Here are 63 books that The Mote in God's Eye fans have personally recommended if you like
The Mote in God's Eye.
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Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I’m drawn to this futuristic murder mystery because it lays out the rules of the “created world” and invites the reader to solve it. A murderer and a limited number of suspects/victims are all confined on a spaceship.
I love the setup, and I was immersed from the start.
In this Hugo nominated science fiction thriller by Mur Lafferty, a crew of clones awakens aboard a space ship to find they're being hunted-and any one of them could be the killer.
Maria Arena awakens in a cloning vat streaked with drying blood. She has no memory of how she died. This is new; before, when she had awakened as a new clone, her first memory was of how she died.
Maria's vat is one of seven, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so…
I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars. It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.
Okay, I’ve only read this book once, but I can tell you I’ll be reading it again. It’s that good.
It's a classic amnesia story. The hero wakes up from a coma and has no recollection of who he is. Over the course of the story, he discovers he’s a middle school science teacher. And he’s in a spaceship. Alone. And he may happen to be humanity’s only hope to survive.
Wow! Talk about a new spin on the amnesia trope. I’m rooting for Ryland Grace from the jump. No matter how crazy bad it gets, and it gets bad, our hero never loses his sense of humor. I laughed out loud many times. I loved the science, and I dug the author’s writing style.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love Charles Sheffield’s good, hard science fiction. An astronomer and mathematician, Charles Sheffield, could craft plotlines supported by hard science like few others.
I'm drawn to his competent, realistic characters and the way his narratives create drama reminiscent of Edgar Rice Burroughs. Unfortunately, he passed away in 2002.
Jay Hara is an ordinary young man growing up on the isolated planet of Erin. But Jay dreams of adventure and escapades and the legend of the lost “Godspeed” drive which allowed humans to travel at faster-than-light speeds.
His life changes when he joins up with the seedy spacer, Paddy Enderton and Captain Daniel Shaker. Captain Shaker is a charming but ruthless adventurer who inspires both fear and admiration in equal measure, and he and his questionable crew are joined by Jay as they race to find the legendary drive Jay Hara used to dream about.
As a boy I was fascinated by stories about going to other planets, which has persisted even though I became a research chemist who wished to understand. I am curious where society will go, and some of my SF books strongly suggest what not to do if we go there. With my writing, I want to entertain, but leave the reader with something to think about. I hope this list will show the writing I enjoy, and maybe you will too.
The fifth book on my list was a difficult choice; so many to exclude. I chose this because it is about the colonization of an alien world, in this case one tidally locked to a red dwarf. The description of the planet is good, although it begs the question of why the atmosphere did not freeze out on the dark side. I was struck by the highlighting of some of the sociological problems of colonizing such a strange world. It touches on the scientific aspects, the sociological aspects of being that far from home, and the economic issues. There is also a good story; I found it both entertaining and imaginative.
How would you survive on a planet that doesn't spin?
An awe-inspiring Planetary Romance from Terry Pratchett's co-author on the Long Earth Books
The very far future: The Galaxy is a drifting wreck of black holes, neutron stars, chill white dwarfs. The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous Galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light ...
Growing up I devoured science-fiction and spy stories by the boatload—the only person I wanted to be more than James Bond was probably Han Solo. Of course, I couldn’t really become either of them, but I always knew the next best thing would be telling stories about those kinds of characters. Ultimately, I couldn’t decide whether to focus on space adventures or spies, so the only real answer was to smash those two genres together. Five years and four novels later, the world of the Galactic Cold War is humming along quite nicely. But I’m still always on the lookout for the next great sci-fi spy novel.
I love a good space opera, and John Scalzi’s second to none in that department. In some ways, this book (and the two that follow it in The Interdependency series) remind me of the original Foundation, as an immense space empire under a new and untried leader struggles to come to terms with an imminent catastrophe that could bring it to its knees. I personally found the foul-mouthed and irreverent Lady Kiva Lagos a particular delight, as a force of nature that bulls her way through any obstacle.
The Collapsing Empire is an exciting space opera from John Scalzi, the first in the award-winning Interdependency series.
Does the biggest threat lie within?
In the far future, humanity has left Earth to create a glorious empire. Now this interstellar network of worlds faces disaster - but can three individuals save their people?
The empire's outposts are utterly dependent on each other for resources, a safeguard against war, and a way its rulers can exert control. This relies on extra-dimensional pathways between the stars, connecting worlds. But 'The Flow' is changing course, which could plunge every colony into fatal isolation.…
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
This was the first major alien arrival novel I read. I recall being awestruck by Arthur C. Clarke’s masterful mixing of incisive storytelling and a deep sense of grandeur.
The Overlords are hugely memorable, but it was the exploration of human identity that had the biggest effect on me. The story endures as a classic for a very good reason.
