Here are 100 books that Enkidu Is Dead and Not Dead / Enkidu esta muerto y no lo esta fans have personally recommended if you like
Enkidu Is Dead and Not Dead / Enkidu esta muerto y no lo esta.
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When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
I haven’t read a better book in a long time than YZ Chin’s collection of linked stories.
At the centre of a panoply of characters and ways of thinking, we find Isabella Sin, a woman who might be taken as a personification of Malaysia, a troubled young nation searching for an identity as it struggles against its own history.
Not unlike what is required of her country, what is ultimately required of Isabella is to “become who she was.” YZ Chin’s voice offers the sort of nuance and depth that I feel characterises the best in literary fiction.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” ―Ana Castillo, author of So Far from God and prize judge
In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl―and frustrated writer―transformed into a prisoner of conscience in…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
More than any other book here, Cathy Ulrich’s flash fiction collection epitomises the “linked story” concept in terms of form and theme (as opposed to plot).
Each short piece is addressed to “you”, and “you” are a woman who has been murdered. We may learn little or nothing concrete about the dead character each story addresses, but the absence of that stolen life leaves an outline of what’s been lost, a haunting negative image of the life she might otherwise have lived.
What results is a moving, subtle illustration of the humanity of the absent “you”.
Cathy Ulrich's debut short story collection, GHOSTS OF YOU, seeks out the names of the lost and finds the person behind the sensationalism. It examines some of the most common tropes in mystery and crime storytelling, in which the narrative always begins with the body of yet another murdered woman. They are mothers and daughters, teachers and students, lovers and wives, actresses and extras. Their lives have been taken, but their stories still remain. This is how they set the plot in motion...
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
As an immigrant to Malaysia, I can attest that the delightful stories in this collection are electric with Malaysian spirit.
The magic in these tales is literally magic, sometimes whimsical, sometimes discomfiting, imbued with warm and ironic wit. The throughline linking the stories is that they focus either on experiences of the uncanny in Malaysia, or the uncanny experiences of Malaysians abroad.
The included story “If At First You Don’t Succeed, Try, Try Again” won a Hugo award, but my personal favourite may be “The Terra-cotta Bride.”
Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho's Crawford Award winning debut collection with nine added stories including Hugo Award winner "If at First You Don't Succeed, Try, Try Again." A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Stephanie Dalley is another one of those Oxford scholars upon whose shoulders the rest of us Assyriologists stand. Her translations are eminently readable and enjoyable, and her focus on certain selected works of the later Akkadian language period sets her apart from the Sumerian specialist mentioned above. This fascinating era provides us with some of the most compelling stories, including the Atrahasis Epic and the Epic of Gilgamesh.
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness.
Recent developments in Akkadian grammar and lexicography mean that this new translation, complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text, will replace…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
The Epic of Gilgamesh is one of the great masterpieces of world literature, and the oldest, with its origins lost in the mists of time.
It contains a dramatic account of the Great Flood, upon which the much later Noah’s Ark tale was based. The Epicwas current for some 3,000 years and entered the literature of many ancient cultures including those of Sumer, where it originated, Assyrian, Babylonian, and Hittite.
The Epichas been reconstructed from many thousands of clay tablets unearthed from Middle Eastern archaeological sites. The cultures through which it passed moulded their own flesh upon its venerable bones and this I have also done.
The definitive translation of the world's oldest known epic, now updated with newly discovered material
Miraculously preserved on clay tablets dating back as far as four thousand years, the poem of Gilgamesh, King of Uruk, predates Homer by many centuries. The story tells of Gilgamesh's adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind's eternal struggle with the fear of death.…
As a full-time writer of creative non-fiction, I am passionately interested in what makes us human. Like most people. I have always been fascinated by friendship and have had many friends throughout my life. I decided to write about friendship when a good friend 'pruned' me, that is, ended our friendship. I was bewildered and hurt and wanted to understand what had happened, which led me to write True Friends. When I discussed the topic with others, it turned out that most people had also experienced a friend break-up, but it was not much written about—until now!
