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Myths from Mesopotamia.
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I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Zecharia Sitchin makes a lot of crazy-sounding claims. He talks about faraway planets and NASA-style rocketry. He doesn't provide references, and he doesn't make convincing logical arguments. Nevertheless millions of people believe his claims. My own research shows that most of Sitchin's conclusions are pretty unfounded—but, there is a thread of evidence within the ancient literature that seems to indicate that at least some of Sitchin's core ideas might be at least partly correct.
Over the years, startling evidence has been unearthed, challenging established notions of the origins of Earth and life on it, and suggesting the existence of a superior race of beings who once inhabited our world. The product of thirty years of intensive research, The 12th Planetis the first book in Zecharia Sitchin's prophetic Earth Chroniclesseries--a revolutionary body of work that offers indisputable documentary proof of humanity's extraterrestrial forefathers. Travelers from the stars, they arrived eons ago, and planted the genetic seed that would ultimately blossom into a remarkable species...called Man. The 12th Planetbrings to life the Sumerian civilization, presenting millennia-old…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Black et. al. have compiled what is generally considered the definitive collection of Sumerian myths. The editors are the creme de la creme of the academic community of Sumerian literary experts, and the collection consists of works translated by them under the auspices of the University of Oxford. This book is the gold standard of mainstream literary study and understanding of Sumerian literature.
This anthology of Sumerian literature constitutes the most comprehensive collection ever published, and includes examples of most of the different types of composition written in the language, from narrative myths and lyrical hymns to proverbs and love poetry. The translations have benefited both from the work of many scholars and from our ever-increasing understanding of Sumerian. In addition to reflecting the advances made by modern scholarship, the translations are written in clear, accessible English. An extensive introduction discusses the literary qualities of the works, the people who created and copied them in ancient Iraq, and how the study of Sumerian…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
History Begins at Sumerexplains lucidly how the Sumerian people, particularly the city of Uruk on the banks of the Euphrates River in what is now Iraq, the city over which Gilgamesh is said to have ruled, was responsible for many world firsts.
These included the use of the wheel, literature, organised schooling, an administrative structure, and many of those features that enable the functioning of what we now would consider a true city. An example that others were soon to follow.
Which civilization had the first system of law? The first formal educational system? The first tax cut? The first love song? The answers were found in excavations of ancient Sumer, a society so developed, resourceful, and enterprising that it, in a sense, created history. The book presents a cross section of the Sumerian "firsts" in all the major fields of human endeavor, including government and politics, education and literature, philosophy and ethics, law and justice, agriculture and medicine, even love and family.
History Begins at Sumer is the classic account of the achievements of the Sumerians, who lived in what…
I have always been interested in ancient civilizations and have studied extensively from Egypt to Hebrew. One of the great mysteries is why all of our ancestors seem to be so concerned with powerful gods from other realms. Do such other realms exist? Did the ancients experience physical or spiritual phenomena? It remains a great mystery. However, as I read the ancient stories it became clear that perhaps our normal ways of interpreting their own experiences may not be entirely accurate. Perhaps they deserve another reading with a fresh set of eyes.
Crawford expands deeply on some of the ideas presented in Kramer, and really delves into more of the cultural aspects of agriculture, architecture, and writing to name a few. She clearly thinks of these ancient people as equals with whom we could easily empathize. Indeed, the book has a timeless quality of the human spirit which rings true even in a postmodern age.
Mesopotamia produced one of the best-known ancient civilizations, with a literate, urban culture and highly-developed political institutions. In this fully revised and expanded edition of her classic text, Sumer and the Sumerians, Harriet Crawford reviews the extraordinary social and technological developments in the region from 3800 to 2000 BC. Drawing on the most up-to-date historical and archaeological sources, she provides a thematic exploration of this ancient civilization, examining its physical and historical background, changing settlement patterns, public and private architecture and cultural developments of the period. In this new edition, the chapter on Manufacturing Industries and Trade has been enlarged…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Scholars have disagreed when written records become literature, yet the earliest literary authors known by name are Ptahhotep (who wrote in Egyptian) and Enheduanna (who wrote in Sumerian), dating to around 2400 BC. Enheduanna is the earliest known Female Poet. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sin). She lived in the Sumerian city-state of Ur in Syria. So this would be my 3rd recommendation for all the researchers of Ancient History.
