of clear and transparent communications, and leadership, not just on performance, but also on the health and well-being of the colleagues around me. In that first job I became fascinated and obsessed with how work can be something we enjoy and find meaning in. Since then, I’ve devoted my career to making work more inspiring, engaging, and fulfilling. This became my passion and cause because I felt the very opposite.