Here are 94 books that On War fans have personally recommended if you like
On War.
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Lena Einhorn is a writer and filmmaker, with a background in medicine. She has portrayed Greta Garbo’s life before the breakthrough, in the novel Blekinge Street 32, and in Nina’s Journey, she told the story of her mother, one of the last to leave the Warsaw ghetto alive. Nina’s Journey also became a feature film, written and directed by Einhorn. The book received the National Book Award of Sweden, and the film received the National Film Award for best picture and best script, as well as a number of international awards. In 2019 the critically acclaimed autobiographical novel The Thin Ice came out.
This is the parallel companion book to the New Testament, for anyone who wants to try to discern "the true story behind the religious text." And it is also the biggest impediment to all historians and biblical scholars who have attempted to portray Jesus and his disciples as historical individuals. He simply does not seem to be there (if one excepts the paragraph "Testimonium Flavianum", which has been added or amended by later scribes). But perhaps he does... If one looks slightly beneath the surface....
Josephus' account of a war marked by treachery and atrocity is a superbly detailed and evocative record of the Jewish rebellion against Rome between AD 66 and 70. Originally a rebel leader, Josephus changed sides after he was captured to become a Rome-appointed negotiator, and so was uniquely placed to observe these turbulent events, from the siege of Jerusalem to the final heroic resistance and mass suicides at Masada. His account provides much of what we know about the history of the Jews under Roman rule, with vivid portraits of such key figures as the Emperor Vespasian and Herod the…
I've been writing about and teaching military history for many years (I'm a professor at the University of North Carolina), mostly focused on the pre-industrial world, and mostly about the maelstrom of the North Atlantic colonial experience (including warfare in Ireland, England, and in North America). I quickly decided that I needed to do more to understand the Native American perspective, and that also meant understanding the very nature of their societies: Not just how they fought, but how they imagined the function of war. This book is the product of constantly returning to that problem, while also putting it into a world comparative context of other non-state experiences of war.
I teach this book to my graduate students every year.
It is a wide-ranging, deeply researched attempt to understand the nature of war in the human experience. And unlike so many other surveys of military history, Gat goes all the way back to human evolution and the fundamental motives underlying human conflict. He also then shows how conflict itself shaped human cultural evolution and the rise of states.
Why do people go to war? Is it rooted in human nature or is it a late cultural invention? How does war relate to the other fundamental developments in the history of human civilization? And what of war today - is it a declining phenomenon or simply changing its shape?
In this truly global study of war and civilization, Azar Gat sets out to find definitive answers to these questions in an attempt to unravel the 'riddle of war' throughout human history, from the early hunter-gatherers right through to the unconventional terrorism of the twenty-first century.
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
John France has a knack for making the history of war interesting and readable, without taking away its gore and horror, without making you think it in any way romantic or desirable. The title already captures it: the book is largely about the rise of Europe (or later: the West) on the back of military prowess, but at what perilous price! The book aptly traces military traditions and continuity of ideas and concepts, but also profound changes, from Antiquity to the present, giving us a grasp of the essence of warfare during different periods. This book can be said to replace Sir Charles Oman’s old classic.
A major new history of war that challenges our understanding of military dominance and how it is achieved
This expansive book surveys the history of warfare from ancient Mesopotamia to the Gulf War in search of a deeper understanding of the origins of Western warfare and the reasons for its eminence today. Historian John France explores the experience of war around the globe, in Europe, Asia, Africa, and America. His bold conclusions cast doubt on well-entrenched attitudes about the development of military strength, the impact of culture on warfare, the future of Western dominance, and much more.
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence.
Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world.
While 'winning' might be considered a fundamental part of the human objective, what constitutes winning and how one might achieve it remain somewhat abstract, in war as in any other human endeavour. 'Winning' militarily at the tactical level - in a firefight or a battle - has always been more quantifiable than at the strategic level. At the strategic level, success might be measured by means of three big ideas: ownership; intervention for effect; and fighting for ideas. The divergence between success at the tactical level and the political context of the war creates a challenge at the operational level…
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
We are in danger of engaging with war as though it were a philosophical enquiry or a strategic game if we leave out its essence: the death, the suffering, the destruction, the fear, the devastation that it brings, reflected in many among the texts in this anthology, written by eye-witnesses. Others – including the poems – are the product of a different sort of engagement with war: not the attempt at rational analysis but of artistic sublimation of the experience. This, too, represents a thoroughly valid approach missing from the academic works recommended in this section.
If this collection can be faulted, it is for leaving out works – many of great impact at their time, and some not without literary merit – that turned the experience of war into its direct or indirect praise. We thus look in vain for excerpts from Ernst Jünger’s Storm of Steel, for example.…
In sections ranging from outstanding works of fiction, to poems and simple letters home, this book presents the voices of the 20th century's major conflicts - the two World Wars, the Spanish Civil War and those in Korea and Vietnam. The greater power of weapons has made killing a more efficient but more macabre event, and this anthology consists of moments on the battlefields, captured in the words of those who faced wars in their newest and most brutal permutation. The contributors include great writers such as Rudyard Kipling, Wilfred Owen and Norman Mailer - and also the humble squaddies.
As a professor emeritus of history at the Hebrew University, Jerusalem, over the years I’ve been widely mentioned as one of the world’s foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. I’ve also consulted with defense departments, taught and lectured all over the world, etc., etc.
The Iliadis not a book on strategy. Nor on tactics, nor on logistics, nor on command and control, nor on any other individual aspect of warfare about which any number of lesser authors have written. An epic poem, it provides an unparalleled panorama of men (and, playing a secondary yet crucially important role, a few women) at war: the hope, the despair, the fear, the elation, the kindness, the rage, the horror, the love and the sex (which both increases the horror and to some extent makes up for it). All intertwined, and all pulsating along with the human heart. Probably written down around 750 BCE, but making use of much older material, for almost three millennia now it has been regarded not just as a classic but as the greatest classic of all. Unquestionably it will continue doing so for millennia more.
