Here are 100 books that Midnight Pleasures fans have personally recommended if you like
Midnight Pleasures.
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I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
Personally, I have owned 3 copies in my lifetime, two of which I read into tatters. Clive Barker remains one of the most unusual imaginations in horror to date. If you can’t find something in this collection that you enjoy, pull out the femoral stick. These stories have been translated into film almost as often as Carrie.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
Jeff Strand is the flip side to the coin that I continually try to write. He takes a horrifying premise and makes it funny. I try to take a funny premise and make it horrifying. We both succeed to varying degrees.
The opening story in Gleefully Macabre Tales only spans 750 words and it was the last time I can remember laughing out loud at a written story. It concerns a door-to-door magazine salesman, crotchety old man, and a Weiner dog. To embellish further would be to betray the author’s intent. But know that if you do not find yourself smiling by the time the tale is told you desperately need to check for a pulse.
A short story collection from the author of DEAD CLOWN BARBECUE. Over 85,000 words' worth of insanity!
Cemetery Dance Magazine says that "No author working today comes close to Jeff Strand's perfect mixture of comedy and terror." GLEEFULLY MACABRE TALES compiles thirty-three of his most twisted blends of cringe-worthy horror and ghoulish humor, with a couple of serious pieces thrown in just to mess with you.
This collection includes tales from his three chapbooks (Two Twisted Nuts, Socially Awkward Moments With An Aspiring Lunatic, and Funny Stories of Scary Sex) and numerous other stories both popular and obscure, including "Really,…
I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
I should not have to recommend the president of the Horror Writers Association, but if you are unfamiliar to Lansdale, this is a great introduction. He is a caustic voice with no pretense, or subtlety. I love him for his sincerity, his abruptness, and his ability to make me feel really bad for laughing.
I was six years old when I found myself getting up for a drink of water and watching a brutal dismemberment in a Sam Rami classic starring Bruce Cambell. I was transfixed. I saw The Terminator at five, most of Fulcci’s work before I could pee alone and worshiped Craven and Carpenter long before I could appreciate that I was their target audience. Horror is to me what oxygen is to every other mammal on the planet. Without it, I wither and die.
It should be noted, before wading into this collection, that Rage is credited as the story that inspired the Columbine killings, and is therefore not recommended for a general audience. It is not, however, the novella for which this recommendation is made. The Long Walk is without a doubt, King’s strongest ending ever written. The collection only includes four stories that achieve varying degrees of success. Personally, I find Road Work a complete waste of time. If you never read another Stephen King story, however, The Long Walk is his most iconic piece of fiction to date.
For years, readers wrote asking if Richard Bachman was really world-bestselling Stephen King writing under another name. Now the secret is out - and so, brought together in one volume, are these three spellbinding stories of future shock and suspense.
The Long Walk: A chilling look at the ultra-conservative America of the future where a grueling 450-mile marathon is the ultimate sports competition.
Roadwork: An immovable man refuses to surrender to the irresistible force of progress.
The Running Man: TV's future-favourite game show, where contestants are hunted to death in the attempt to win a $1 billion jackpot.
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
This clever graphic novel is sure to inspire kids.
It features a wonderful variety of writers, including Sandra Cisneros, Roald Dahl, Gene Luen Yang, and Beatrix Potter. In an easy-to-read format with colorful illustrations, Elizabeth Haidle highlights key moments about each writer’s childhood.
My favorite fun facts: J.K. Rowling wrote a story about a rabbit when she was six, and Dr. Seuss drew animals on his sister’s bedroom walls.
What makes a writer? What inspires them? Where do their stories come from? Striking illustrations and a popular graphic novel format bring to life this anthology of literary legends and their childhoods. Featuring beloved authors such as Maya Angelou, C.S. Lewis, Gene Luen Yang and J.K. Rowling, these stories capture the childhood triumphs, failures, and inspirations that predated their careers.
Children ages ten and up will see themselves in these humanised portraits and wonder if they, too, might have it in them to write. A celebration of creativity, this collective graphic biography is sprinkled throughout with writing wisdom and inspiring…
I was an avid reader as a child. Then I became a teenager and started hating it! Why? Because the teachers at school started pushing classical literature on me. I didn’t read for years until a friend introduced me to fantasy. I fell in love and haven’t looked back. I love commercial fantasy fiction that has lots of action, where the writer focuses less on elegant prose and more on plot and characters. I aim to write the kind of books that readers get addicted to, where they can disappear into another world and forget they are reading – the kind of books I love to read!
