A late bloomer—Ph.D. at 38, married at 39, father at 47—I struggled to “individuate,” torn between my rational nature, inherited from Dad, and my intuitive side from Mom. Serendipitously, in mid-life, I happened upon an extraordinary mentor, the late Quaker mystic John Yungblut. Through John, I encountered shining examples of those who successfully navigated the “struggle of the mystic,” among them the iconic psychoanalyst Carl Jung and the French paleontologist-priest Teilhard de Chardin. As I subsequently achieved some success at individuation, I came to see my struggle as symptomatic of broader tensions within Western society: the perennial conflict between science and religion. Reason and Wonder celebrates both modes of knowing.
This transformational classic, first published in 1975 and now translated into nearly two dozen languages, pioneered the integration of modern scientific insights from quantum mechanics with ancient spiritual wisdom.
I read it in mid-life when I was struggling to integrate my own identity, torn between competing poles: the rational and the intuitive. There were so many “Aha” passages in this brilliant book, but the fundamental insight is “both-and,” not “either-or.” At root, science and spirituality are complementary, not antagonistic.
Capra’s motivation for writing the book: “Physicists do not need mysticism, and mystics do not need physics, but humanity needs both.” Metaphorically speaking, we human beings are amphibians occupying two worlds: physical and spiritual. This book helped me to embrace both.
A special edition of the “brilliant” best-selling classic on the paradoxes of modern physics and their relationship to concepts of Eastern mysticism (New York Magazine)
The Tao of Physics brought the mystical implications of subatomic physics to popular consciousness for the very first time. Many books have been written in the ensuing years about the connections between quantum theory and the ideas of Buddhism, Hinduism, and Taoism, but Fritjof Capra’s text serves as the foundation on which the others have been built—and its wisdom has stood the test of time. Its publication in more than twenty-three languages stands as testimony…
I’ve been reading and making comics since I was a young kid. I’m very interested in the history of comics, and I love to see new combinations of content and form. My own graphic novels, such as Constitution Illustrated and Masterpiece Comics, use parody and pastiche to comment on and reinterpret historical and contemporary texts. I’m charmed by the earnest retelling of literature in old comic book series like Classics Illustrated, but I’m much more excited to see graphic novels that dig deep into texts and reinvent them in idiosyncratic ways.
This is a great introduction to the Taoist philosophy of Zhuangzi, as rendered by Taiwanese cartoonist Tsai. These short comic strips are instantly inviting, and rendered in an animated, funny style that feels effortless. Tsai emphasizes the humor and subversive qualities of the original text, but his approach is reverent, too, as he lays out Zhuangzi’s deep lessons on each page.
During a period of political and social upheaval in China, the unconventional insights of the great Daoist Zhuangzi (369?-286? B.C.) pointed to a way of living naturally. Inspired by his fascination with the wisdom of this sage, the immensely popular Taiwanese cartoonist Tsai Chih Chung created a bestselling Chinese comic book. Tsai had his cartoon characters enact the key parables of Zhuangzi (pronounced jwawngdz), and he rendered Zhuangzi's most enlightening sayings into modern Chinese. Through Tsai's enthusiasm and skill, the earliest and core parts of the Zhuangzi were thus made accessible to millions of Chinese-speaking people with no other real…
On the surface, the novel is basically a tale
of personal vendetta a sect disciple takes up against his master, whom he deems
impossibly haughty and cruel. But in reality, it is a xianxia (Daoist cultivation)
story with a sensual twist centered on the tortured gay romance between a
morally gray disciple and his sorely misunderstood cultivation master.
Emotions
of jealousy, rage, thwarted desire, hatred, and addiction run deep throughout
the story. It’s a type of story that’s meant to unsettle your soul, and it did
have that effect on me. The portrayal of the lead couple Mo Ran and Chu Wanning, is done with exceptional brilliance. The novel left me pining for more.
Also known as 2ha, the wildly popular danmei/Boys' Love novel series from China that inspired a multimedia franchise!
A historical fantasy epic about a tyrant's second chance at life and the powerful cultivation teacher he can't get out of his mind.
Massacring his way to the top to become emperor of the cultivation world, Mo Ran's cruel reign left him with little satisfaction. Now, upon suffering his greatest loss, he takes his own life...
To his surprise, Mo Ran awakens in his own body at age sixteen, years before he ever began his bloody conquests. Now, as a novice disciple…
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
As I was working on my last book, this book had a permanent place beside my desk. Each day I would read a chapter—each chapter beginning with a poem detailed on the page with Chinese characters, followed with a translation by Hinton. “Poetry is the Cosmos awakened to itself .” Sweet words to a poet, and so begins this book.