In a companion volume to his award-winning adaptation of The Odyssey, the incomparable graphic novelist Gareth Hinds masterfully adapts Homer’s classic wartime epic.
More than three thousand years ago, two armies faced each other in an epic battle that rewrote history and came to be known as the Trojan War. The Iliad, Homer's legendary account of this nine-year ordeal, is considered the greatest war story of all time and one of the most important works of Western literature. In this stunning graphic novel adaptation — a thoroughly researched and artfully rendered masterwork — renowned illustrator Gareth Hinds captures all the…
My passion for developing entrepreneurial and business instinct is simple. It is all based on confidence. Over time, my experiences have shown me that many leaders (myself included) can end up in “decision paralysis” and default to taking no action at all. Leaders can have all of the information and indicators that a decision is the right thing to do, but they default to doing nothing. By developing a better understanding of my own instincts, I have been able to build confidence in the decisions I have made over the past 20 years, thus eliminating any deterrents from making sound decisions.
I really hesitated putting The Art of War on my list. It is almost cliché as a lot of pretentious students of business and entrepreneurs will have a copy of this book prominently displayed in their office or listed as an influence in their professional profiles.
However, the lessons in this book are simple and profound. When you cannot win the battle, do not engage with the enemy. While these seem like simple common sense insights, all business leaders should revisit them in their most simplest terms. There are too many books and resources that will take one of the concepts from The Art of War and turn it into a thesis and completely water down the lessons at hand.
To refine your entrepreneurial instinct, you should frequently revisit what it was built upon. The Art of War is the foundation.
As a professor emeritus of history at the Hebrew University, Jerusalem, over the years I’ve been widely mentioned as one of the world’s foremost experts on military theory and history. On these and other topics I have written 34 books, which between them have been published in 19 languages. I’ve also consulted with defense departments, taught and lectured all over the world, etc., etc.
In the whole of military history, no year was more important than 1945. Why? Because it introduced nuclear weapons to the world and the world to nuclear weapons. Both before and after Hiroshima new weapons have always affected thewaywar is waged; whereas nuclear ones, by threatening to turn even the “victor” into a radioactive desert, have cast doubt on the purpose for which may be waged and even whether it can be waged at all.
As the current war in Ukraine has shown once again, provided both sides have a credible second-strike capability using nuclear weapons to win a war is impossible. So what canthey be used for and how? Proceeding step by step Schelling, a Nobel-Prize winning professor of game theory, provides the answers in ways that not only have not been improved upon since the book was published in 1965 but are easy to understand…
Traditionally, Americans have viewed war as an alternative to diplomacy, and military strategy as the science of victory. Today, however, in our world of nuclear weapons, military power is not so much exercised as threatened. It is, Mr. Schelling says, bargaining power, and the exploitation of this power, for good or evil, to preserve peace or to threaten war, is diplomacy-the diplomacy of violence. The author concentrates in this book on the way in which military capabilities-real or imagined-are used, skillfully or clumsily, as bargaining power. He sees the steps taken by the U.S. during the Berlin and Cuban crises…
I have a passion for this theme because I served as an armor officer in the U.S. Army for more than twenty years. I saw the effect of both thinking and non-thinking commanders first-hand in places like the inter-German border during the Cold War, Iraq in combat during the first Gulf War, and Bosnia in ‘operations other than war.’ My experience drove me to continue my military studies resulting in four degrees, including my PhD and my current occupation as a professor of military history. My search for understanding war and military decision-making reflects a desire to better instruct the future leaders among my college students and readers.
This too often overlooked classic—written by my PhD advisor—not only explains why Clausewitz wrote his masterpiece but what he was trying to say. In doing so, Sumida breaks conventional understandings of both the great German military philosopher and the very subject of military history. Clausewitz and Sumida combine to eschew history limited to explaining outcomes by linearly tracing them back to their origins and instead advocate for narratives that reveal what the participants saw as their options in the moment and then contextualizes their choices and actions. It is this path that leads to knowledge gained through synthetic experience. Decoding Clausewitz is the single most influential work in my approach to military history.
For nearly two centuries, On War, by Carl Phillip Gottfried von Clausewitz (1780-1831), has been the bible for statesmen and military professionals, strategists, theorists, and historians concerned about armed conflict. The source of the famous aphorism that "war is an extension of politics by other means," it has been widely read and debated. But, as Jon Sumida shows in this daring new look at Clausewitz's magnum opus, its full meaning has eluded most readers-until now.
Approaching Clausewitz's classic as if it were an encoded text, Sumida deciphers this cryptic masterwork and offers a more productive way of looking at the…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
I recommend this book because it is not only the oldest military book known, but also a foundational text. It is short, simple to read, and can be understood at multiple levels from absolute novice to grand strategist. It is a compilation of aphorisms and stories intended to give the reader an insight into the nature of war. To stay with the Chinese theme, Lao Tzu reputedly said that the journey of a thousand li (miles) begins with a single step. This book is that step.
Sun Tzu's Art of War, compiled more than two thousand years ago, is a study of the anatomy of organizations in conflict. It is perhaps the most prestigious and influential book of strategy in the world today. Now, this unique volume brings together the essential versions of Sun Tzu's text, along with illuminating commentaries and auxiliary texts written by distinguished strategists. The translations, by the renowned translator Thomas Cleary, have all been published previously in book form, except for The Silver Sparrow Art of War, which is available here for the first time. This comprehensive collection contains:
