64 books like The Snow Queen

This book is why I became an author. 

I started reading this book in class at school, when I was around thirteen years of age. The class read the first two chapters, and I was so enamoured with it I couldn't wait to get home and read it. I read it in its entirety that very night. I found the language and description used within it quite breathtaking. I couldn't wait to read the next chapter. It had a lasting effect on me and led me to start writing my own stories down. 

In this book, the lines between science and sorcery are indistinguishably and deliberately blurred, crafting a narrative that has evolved into a timeless masterpiece.

Set in a distant future, the universe is ruled over by feudalistic dukes and barons who wage interstellar wars for planets and resources. Here, psychoactive substances grant visions of the future, and colossal sandworms are revered as divine entities. But what truly captured my imagination was the portrayal of the technological as the magical. The Bene Gesserit, a secretive sisterhood often likened to witches, uses multigenerational genetic engineering to bring about prophesies and wield supernatural mind-controlling abilities. 

This seamless fusion of advanced bioengineering with elements of the mystical not only makes the universe of this book feel magical but also tangibly real, resulting in a novel that is both intricate and immersive. 

The Expanse series was a real game-changer for me. An epic space opera set in a very real and gritty future with a host of working-class heroes.

James, Naomi, and Amos work in deep space on an ice trawler and only become involved in the action by being in the wrong place at the wrong time. When they get swept up in the story, the characters must learn and adapt to navigate the world of politics and espionage.

This book series walks the tightrope of creating a very possible future in space without getting too impeded, explaining the science of how that all works. If you like epic space opera set in a plausible future, this series is a fantastic read.

I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.

Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page. 

No one explores the idea of A.I. better than Isaac Asimov, so when robotics experts Powell and Donovan build an advanced robot called QT-1 or “Cutie” for short, “be careful what you wish for,” comes to mind. Cutie isn’t so bad, except he seems to doubt everything he’s told after he’s created, including the fact that humans built him. When Powell asks Cutie why he doesn’t believe it, Cutie claims it’s intuition. When Powell tries to explain to Cutie about the stars, planets, and space, Cutie disagrees with him and decides to “reason” out things on his own. Unfortunately, this robot is so far advanced, it has the ability to form opinions and ideas, that don’t necessarily equate to logic—a primary lesson about intelligence which is learned early on in the story.

It’s possible this book should’ve been #1 on the list because, let me tell you, I think about this book a lot. It’s not JUST that this was the first book I read (outside of my steady childhood diet of Star Wars) that made me say, “Wow, sci-fi can do THAT?!” It’s that the gravity of Ender’s burden (and the skill with which Orson Scott Card brings his story to life) have stuck with me so firmly since I first read it that I can’t help but come back for another reading every few years or so.

I feel like this one is a classic for darn good reason. And if you’re an audio person, I highly recommend the performance by Stefan Rudnicki and crew in the 20th anniversary edition. Great stuff.

This book by Anne McCaffrey was the first book to ignite my love of dragons! I related to the characters and immersed myself in their detailed world.

In my teenage imagination, not only could I fly on a dragon's back, but the powerful creature could be my friend! This was just what I needed at that age. 

Long before Captain Kirk and Starfleet, Smith’s Galactic Patrol served to protect the galaxy from the evil designs of those who would do us harm. First serialised in Astounding magazine in 1937 and then published in book form in 1950, Galactic Patrol is the great-great granddaddy of galaxy-spanning space opera, both military and otherwise. Make allowances for when it was written (woke, it ain’t), and it is difficult to think of a modern space opera theme that Smith didn’t play around with beforehand.

As a big sci-fi fan, I often loved exploring the idea of what would happen if the human race ever met aliens. In Galax-Arena, three children are kidnapped and forced to perform death-defying circus stunts in order to entertain their captors. Not only does the story contain some riveting descriptions of acrobatic feats and tricks, the story explores fascinating concepts of slavery, trust, and what it means to be a child in comparison to an adult. 

C.S. Lewis is widely known for his children’s book series, The Chronicles of Narnia. His list of publications is, however, much longer. This little volume of essays gives a reader (or a writer) insight into how the form of a story shapes its meaning. For instance, he writes about stories for children and how some authors mistakenly think that children are only interested in childish things. He compares that to people who have the gift of being able to access the child that is still in them and speak with them in a shared experience. 

Of science fiction, he shares the difference between an author who is a creator of worlds, and one who rearranges alien props to make a pedestrian story appear clever. The key is a story that makes contact with the reader.