I have always admired the rivers-and-mountains tradition of ancient Chinese poetry, but I lacked a full enough understanding of the concepts—embedded in language—underlying the tradition. Hinton supplies this and more.
The poetry of Tu Fu is enlightening, as is Hinton’s commentary, and I found this book to be perhaps the most creative “biography” I have read. I now look with a closer eye at our own Western view of our place on this planet, this living, breathing earth, part of the unimaginable beauty of the Cosmos.
A deep and radically original exploration of Taoist and Ch'an (Zen) Buddhist wisdom through the lens of the life and work of Tu Fu, widely considered China's greatest classical poet.
What is consciousness but the Cosmos awakened to itself? This question is fundamental to the Taoist and Ch'an (Zen) Buddhist worldview that shapes classical Chinese poetry. A uniquely conceived biography, Awakened Cosmos illuminates that worldview through the life and work of Tu Fu (712-770 C.E.), China's greatest classical poet. Tu Fu's writing traces his life from periods of relative normalcy to years spent as an impoverished refugee amid the devastation…
I've spent the last three decades thinking about Japanese aesthetics, and in particular if and how they can be meaningfully used beyond Japan. I'm the author of several books on the subject: Frank Lloyd Wright and Japan, Place Time and Being in Japanese Architecture, This Here Now: Japanese Building and the Architecture of the Individual, and most recently, The Constructed Other: Japanese Architecture in the Western Mind. I teach about Asian Pacific architecture at the University of Hawai'i, Mānoa.
Okakura links Taoist and Zen philosophy to the tangible world by way of the aesthetics of tea, which are actually the aesthetics of life itself. The title of this slim volume is disarmingly understated, then. It is the most approachable book on aesthetics I know.
Now available in a gorgeous hardcover slipcase edition, this "object d'art" will be sure to add grace and elegance to tea shelves, coffee tables and bookshelves. A keepsake enjoyed by tea lovers for over a hundred years, The Book of Tea Classic Edition will enhance your enjoyment and understanding of the seemingly simple act of making and drinking tea.
In 1906 in turn-of-the-century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner, Boston's most notorious socialite. It was authored by Okakura Kakuzo, a Japanese philosopher, art…
Derek Sandhaus is an award-winning American author of several books on Chinese history and culture. He worked as an editor, publisher, and tour guide in Shanghai, then moved to Chengdu and turned to drink. In 2018 he co-founded Ming River Sichuan Baijiu with China’s oldest distillery, and now spends most of his time talking about Chinese alcohol to anyone who will listen. He currently lives in Washington, DC, with his wife and a very well-traveled dog.
Li Bai is the best known of China’s “Eight Immortals of the Wine Glass,” a group of Tang dynasty (618-907 CE) poets famous for their drinking prowess. Using historical records, Ha Jin’s biography is a portrait of a frustrated half-Chinese outcast, brilliant but arrogant, who struggles to find a place in a world where talent alone is not enough. Brought down to earth, Li the man is less inspiring than the legend but far more sympathetic.
In his own time (701–762), Li Bai’s brilliant poems—shaped by Daoist thought, filled with an irrepressible lust for life—were never given their proper due. Nonetheless, his lines rang out on the lips of tavern singers, soldiers, and writers throughout the Tang dynasty, and his deep desire for a higher, more perfect world gave rise to his nickname: the Banished Immortal. With the instincts of a master novelist, Ha Jin draws on a wide range of historical and literary sources to weave the great poet’s life story, following Bai from his origins on the western frontier to his rambling travels as…
I lived most of my life in Hawai‘i’s multiethnic community—an amazing place, where, for the most part, people of diverse ancestries got along. The foundation of tolerance was the culture of Native Hawaiians, who lived isolated from outsiders for centuries before the nineteenth century and thus had few prejudicial ideas about others. The natives generally welcomed them and adopted their beliefs. While confrontations and violence occurred, they were limited, not long-term or widespread. Of course, outsiders brought their racial and cultural prejudices, but, today, with a high rate of intermarriages among all the ethnic groups, Hawai'i is one of the most integrated societies in the world.
Westlake, a poet of Native Hawaiian ancestry, incorporates influences from Chinese Taoist and Japanese haiku poetry, Dada concrete poetry, the writings of Kerouac and Bukowski, as well as local pidgin and Hawaiian literary traditions. Westlake’s editor and friend Richard Hamasaki writes that the early poems are “calm, contemplative, and serene, often playful, celebratory”—humans interacting with nature, from rain, moonlight, and mountains, to bugs, frogs, and dandelions: “Looks of disbelief: / I’m on my knees / Washing a rock.” The later poems are political: “Westlake blasts away at Waikiki’s rampant tourism and American materialism, which replaced the native culture in his native land. He wonders, “how we spose / feel Hawaiian anymoa / barefeet buying smokes / in da seven eleven stoa ...?”
