I
read this book in two sittings, so it’s a fast read. I could easily visualize scenes
thanks to Freeman’s economical and effective descriptions.
What I relate to
most personally is her use of characters, especially women who are of middle
age or older. In typical historical mysteries in 1900 England, ladies of
the upper crust often appear as parlor decorations for tea time. Freeman’s
women are much more complex. They can turn on a dime from charming to waspish
and never stop manipulating the people around them—without those people having
a clue—one more thing.
Freeman has a
deliciously understated streak of humor. i.e., “It’s that coiffure that has me
worried. If it ever came down, it could take out two or three bystanders.”
From Agatha Award-winning author Dianne Freeman, the Countess of Harleigh Mysteries are a witty romp through the high society of Victorian England with a touch of romance, an appealing and independent female lead, and rich historical detail. In this delightful sixth installment, the American-born newlywed Frances Hazelton finds her honeymoon plans derailed by a murder among the upper crust of English society…“Pure unadulterated fun” (Publishers Weekly) for fans of Ashley Weaver, Deanna Raybourn, and Tasha Alexander!
With her new husband George busy on a special mission for the British Museum, Frances has taken on an assignment of her own. The…
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
I love this whole series, but what drew me to the first book was the story of a young widow unraveling the secrets of her late husband.
It’s poignant to see her only fall in love with him after he's gone. But at the same time it's fascinating to see her finding herself even as she learns that the man she was married to was far more complicated than she realized.
From New York Times bestselling author Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder
Lady Emily's first mystery . . .
For Emily, accepting the proposal of Philip, the Viscount Ashton, was just an easy way to escape her stifling home life and overbearing mother. So when her new husband dies on safari soon after the wedding, she feels little grief. After all, she barely knew the man.
Now, nearly two years later, she discovers that Philip was a far different…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
This is the best up-to-date book for beginners learning to read ancient Egyptian hieroglyphs. Egyptian hieroglyphs are the most beautiful written language. They are not an alphabet. It is a complex system. The authors have it organized in sections that make it easier to understand the basics, and to read actual ancient texts on Egyptian artifacts.
Hieroglyphs are pictures used as signs in writing. When standing before an ancient tablet in a museum or visiting an Egyptian monument, we marvel at this unique writing and puzzle over its meaning. Now, with the help of Egyptologists Mark Collier and Bill Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Collier and Manley's novel approach is informed by years of experience teaching Egyptian hieroglyphs to non-specialists. Using attractive drawings of actual inscriptions displayed in the British Museum, they concentrate on the kind of hieroglyphs readers might encounter…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
During the Bronze and Iron Ages the first texts appeared that allow us an unadulterated glimpse into the prevalent beliefs of the time, in Egypt and in Mesopotamia.
Finkel, a consummate cuneiformist and expert in the literature of Sumer, Babylon, and Assyria, presents here a jaunty, entertaining, humorous but above-all scholarly account of his new understanding of the Sumerian-derived flood story, made possible by his discovery in the archives of the British Museum a missing clay tablet – a couple of chapters – of the flood myth.
What follows is a true detective story, in which Finkel cleverly plays some mental gymnastics in order to reconstruct exactly what the Ark would have looked like. In part ancient history, historiography, theology, and just a lesson in how stories turn into myths, Finkel reveals a very different story to the one we all grew up with.
In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to…
Julian. D. Richards is a Professor of Archaeology at York. He has directed excavations at the Viking settlement at Cottam, and the only Viking cremation cemetery in the British Isles at Heath Wood. He is the author of Viking Age England, and The Vikings: A Short Introduction. His co-author is Dawn M. Hadley. Dawn is a Professor of Medieval Archaeology at the University of York. She and Julian Richards are Co-Directors of the Torksey project - which has been investigating the winter camp of the Viking Great Army of AD 872-3. She is the author of The Vikings in England and The Northern Danelaw.
Thomas Williams was project curator for the major international exhibition Vikings: Life and Legend, held at the British Museum in 2014. In this tremendously readable account of Viking Britain from the late eighth to the end of the tenth century he interweaves first-person narrative, evocative prose, and more conventional historical and archaeological discussion to provide a new form of Viking history. Williams demonstrates how the Vikings have shaped British society, and how our perception has been shaped by authors such as J.R.R. Tolkien and William Morris.
A new narrative history of the Viking Age, interwoven with exploration of the physical remains and landscapes that the Vikings fashioned and walked: their rune-stones and ship burials, settlements and battlefields.
To many, the word 'Viking' brings to mind red scenes of rape and pillage, of marauders from beyond the sea rampaging around the British coastline in the last gloomy centuries before the Norman Conquest. It is true that Britain in the Viking Age was a turbulent, violent place. The kings and warlords who have impressed their memories on the period revel in names that fire the blood and stir…
Betrayal of the Gods is the fifth installment
in the Relic Hunters series, by Martin Ferguson.
I could praise this series
until I am blue in the face, and would recommend it to all reads. Martin has
once again told an exciting adventure story about the Hunter brothers of the
British Museum set in the modern day, with merging chapters set in the past.
The author's ability to tell two simultaneous stories set thousands of years
apart, yet somehow they are always so well connected to the root of the entire
story. This is yet another triumphant story from a great storyteller.
