I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
Claire is days away from losing her job on a salvage ship when she receives a distress call from long-missing space-liner, The Aurora – likened to the Titanic in space. Having nothing to lose, she convinces the crew to investigate, reasoning that they will make a fortune from the wreckage. Once they board the ship, things take a swiftly sinister turn.
This book is so much fun and incredibly cinematic. Space horror deserves to be a much more popular genre. If you like the movie Event Horizon, you will love this book.
Claire Kovalik is days away from being unemployed - made obsolete - when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.
What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn't right.
Whispers in the dark. Flickers of movement. Messages…
Katherine Pryor is the award-winning author of several picture books about food and gardens. In addition to writing, she has worked to create better food choices at institutions, corporations, and food banks. She gardens with her young twins at their home on an island in northwest Washington.
When I first read this board book, I wasn’t sure what to make of it. Amalia Hoffman’s vibrant chalk art is amazing, but the plot is a bit odd and the puns were corny. (Sorry, one really can’t help making vegetable puns after reading this book.) But my kids were obsessed! It moved into heavy rotation at our house, and I came to love little Pete the pea who leaves his safe pea pod to travel the galaxy on his carrot spaceship. It’s full of jokes and adventures perfect for the preschool crowd. I mean, who doesn’t want carrot rocketships for a snack?
Imagine what would happen if fresh veggies could go on a cosmic adventure! Well, blast off with Pete the pea and find out what he discovers outside his pod. Pete joins other curiously shaped vegetables such as an eggplant, artichoke, cauliflower, ear of corn, and mushroom as they each take a starring role in this creative tale of space exploration, daring, and friendship.Who knew healthy food could be so much fun? Let your imagination run to space and back as ordinary vegetables take on a whole new meaning!
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
The great thing about this one is how closely related the magic and technology are—the magic is really used to manipulate technology. For example, Mechanists can tap into the inner workings of machines, while Datamancers can comb through data even better than AI. The book features fantastic action sequences at a breakneck pace, and a lovable rag-tag team thrown-in together to defeat a terrifying villain named Mother.
Furious and fun, the first book in this bold, new science fiction adventure series follows a crew of outcasts as they try to find a legendary ship that just might be the key to savings themselves-and the universe.
Boots Elsworth was a famous treasure hunter in another life, but now she's washed up. She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she got something real--the story of the Harrow, a famous warship, capable of untold destruction.
Nilah Brio is the top driver in the Pan Galactic Racing Federation and the…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I’m drawn to this futuristic murder mystery because it lays out the rules of the “created world” and invites the reader to solve it. A murderer and a limited number of suspects/victims are all confined on a spaceship.
I love the setup, and I was immersed from the start.
In this Hugo nominated science fiction thriller by Mur Lafferty, a crew of clones awakens aboard a space ship to find they're being hunted-and any one of them could be the killer.
Maria Arena awakens in a cloning vat streaked with drying blood. She has no memory of how she died. This is new; before, when she had awakened as a new clone, her first memory was of how she died.
Maria's vat is one of seven, each one holding the clone of a crew member of the starship Dormire, each clone waiting for its previous incarnation to die so…
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
I couldn’t finish this list without including one of the most famous examples of pregnancy in science fiction.
Humanity comes face-to-face with an alien species, the Oankali, who use gene editing, cloning, and mating to refresh their gene pools. The focus is on Lilith, a black woman taken hostage by the aliens who must learn about their plans for her and strategize her responses.
I really appreciate the way Butler’s work manages to speak to the legacy of slavery, particularly through a scene where the aliens create the circumstances for Lilith to breed with a human man in aid of their experiments. Lilith’s refusal to succumb to this animalistic treatment confronts the legacy of breeding humans during slavery.
I find Lilith (like many of Butler’s other characters) a driven character who deals with outlandish situations and the potential invasion of her own body with a pragmatic determination that invites me,…
'One of the most significant literary artists of the twentieth century' JUNOT DIAZ
'Octavia Butler was playing out our very real possibilities as humans. I think she can help each of us to do the same' GLORIA STEINEM
One woman is called upon to reconstruct humanity in this hopeful, thought-provoking novel by the bestselling, award-winning author. For readers of Margaret Atwood, Toni Morrison and Ursula K. Le Guin.
When Lilith lyapo wakes in a small white room with no doors or windows, she remembers a devastating war, and a husband and child long lost to her.
The first book of V.R. Tapscott’s Jane Bond series of humorous science fiction is a good release when you just need a lighthearted laugh.