Arthur C. Clarke's classic in which he ponders humanity's future and possible evolution
When the silent spacecraft arrived and took the light from the world, no one knew what to expect. But, although the Overlords kept themselves hidden from man, they had come to unite a warring world and to offer an end to poverty and crime. When they finally showed themselves it was a shock, but one that humankind could now cope with, and an era of peace, prosperity and endless leisure began.
But the children of this utopia dream strange dreams of distant suns and alien planets, and…
Aliens have fascinated me since childhood. The idea of living on an alien planet with different biology, social structures, and ways of thinking has to be the ultimate act of imagination. Authors use aliens to highlight and interrogate aspects of humanity or to explore different ways of living, and the best alien novels invite me to inhabit the skin of an alien and open my mind to new thoughts and perspectives. As a science fiction writer, these stories inspire me to be more creative in my own flights of imagination. Here are five of the best alien science fiction novels to help you share my journey into the truly alien.
Isaac Asimov rarely wrote about aliens, but this Hugo and Nebula award-winning novel contains an astounding thought experiment, not only imagining a truly alien species but placing them in a different universe with different physical laws from our own.
I first read this novel as a teenager and was blown away by Asimov’s ability to make me understand and care about the fate of such vastly different alien creatures that possessed three distinct sexes and derived their life energy from photosynthesis.
The fact that the novel inextricably links the fate of these creatures with the fate of our own universe gave me a greater appreciation of how truly diverse life can be. A fact–along with the lessons I learned from the other novels listed here–that continues to inform my own writing on aliens and alien cultures.
In the year 2100, the invention of the Electron Pump - an apparently inexhaustible supply of free energy - has enabled humanity to devote its time and energies to more than the struggle for survival, finally breaking free of the Earth.
But the Electron Pump works by exchanging materials with a parallel universe, and such unbalancing of the cosmos has consequences. Humans and aliens alike must race to prevent a vast nuclear explosion in the heart of the Sun - and the vaporisation of the Earth exactly eight minutes later ...
Okay, so you’ve read Dune, you’ve read Starship Troopers, you’ve read 2001: A Space Odyssey, and maybe you’ve even read From Earth to the Moon and The First Men in the Moon. Seen the movies, too (or maybe you cheat and say you’ve read the books when you’ve only seen the flicks). Bet you think that makes you an expert on science fiction about space, right? Not even close! If you want to read more than just the well-known classics everyone else has, find these books. Some have become obscure and are now out of print, but they’re not hard to find; try ABE, eBay, and local second-hand bookstores. They’re worth searching for, and then you’ll really have something to talk about.
This novel, about the discovery of an alien probe hidden within an Earth orbit-crossing asteroid and the search for extraterrestrial intelligence it provokes, is the first volume of a long, six-volume epic, the Galactic Center series, that is regarded by most critics as a landmark work. You can read this novel on its own or you can go from there with the rest of the series; in any case, it’s hard SF at its thought-provoking best.
Set in a world of lunar colonies, cybernetic miracles, fanatic cults, deadly pollution and famine, the first story in the GALACTIC CENTRE CYCLE. This world of social decay is facing hardship, but not far beyond the shores of space comes a mystery, which one man, astronaut Nigel Walmsley is about to touch. From the author of TIMESCAPE.
I’ve been a Star Trek fan and storyteller all my life. The first stories I wrote at school, the first Star Trek episodes I watched as The Next Generation debuted on German TV. Many years have gone by since then. I watched hundreds of Star Trek episodes and professionally penned dozens of fantasy and science fiction novels for children and adults, like Drachengasse 13 (“Dragon’s Alley 13”, not translated) or Der Drachenjaeger (“Black Leviathan,” Tor Books). The culmination of both being a fan and a writer came in 2016 when, with Star Trek: Prometheus, I was allowed to add my own small part to the ever-growing Star Trek literary universe.
Honestly, I couldn’t put this book down. I read Rogue Elements during a summer vacation on a lovely North Sea island and I had to force myself to have a break and go out for some bicycling and beach fun.
John Jackson Miller just had me hooked with his tale of dashing (but also sad and often drunken) ex-Starfleet officer Cristóbal Rios – introduced in Star Trek: Picard – living through a hilarious adventure while at the same time trying to find a new purpose in life after being cashiered out of his career because of some fishy diplomatic affair.
Grumpy gangsters, a dangerous woman, strange new crew members, and the hunt for a secret treasure keep Rios on the run throughout the whole novel.
A thrilling untold adventure based on the acclaimed Star Trek: Picard TV series!
Starfleet was everything for Cristobal Rios-until one horrible, inexplicable day when it all went wrong. Aimless and adrift, he grasps at a chance for a future as an independent freighter captain in an area betrayed by the Federation, the border region with the former Romulan Empire. His greatest desire: to be left alone.
But solitude isn't in the cards for the captain of La Sirena, who falls into debt to a roving gang of hoodlums from a planet whose society is based on Prohibition-era Earth. Teamed against…
