Here are 100 books that The Life Divine fans have personally recommended if you like
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That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.
The Bhagavad Gītā is one of India’s most revered spiritual books for good reason: It contains everything you need to know. A dialogue between the warrior, Arjuna, and his chariot driver, Krishna — who also happens to be an incarnation of the divine — it’s a gripping drama, an instruction manual for life, and one of the most concise articulations of the search for higher meaning that’s ever been written. For English speakers, I recommend the translation and commentary by Eknath Easwaran, which goes down easy.
The Bhagavad Gita, "The Song of the Lord," is probably the best known of all the Indian scriptures, and Easwaran's clear, accessible translation is the best-selling edition. The Gita opens dramatically, with prince Arjuna collapsing in anguish on the brink of a war that he doesn't want to fight. Arjuna has lost his way on the battlefield of life, and turns to his spiritual guide, Sri Krishna, the Lord himself. Krishna replies in 700 verses of sublime instruction on living and dying, loving and working, and the nature of the soul. This book includes an extensive and very readable introduction,…
That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.
I don’t like rankings — I think we count and rank to our collective detriment – but if I had to make a list of the most important books I’ve ever read, this would probably be on top of the list. What is it about? It’s about finding your true self. On the one hand, the task couldn’t be simpler: You are what you are, so there’s hardly a Hardy Boys mystery to crack here. On the other, we cloud our own understanding with so much illusion that few of us have the capacity to see the truth about ourselves. Maharaj can be a bit prickly, but he’s more love than anything else. If you try this book and you can’t connect to it, put it down and return to it later. That’s what I did – the first time, it was impenetrable; the second time, it penetrated to the…
That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.
Baba Muktananda is surely the most entertaining – dare I say, “cool” — of all the great gurus. This book, a collection of Satsang, or Q&A sessions, with the Siddha Yoga Guru, is a very easy-going, unpretentious discussion of the most important things about finding yourself. As the title promises, you are not a finite being; you are infinite. It’s very convincing.
This compilation of questions and answers, drawn from talks and conversations between Swami Muktananda and spiritual seekers he met as he traveled in the West, covers a range of topics, from the first questioning of the nature of existence to the final attainment.
That’s the eternal question, isn’t it? Out here in the manifestation, I am Duff McDonald, author and journalist, father of Marguerite, husband of Joey, and general man about town. I’m a Canadian who moved to the U.S. to go to college and never went back. But who am I, really? I am the same thing as everyone else, a speck of consciousness in the possibility machine, a perfect creation. This whole thing has divine origins, something I only realized not that long ago, and it set me free. I can’t wait to see what happens next. I have, of late, discovered that maximizing one’s awareness is the main quest of a human life.
I don’t think that I am different from the majority when I say that for most of my life, the idea of “discipline” wasn’t that attractive to me. I wanted freedom. But in this book, as well as all her other books, the Siddha meditation master Gurumayi Chidvilasnanada convinced me that the means to a perfect existence must come through discipline. You cannot find yourself if you do not first sort yourself out. The goal isn’t recklessness; it’s improvisation within defined constraints. That’s where the magic happens. Gurumayi is one of the clearest thinkers and writers that I have ever come across. More importantly, everything she writes is infused with love.
In this collection of fourteen talks, Gurumayi Chidvilasananda teaches students how to cultivate yoga discipline of the senses on the Siddha Yoga path.
I love food and drink! I am an avid cook and kitchen creator. Since moving to an island five years ago, far from mainland stores, I’ve learned to craft much more myself. I make limoncello, fresh ice creams, shrub (sipping vinegar); I roast and saute and barbecue and preserve; and I belong to a “bean club” which sends me a box of interesting dried beans every quarter. (No, really.) Combine this with my love of imaginative literature, and you end up with Arouf’s “spicy sweetprawn stew” in Our Lady of the Islands…a recipe I’ll have to actually invent someday.
This book is actually an illustrated online serial, currently 64 episodes in (and on pause at the moment, but I have it on good authority that it will resume). One of my favorite episodes deals with a mysterious young woman preparing a mysterious—magical?—breakfast of zucchini and eggs…but it’s full of spoilers, so you should probably just start the story from the beginning.
I love Twice: The Serial because it's an amazing contemporary fantasy story, well told and beautifully illustrated—a great example of the kind of fantasy I love, which is the "slow build" type...we're in the real world and then mysterious things happen around the edges...and then right in the middle.
I love writing group biographies (I‘ve written four and my next book, Spellbound by Marcel:Duchamp, Love, and Art, will be another). I enjoy the intellectual scope they offer, the way they let you explore a world. I’m less interested in the details of individual lives than in the opportunity biography offers to explore social history, and group biography is particularly suited to that. They’re not easy to do, it’s no good putting down just one damn life after another, but I enjoy the challenge of finding the shape that will let me fit everyone’s personalities and ideas into a coherent story.
The Metaphysical Club is about the Pragmatist philosophers: Oliver Wendell Holmes, Jr., Charles Peirce, William James, and John Dewey. This sounds forbidding, but it’s anything but. Group biography shows how and why particular ideas occur to particular people at a particular moment, and this is a brilliant example of it.
A riveting, original book about the creation of the modern American mind.