CN Crawford is one of my favourite authors. I know the pen-name includes 2 authors – a man and wife team who co-author the books but to make it easy, here I’ll refer to ‘them’ as ‘her’.
Her books are really fast-paced. This series was steeped in Scandinavian mythology and folklore which I loved. But it also contained lots of references to cultural tropes in our own modern world which I also loved. The dialogue is always really clever and funny.
There is a badass female lead who can do magic and kick butt. And there’s also an enemies-to-lovers romance at the centre of the plot. It’s highly addictive and I loved all three books. I couldn’t put them down.
My passion is for writing stories about strong women. Most of my favourite characters in literature are strong women—Jo March, Elizabeth Bennet, Jane Eyre. It's their intelligence, and spirit that hooks me. Even when they're misguided or confronting overwhelming odds, they pull themselves back from the brink to begin on a slightly altered path to achieve their purpose. It's the heroine’s journey that draws me into a novel, and it's her journey I wish to describe in my own books. Unfortunately, studying history has shown me there's still a long way women need to travel in the journey towards gender equity. Let’s hope these characters can teach us all something.
Thompson’s novel is another story about strong, intelligent, and powerful women who are manipulated and used by men. There have been numerous retellings of the birth of Mary Shelley’s novel, Frankenstein. The fact that it occurred on a dark and stormy night is literary folklore. However, Thompson’s tale is the first time it has been told for a YA audience and he puts a wicked spin on the well-known origin story. This appealed to me as an English teacher. The characters—Mary, the poet Shelley, Claire Clairmont, and Lord Byron—are given a contemporary vibe. Mary is a lonely and moody teenager, swept off her feet by Shelley who is characterised as the 19th century’s version of a brooding and insatiable rock star, part Mick Jagger and part Nick Cave.
Mary's life began in shadow. Unwanted and overlooked, her desire was to make something of her existence. So how would meeting a young poet change her path forever? Scandal. Passion. Desire. Mary's choices were clear - but would she ever be free of her loneliness? Tony Thompson's enthralling novel explores Mary Shelley's early life and the famous summer she spent with Percy Shelley, Lord Byron, John Polidori and her stepsister Claire Clairmont, which inspired her iconic novel Frankenstein.
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
William (Bill) Dever is a well-known archaeologist who influenced the field of biblical archaeology through his fieldwork, scholarly publications, and public presentations. He has become known to the lay public through his many popular publications one of which relates to the question of whether the Israelite God had a wife. This is an intriguing question since there is archaeological evidence to suggest it. This book is good for readers interested in daily life, gender questions, and religion in biblical times.
Following up on his two recent, widely acclaimed studies of ancient Israelite history and society, William Dever here reconstructs the practice of religion in ancient Israel from the bottom up. Archaeological excavations reveal numerous local and family shrines where sacrifices and other rituals were carried out. Intrigued by this "folk religion" in all its variety and vitality, Dever writes about ordinary people in ancient Israel and their everyday religious lives.
Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of Israel's official "Book religion."…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.
'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis
'Brilliantly unsettling' Olivia Laing
'A magificent book' Neil Gaiman
'An extraordinary experience' William Gibson
Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form.
Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.…
I grew up in an isolated rural pub in England. My love of folk horror was born of a strong nostalgia for that time and it has fed into both my writing and my reading. I understood isolation, small communities, the effect of strangers, as well as the sense of ‘otherness’ in the atmosphere of the countryside – the calm before the storm, the liminal twilight. It also meant that I could tell when a writer had captured the ‘essence’ of folk horror. When the author weaves a story between the landscape and man, blends traditions and mythology – they take me to that place I know.
I have a real thing about needing the setting to be pretty much a character in itself in the folk horror I read.
For me, it is that which brings out the atmosphere, the sense of otherworldliness, critical to such stories. Starve Acre, a haunting tragedy, set in bleak moorland offers no rural idyll. The desolate setting perfectly mirrors the disintegrating marriage of a couple who are trying come to terms with the loss of their young son.
Whilst the wife turns to the spirit world, the husband researches a legend, uncovering the sinister story of the demonic Jack Grey as he does so. Bringing the legend to life and turning it into delusion, culminates in one of the most disturbing final scenes I’ve come across, certainly gave me chills.
The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.
Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.
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