This book is simply the first written story ever found—and it’s about friendship! It was pressed into clay in the city of Nineveh around four thousand years ago and was re-found in the nineteenth century. It tells the story of a friendship between two men, Gilgamesh, the lord of his city, and Enkidu, ‘a wild man’ from the forests. The story recounts their adventures, then Enkidu’s death, and Gilgamesh’s grief at losing his friend. I find it extraordinary that so many thousands of years ago, human beings were concerned with the nature and power of friendship—it shows that the bonds of friendship are fundamental to human beings.
Gilgamesh, King of Uruk, and his companion Enkidu are the only heroes to have survived from the ancient literature of Babylon, immortalized in this epic poem that dates back to the 3rd millennium BC. Together they journey to the Spring of Youth, defeat the Bull of Heaven and slay the monster Humbaba. When Enkidu dies, Gilgamesh's grief and fear of death are such that they lead him to undertake a quest for eternal life. A timeless tale of morality, tragedy and pure adventure, The Epic of Gilgamesh is a landmark literary exploration of man's search for immortality.
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
Unlike the Homerian epics,Gilgamesh has been studied by scholars since only the late 19th century. (David Damrosch’sThe Buried Book: The Loss and Rediscovery of the Great Epic of Gilgameshdetails its fascinating discovery among a box of cuneiform shards in the British Museum.) Yet this Babylonian epic predates the Odyssey by over a millennium and relates a hero’s journey even more formidable. While Odysseus just wants to get back home, Gilgamesh seeks immortality itself. Bloody battles with giants, marathon sex with goddesses, heartbreaking love between two men, and the universal human quest to reconcile ourselves with death—Gilgameshhas it all.
This stirring new version of the great Babylonian epic includes material from the recently discovered "monkey tablet" as well as an Introduction, timeline, glossary, and correspondences between lines of the translation and those of the original texts. "A comprehensive Introduction with a light touch (Beckman), a poetic rendering with verve and moxie (Lombardo): This edition of the colossal Babylonian Gilgamesh Epic should satisfy all readers who seek to plumb its wealth and depth without stumbling over its many inconvenient gaps and cruxes. A fine gift to all lovers of great literature." -Jack M. Sasson, Emeritus Professor, Vanderbilt University and The…
My interest in the ancient Near East began when I was about 8 years old. One day, when couldn’t find anything to do, I started paging through a book on Assyrian art that I found in one of my parents’ bookcases. I was hooked. I wanted to know what made those mysterious ancients tick. How did they understand the world they inhabited? How did they live? What made them fight so hard and so often? I became an Assyriologist in order to answer those questions, and I’ve been working toward that goal ever since.
Van de Mieroop’s history of the ancient Near East is concise, engaging, and up to date. For anyone new to the subject this book is a great place to start. Find out about the first cities and social institutions, ideologies and religious beliefs, long-distance trade, state formation, and the wars of imperial expansion. Van De Mieroop augments his narrative with passages from ancient sources, plenty of maps and illustrations, and information about important research questions and controversies.
Incorporating the latest scholarly research, the third edition of A History of the Ancient Near East ca. 3000 323 BC presents a comprehensive overview of the multicultural civilizations of the ancient Near East. * Integrates the most up-to-date research, and includes a richer selection of supplementary materials * Addresses the wide variety of political, social, and cultural developments in the ancient Near East * Updated features include new Key Debate boxes at the end of each chapter to engage students with various perspectives on a range of critical issues; a comprehensive timeline of events; and 46 new illustrations, including 12…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This book, like the others, is an essential reference for anyone researching the subject.
It covers in detail geography, rivers and irrigation, archaeology and building, government and society, religion and myth, language and writing, architecture, and the arts, economy and trade, food and agriculture, arms and warfare, everyday life, customs and society in general.
Getting down to finer details is the strength of this book. A great asset it has to be for the finer points in developing a novel.
Modern-day archaeological discoveries in the Near East continue to illuminate our understanding of the ancient world, including the many contributions made by the people of Mesopotamia to literature, art, government, and urban life The Handbook to Life in Ancient Mesopotamia describes the culture, history, and people of this land, as well as their struggle for survival and happiness, from about 3500 to 500 BCE. Mesopotamia was the home of a succession of glorious civilizations-Sumeria, Babylonia, and Assyria-which flourished together for more than three millennia. Sumerian mathematicians devised the sixty-minute hour that still rules our lives; Babylonian architects designed the famed…
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