Enheduanna's contributions to Sumerian literature, include the collection of hymns known as the "Sumerian Temple Hymns", 37 tablets to be exact, from 2,700 BC. The temple hymns were the first collection of their kind, the copying of the hymns indicates that they were used long after and held in very high esteem.
Sīn or Suen (Akkadian: EN.ZU or lord-ess of wisdom) or Nanna was the goddess of the moon in the…
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
During the Bronze and Iron Ages the first texts appeared that allow us an unadulterated glimpse into the prevalent beliefs of the time, in Egypt and in Mesopotamia.
Finkel, a consummate cuneiformist and expert in the literature of Sumer, Babylon, and Assyria, presents here a jaunty, entertaining, humorous but above-all scholarly account of his new understanding of the Sumerian-derived flood story, made possible by his discovery in the archives of the British Museum a missing clay tablet – a couple of chapters – of the flood myth.
What follows is a true detective story, in which Finkel cleverly plays some mental gymnastics in order to reconstruct exactly what the Ark would have looked like. In part ancient history, historiography, theology, and just a lesson in how stories turn into myths, Finkel reveals a very different story to the one we all grew up with.
In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This book, like the others, is an essential reference for anyone researching the subject.
It covers in detail geography, rivers and irrigation, archaeology and building, government and society, religion and myth, language and writing, architecture, and the arts, economy and trade, food and agriculture, arms and warfare, everyday life, customs and society in general.
Getting down to finer details is the strength of this book. A great asset it has to be for the finer points in developing a novel.
Modern-day archaeological discoveries in the Near East continue to illuminate our understanding of the ancient world, including the many contributions made by the people of Mesopotamia to literature, art, government, and urban life The Handbook to Life in Ancient Mesopotamia describes the culture, history, and people of this land, as well as their struggle for survival and happiness, from about 3500 to 500 BCE. Mesopotamia was the home of a succession of glorious civilizations-Sumeria, Babylonia, and Assyria-which flourished together for more than three millennia. Sumerian mathematicians devised the sixty-minute hour that still rules our lives; Babylonian architects designed the famed…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This most revealing book explains how, over 7,000 years ago in Mesopotamia, between the rivers Euphrates and Tigris, an area corresponding roughly with that of modern Iraq, urban living began.
The region where this remarkable phenomenon first occurred is known as Sumer. Where its people originated remains something of a mystery and the still imperfectly understood Sumerian language appears unrelated to any other known tongue, ancient or modern.
Situated in an area roughly corresponding to present-day Iraq, Mesopotamia is one of the great, ancient civilizations, though it is still relatively unknown. Yet, over 7,000 years ago in Mesopotamia, the very first cities were created. This is the first book to reveal how life was lived in ten Mesopotamian cities: from Eridu, the Mesopotamian Eden, to that potent symbol of decadence, Babylon - the first true metropolis: multicultural, multi-ethnic, the last centre of a dying civilization.
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.
Women were integral to everything in Mesopotamia—politics, religion, economy, society, you name it—for the entire multi-millennium lifetime of the culture. I find this book, which is the catalogue of an exhibit for the Yale Babylonian Collection, to be a particularly interesting study, and it has gorgeous illustrations. The six chapters include two that focus on prominent women, the priestess Enheduanna and Queen Sammu-ramat (Semiramis), as well as discussions of many women who were not well known. The objects that were displayed in the exhibit are illustrated in the second half of the book, each described with a paragraph or two. These really give you a sense of how archaeologists and historians draw their conclusions from ancient evidence, and how individual lives can be reconstructed from objects and texts.
In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men - as mothers, daughters, or wives - giving the impression that a woman's place was in the home. But, as this volume explores, they were also authors and scholars, astute business-women, sources of expressions of eroticism, priestesses with access to major gods and goddesses, and regents who exercised power on behalf of kingdoms, states, and empires. Illustrated in colour and black & white throughout.
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