While on break from her school librarian job, Jane Bond (no relation to the famous spy) finds part of a spaceship containing the AI pilot and sets off on an adventure to find more missing parts, sending her into plenty of humorous and dangerous situations. A very fun and enjoyable series.
An alien pilot.A chocolate cake.A doomed relationship or two.Jane’s life as an elementary school librarian gets sidetracked when she digs up the AI pilot of a 140 million year-old spacecraft.Now, she’s running all over the world looking for spaceship parts, falling in and out of love and trying to keep her friends from thinking she’s going crazy.To make matters worse, the ship she’s recovering is starting to sound a bit more like the Death Star than the Millennium Falcon.When did life get so complicated?Join Jane for high-tech gadgets, action, adventure, and an alien intelligence for a sidekick, because it's just…
I’m an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best children’s books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
This 2006 wordless book left me open-mouthed in awe. Here’s the idea: cartoonist Trondheim was vacationing with family when he found this discarded comic from an alien spacecraft, and it’s reproduced here just as he found it, tattered pages and all. The word balloons, which point to strangely shaped creatures, contain unrecognizable letters and words—so, to those of us who aren’t aliens, this book is wordless. I think the short comic sequences are supposed to be funny, at least to the alien kids who read them, but I’m not an alien, so I was horrified at what happened to all the cute little creatures from another planet. But okay, I’ll admit it—I also laughed, in that “it’s so awful” kind of way. You’ll laugh, too.
Beaten up, tattered, and weather worn, this volume has crossed through space to become the first extra-terrestrial comic book in print on earth. The language and even the alphabet are alien, but as human readers will soon discover, the themes and stories are universal. These interwoven stories and vignettes start out quite simply, but a darker, more complex side is gradually revealed as alien characters act out very human problems, from peer pressure to intolerance to the challenges of friendship. Beneath it's apparently childlike and catoony style, "A.L.I.E.E.E.N." explores human nature, cruelty and kindness with surprising depth and loads of…
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
I have rarely felt a compulsion to turn the pages of a book as quickly as I did while reading this book. I grew up as a huge fan of Jurassic Park and read this book many years later with little idea of what to expect.
The claustrophobic surroundings and relentless tension made this a very fast book to read, but the philosophical considerations made sure it is one that has stayed in my mind ever since.
“Crichton keeps us guessing at every turn in his best work since The Andromeda Strain.” —Los Angeles Times
“Sphere may be Crichton’s best novel, but even if it ranked only second or third, it would be a must for suspense fans.” —Miami Herald
A classic thriller from #1 New York Times bestselling author Michael Crichton, Sphere is a bravura demonstration of what he does better than anyone: riveting storytelling that combines frighteningly plausible, cutting edge science and technology with pulse-pounding action and serious chills. The gripping story of a group of American scientists sent to the…
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
Of all of Clarke’s works, this one had, for me, the grandest sense of adventure and mystery. We never do find out who the aliens are or what their goals might be, but we get to join them for part of their journey.
There are puzzles to solve, wonders to behold, and dangers bravely faced. I first read the book when I was nine years old, and it communicated to me just as clearly then as it does today.
In the year 2130, a mysterious and apparently untenanted alien spaceship, Rama, enters our solar system. The first product of an alien civilisation to be encountered by man, it reveals a world of technological marvels and an unparalleled artificial ecology.
I love science fiction told with a ‘classical’ slant (for example Isaac Asimov and Arthur C Clarke) and The Last Star takes this approach but infuses it with a modern-day ethos.
An interstellar spacecraft—Drake—crosses the universe, its captain woken from stasis with a few other crewmembers, only to find the rest of their human cargo have been suffocated en route.
I think that Grimwood’s tale is told with such bleakness and detail, it makes for a beguiling read; from the very real friction between the crew as they battle the gravity of being the last few representatives of humanity, the mesmerizing ethical conflict of a genetically crafted ‘future-race’ to propagate humans as a species at the edge of the known universe, and then the poignant and shocking conclusion. I thought this was a cracking read.
Stasis and inorganic self-repair, new spacefaring technologies for humankind, yet more gifts from its closest extra-terrestrial ally, the Iaens. There are, it seems, no limits to humanity’s outward journey. Then Lana Reed, Mission Commander of the interstellar colony seeder, Drake, awakes from her own stasis to discover that all but three of the vessel’s other tanks are dark, their occupants suffocated, screaming yet unheard in their high-tech coffins. But the stasis tanks are not all that is dark. The sensors return no readings from outside. The external vid-feeds show only unending blackness. There are no…