The Metaphysical Club was an informal group that met in Cambridge, Massachusetts, in 1872, to talk about ideas. Its members included Oliver Wendell Holmes, Jr., founder of modern jurisprudence; William James, the father of modern American psychology; and Charles Sanders Peirce, logician, scientist, and the founder of semiotics. The Club was probably in existence for about nine months. No records were kept. The one thing we know that came out of it was an idea - an idea about ideas. This book is the story of that idea.…
Through both a former career as an engineer and my writing, I have developed a craving (bordering on obsession) for all things scientific, historical, archaeological, metaphysical, and a more than avid interest in quantum physics which I like to introduce into my books and stories. I also have a fondness for the dark and macabre, for the bizarre, the wondrous, and the plain out there. The weirder the concept – the more I like it… get consumed by it.
I had read another of Glenn Kleier’s books, The Knowledge of Good & Evil, which is a Dante-like trip into Hell – so, I was very excited when he released The Prophet of Queens, a book that plays in practically all of my ballparks: quantum physics, time anomalies, autocratic religious practices, and the sheer, almost lustful need to pursue a goal even though the consequences may shatter reality.
With the clever use of fairly mundane, workaday characters, Glenn Kleier throws open the doors to possibility and the repercussions of raging ambition.
I love this book – and, as with his others, is well-written.
The world hasn't heard from a true prophet in 2,000 years. So why now? And why this guy?
Scotty Butterfield is a recluse. A college dropout clinging to a dead-end job and a rundown sublet in New York City, spending his nights lost in videogames. When suddenly he begins to receive emails from someone calling himself a "Messenger of the Lord," warning of imminent death and destruction in the city. An obvious scam.
Yet the predictions bear out.
Horrified, Scotty fears he's caught up in some terrorist plot, only to realize the disasters are impossible for any human to foresee…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Like Golding, Garner is best known for his children’s books – tales that spring from the ancient mythology of his local Cheshire and wander into realms of high fantasy. But it is this slim novella, a collection of four stories binding as many generations of Garners (they have inhabited the region for centuries and they were, all of them - up until Alan, craftsmen, builders, laborers) that moves me to raptures. Beginning with a wide-eyed child’s discovery of cave drawings, the stories haul stone up above ground to lay out the longwalls of Garner’s mason progenitors and erect the spire of the local church, worn by Garner’s grandfather "like a dunce-cap.” The imagery and wordplay are stunning, binding dialect and landscape like a spell.
A classic work of rural magic realism from one of Britain's greatest children's novelists
Four interconnected fables of a way of living in rural England that is now disappeared.
Craftsmen pass on, or withhold, secrets of their relationship with the natural world, which gives them the material from which they create useful and beautiful things. Smiths and chandlers, steeplejacks and quarrymen, all live and work hand in hand with the seasons, the elements and the land. There is a mutual respect and a knowledge of the magical here that somehow, somewhere was lost to us. These fables beautifully recapture and…
When I published Orphan, Agent, Prima, Pawn, in which Soviet-era psychological warfare plays a heavy role, I happily washed my hands of Russian intrigue and turned to more benign, pastoral inspirations – my life-long relationship with an idyllic cathedral town in Wiltshire, for example. Just days later, the world learned that a certain Ruslan Boshirov and Alexander Petrov shared my fondness for Salisbury’s “world-famous 123-metre spire,” the glories of which prompted their 72-hour visit from Moscow (and overlapped with the botched poisoning of a KGB defector living down the road). Since then, I find myself drawn to works that explore the interstices of morality, criminality, and great construction projects.
Golding was living in Salisbury when he wrote The Lord of the Flies, and his day job as a teacher at a local boys' school left a clear imprint on his dystopic view of young men left to their own hierarchical devices. But the classroom also provided a very literal view of the inspiration for The Spire, a dense and disturbing parable in which rationality and physics crumble under evangelical mania and corporal lust. It is the story of Jocelin, Dean of a medieval cathedral, who, obsessed with a divine “vision in stone,” insists that the spire be raised to impossible heights. There is no happy ending in this cautionary tale of construction hubris, yet I return to it regularly in search of solace.
Succumb to a churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, introduced by Benjamin Myers (narrated by Benedict Cumberbatch as an audiobook).
There were three sorts of people. Those who ran, those who stayed, and those who were built in.
Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and…
A member of the American Academy of Arts and Sciences, I was educated at Stanford and MIT. I taught for four years at Yale and 24 years at Princeton before moving to USC, where I am Chair of the Philosophy Department. I specialize in the Philosophy of Language, History of Philosophy, and the Philosophy of Law. I have published many articles, authored fifteen books, co-authored two, and co-edited two. I am fascinated by philosophy's enduring role in our individual and collective lives, impressed by its ability to periodically reinvent itself, and challenged to bring what it has to offer to more students and to the broader culture.
In this book, one of the great philosophers of the first half of the 20th century sketches his take on two central philosophical tasks -- explaining what kinds of things exist in reality, and how they are related, and delineating what we can know and how we know it. In so doing, Russell illustrates the new method of logical and linguistic analysis he used in The Philosophy of Logical Atomism (1918), to lay the foundations of an epistemological and metaphysical system rivaling the great systems of the past. A key transitional figure linking the history of the subject to contemporary concerns, he raised logic and language to central subjects of philosophical study in their own right, without losing sight of their relevance for more traditional philosophical quests.
Immensely intelligible, thought-provoking guide by Nobel Prize winner considers such topics as the distinction between appearance and reality, the existence and nature of matter, idealism, inductive logic, intuitive knowledge, many other subjects. For students and general readers, there is no finer introduction to philosophy than this informative, affordable and highly readable edition.
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