Jordanna Max Brodsky is the author of the Olympus Bound trilogy, which follows the Greek goddess Artemis as she stalks the streets of modern Manhattan, and The Wolf in the Whale, a sweeping epic of the Norse and Inuit. Jordanna holds a degree in History and Literature from Harvard University, but she maintains that scholarship is no substitute for lived experience. Her research has taken her from the summit of Mount Olympus to the frozen tundra of Nunavut, and from the Viking ruins of Norway to Artemis’s temples in Turkey.
Unlike the Homerian epics,Gilgamesh has been studied by scholars since only the late 19th century. (David Damrosch’sThe Buried Book: The Loss and Rediscovery of the Great Epic of Gilgameshdetails its fascinating discovery among a box of cuneiform shards in the British Museum.) Yet this Babylonian epic predates the Odyssey by over a millennium and relates a hero’s journey even more formidable. While Odysseus just wants to get back home, Gilgamesh seeks immortality itself. Bloody battles with giants, marathon sex with goddesses, heartbreaking love between two men, and the universal human quest to reconcile ourselves with death—Gilgameshhas it all.
This stirring new version of the great Babylonian epic includes material from the recently discovered "monkey tablet" as well as an Introduction, timeline, glossary, and correspondences between lines of the translation and those of the original texts. "A comprehensive Introduction with a light touch (Beckman), a poetic rendering with verve and moxie (Lombardo): This edition of the colossal Babylonian Gilgamesh Epic should satisfy all readers who seek to plumb its wealth and depth without stumbling over its many inconvenient gaps and cruxes. A fine gift to all lovers of great literature." -Jack M. Sasson, Emeritus Professor, Vanderbilt University and The…
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
My interest in the Vikings initially arose out of seeing the Lewis Chessmen at the British Museum, they have such interesting faces, full of life and mystery. For me, the chessmen are the reason for my writing journey and in this small and perfectly formed book is the story of their discovery on the Isle of Lewis and their journey to the present day.
Written by the marvelous storyteller Irving Finkel who is the Assistant Keeper of Ancient Mesopotamian script, languages, and cultures in the Department of the Middle East in the British Museum – which is something of a mouthful (check out his YouTube videos).
It is an easy read that transports a person back into time, wondering who the chessmen belonged to, why did they end up on a Scottish beach and what do those funny little carved characters make of it all?
The Lewis Chessmen were found on the Isle of Lewis in mysterious circumstances. Consisting of elaborately worked walrus ivory and whales' teeth in the form of seated kings and queens, bishops, knights, warders and pawns, this curious chess set is strongly influenced by Norse culture. Of the 93 pieces known to us today, 11 pieces are in Edinburgh at the National Museum of Scotland, and 82 are in the British Museum, where they have delighted generations of visitors with their wonderfully expressive details. In this engaging story, Irving Finkel follows the many adventures of the chessmen after they came to…
Sheila Finch is best known as a Nebula-winning author of science fiction, but on a visit back to her first alma mater in Chichester, UK, she encountered a mystery that wouldn’t let her go. Who built the nearby magnificent Roman palace that was just now being excavated at Fishbourne, and why? Months of research later, she came up with a possible explanation that involved a sixteen-year-old Roman mother, a middle-aged Celtic king of a small tribe, and Emperor Nero’s secret plans:
Another, more popularly oriented (and much shorter) discussion of Celtic life by Simon James (with Valerie Rigby), has a different focus: Britain and the Celtic Iron Age. Like the longer, less specific to Britain version by this author, this one gave me a much greater “feel” for the life of my characters before and after the Roman conquest. It’s full of photos and illustrations of Celtic artifacts, many of them collected by the British Museum.
The Celts are seen as a family of European peoples who spoke related languages and shared many things in common, from art to aspects of religion and social organization. Was the British Iron Age simply part of this supposedly uniform, Celtic world, or was it something much more distinctive, complex, strange and fascinating than we have been led to believe? New research is promoting reappraisals of Britain's prehistory, in ways which challenge many ideas, such as that of a familiar Celtic past. This work discusses the many facets of the lives of Iron Age Britons, drawing on the wealth of…
My interest in the ancient Near East began when I was about 8 years old. One day, when couldn’t find anything to do, I started paging through a book on Assyrian art that I found in one of my parents’ bookcases. I was hooked. I wanted to know what made those mysterious ancients tick. How did they understand the world they inhabited? How did they live? What made them fight so hard and so often? I became an Assyriologist in order to answer those questions, and I’ve been working toward that goal ever since.
Beyond its initial purpose to support an exhibition at the British Museum, this book offers an excellent introduction to the Assyrian Empire at the height of its power and to Ashurbanipal, the empire’s last great king. Bereton’s cogent narrative and the volume’s beautiful photographs make for an extraordinarily appealing book. It is also full of accurate, detailed information about the Assyrians, their culture, and the various people they fought and conquered.
In 669 BC Ashurbanipal inherited the world's largest empire, which stretched from the shores of the eastern Mediterranean to the mountains of western Iran. He ruled from his massive capital at Nineveh, in present-day Iraq, where temples and palaces adorned with brilliantly carved sculptures dominated the citadel mound, and an elaborate system of aqueducts and canals brought water to the king's pleasure gardens. Ashurbanipal, proud of his scholarship, assembled the greatest library in existence during his reign. Guided by this knowledge, he defined the course of the Assyrian empire and asserted his claim to be `king of the world'.