In an all-too-brief life and literary career, Wayne Kaumualii Westlake produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. The present volume, long overdue, includes nearly two hundred of Westlake's poems - most unavailable to the public or never before published.
I never wanted to have anything to do with money. I wanted to live a life of meaning in nature, of poetry, of spirit, and of relationship. The problem was that I couldn’t get anyone to pay me for it. My relationship with money from the very beginning was how can I accumulate it and manage it so I could deliver this life of freedom to myself in the shortest amount of time possible. In short, how could I “life plan” myself. I am the founder and thought leader of the life planning movement in financial advice now active in 30 cultures around the world with thousands of life planning practitioners.
Translated many times under different titles, this is my favorite edition, influencing my life planning journey. The text is an intermingling of Buddhist, Taoist, and Confucian thought.
Huanchu Daoren (who goes by various names) was a retired civil servant, as were many great philosophers and mystics in China. His book is written in brief paragraphs, each paragraph is a teaching of ethics or of spirit.
I carried a tiny version of the book that fit in the palm of my hand wherever I went for about ten years when I was going through the toughest time in my life just to give myself encouragement. Whenever I dipped into it, reading three or four sentences, I would feel as if there was something more profound than what I was going through.
The secrets of serenity and wisdom in a changing world can be found in these Taoist teachings, written during the late 16th century in the Ming dynasty. The author's reflections are an outgrowth of his upbringing in the science of neo-Confucianism, a lifelong career in public service, and his retirement at age 62 into Taoist apprenticeship.
Japan is endlessly fascinating. Many foreigners who have spent a year or two engaging with Japanese culture have published memoirs. But there are also many who have lived here longer, perhaps marrying and raising families and retiring in Japan. The stories of long-term foreign residents dig deep into the culture and share unique challenges and triumphs. My own memoir, Squeaky Wheels is about my experience raising a biracial daughter who is deaf and has cerebral palsy in off-the-beaten-track Japan. It also details our mother-daughter travels around Japan, to the United States, and ultimately to Paris. It is ultimately a story of my attempt to open the world to my daughter.
When Wakabayashi first arrived in Japan, as a journalist and curious traveler, she was not particularly religious. She met and married a Japanese acupuncturist with an affluent background, and began a family of her own. Later, she began to seek meaning in Judaism, even managing to engage with a small Jewish community in Tokyo. The heart wants what the heart wants, but Wakabayashi shows how difficult it can be to reconcile the conflicting desires of the mind and soul in an interfaith and intercultural family. Her deeply engaging story provides insight into rarely-scene subcultures in Japan, while detailing her spiritual development, and her eventual decision to leave. Wakabayashi is a skilled, veteran storyteller, with a story absolutely worth reading. This book is for anyone with an interest in Judaism, Japan, motherhood, marriage, and/or intercultural relationships.
Contrasting wedding ceremonies—a lavish Imperial Hotel Shinto affair for his side, a modest Jewish wedding for hers—set the stage for a fascinating union between two spiritual seekers, who raise their children in Tokyo with Jewish and Japanese roots.
Wagamama means "selfish" in Japanese, but not in the sense of hoarding cookies. Having an opinion that goes against tradition can be viewed in Japan as selfish. With the author coming from a line of feisty, opinionated, secular Ashkenazi Jewish women, friction was inevitable—despite the fact that she married into a remarkably peace loving family, who respected her need to connect to…
Diane Dreher is the author of The Tao of Inner Peace, The Tao of Personal Leadership, and The Tao of Womanhood. She has been fascinated by Eastern philosophy since her childhood in the Philippine Islands. In addition to her doctoral degree in English from UCLA and master’s in counseling from Santa Clara University, she has studied Taoism, trained in aikido, and become a reiki master. She enjoys applying the lessons of Tao in her teaching, consulting, and international coaching practice.
John Heider’s book takes the wisdom of Tao into the world of leadership, offering timeless wisdom and practical advice for leaders. Readers will learn about the power of presence in relationships, as well as how to pay attention, trust the process, and stay centered in the midst of challenge and conflict to become more effective and inspiring leaders.
You can't lead without this classic, updated and in its 2nd edition.This bestselling masterpiece of practical philosophy will guide you to enhanced interpersonal relationships and the cultivation of enduring leadership qualities.Heider provides simplest and clearest advice on how to be the very best kind of leader: be faithful, trust the process, pay attention, and inspireothers to become their own leaders. The Tao of Leadership is a blend of practical insight and profound wisdom, offering inspiration and advice.Often used as a Management/Leadership training text by many Fortune 500 corporations, IBM, Mitsubishi, Prudential, GE, Intel, Converse, the Israeli Intelligence Corps, and more.
