100 books like Eat Him If You Like

This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.

Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

This is one of the most unsettling books I’ve ever read.

For weeks after finishing it, I would find myself coming back to scenes I remembered and feeling a prickle down the back of my neck. Isserly, the main character of the book, isn’t really a woman but an alien wearing a human suit to draw in her victims while driving around rural Scotland.

I’m Scottish myself, and recently, I found myself feeling a genuine sense of paranoia while out hillwalking and seeing a lone figure in the distance. It’s a hard read, almost sickening at times, but I’m not exaggerating when I say I believe I will be thinking about it for the rest of my life. I wouldn’t recommend it for the faint-hearted, and it’s definitely not a comfort read, but if you have the stomach for it, this is a truly remarkable novel. 

I first picked this up in a bookshop in Bangalore, knowing nothing about it or the (now very famous) author.

I was unprepared for a novel that managed to evoke the lush and intense vibrancy of South Pacific Islands, the depravity of a real-life Nobel Prize winner who was accused of heinous crimes, and the heartbreak of losing someone to dementia – all at the same time.

This is an uncomfortable but unputdownable novel, and one that affected me so deeply I now have a tattoo of it; on my thumb is the symbol carved into wood to signal that the ’people in the trees’ live there, in memory of my beloved grandmother. 

The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.… show more.

Hazan knows every nook and cranny of his city. He exults in the buildings and architecture, but his main subject is the people who wove the fabric of its diverse communities and their histories. He takes us on a historical journey that passes from the salons of the old aristocracy to the artisanal districts where popular, revolutionary activism was born. Hazan makes no attempt to conceal his left-wing sympathies, but he is equally at home admiring the Art Nouveau gems of the well-heeled 16th arrondissement as he is enjoying the vibrant, ethnically diverse northern districts of the city. Hazan’s love of the human life of Paris shines through.

“On the morning of its first birthday, a baby was found floating in a cello case in the English Channel.” From the opening line this is a story you will fall in love with!  Sofie, the orphaned baby in the cello case, is rescued from a shipwreck by an elderly gentleman called Charles who decides to raise her himself. He does an excellent job and I adore Sofie’s bravery, her love of knowledge, and her passion for adventure. Certain that her mother is still alive, Sofie and Charles set off for Paris to look for her, believing that you “never ignore a possible.” This is a fabulous book about pursuing your dreams and the power of hope. Plus the writing is just gorgeous!  

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

This collection of articles offers an intriguing approach to the topic of women, power, and sex by focusing on the many uses of Marie Antoinette. The essays, by prominent historians, art historians, and literary scholars, examine Marie Antoinette as a “site of history” where political and cultural contests occurred. The authors analyze pamphlets, archival materials, portraits, French Revolutionary pornography, and modern films to consider the central questions Marie Antoinette raised about her identity as a foreign queen, woman, wife, mother, and political figure.

She embodied the contradictions in old regime politics, culture, and gender identity and has been used subsequently to address political and gender issues to the present. Each essay offers a distinct, intriguing perspective on the reciprocal influence of this queen and the history of France. The collection reveals the wealth of purposes this queen served and the rich variety of interpretations she provoked.

With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.