Here are 100 books that A Dowry of Blood fans have personally recommended if you like
A Dowry of Blood.
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When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
It doesn’t hurt to be a goddess—even a minor goddess—that is, unless you are condemned to live alone on an enchanted island for eternity. I love the magic and herbology woven into Circe's character. (I love anything that has to do with harnessing nature’s powerful, innate wisdom.)
Circe’s suffering at the hands of gods and men is as intense as if she were a human woman. Yet she is immortal. Is there no end to it? Thankfully, even a goddess can grow.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
This case has a spoiler, but a famous one: we wait halfway through the book before we’re suddenly hanging out with Death herself. For the first half, there is an epidemic of life. As the new year rings in, suddenly, nobody can die, no matter what happens to them.
Celebrations slowly turn into existential dread and bafflement that sweep the globe, and the whole novel could have been like that. But in Saramago’s novel, we pivot to meeting Death and learning why she’s unwilling to go to work today and what things are preoccupying her more than upholding the natural order. Maybe it’s the dating scene. When Death can’t get someone out of her thoughts, it has ramifications.
Nobel Prize-winner Jose Saramago's brilliant novel poses the question—what happens when the grim reaper decides there will be no more death? On the first day of the new year, no one dies. This of course causes consternation among politicians, religious leaders, morticians, and doctors. Among the general public, on the other hand, there is initially celebration—flags are hung out on balconies, people dance in the streets. They have achieved the great goal of humanity: eternal life. Then reality hits home—families are left to care for the permanently dying, life-insurance policies become meaningless, and funeral parlors are reduced to arranging burials…
I’ve never been a fan of polemics or schmaltz. But that doesn’t mean I don’t want to learn or see new perspectives or feel deep feelings; I just think humor is the best way to get past people’s defenses. (All the better to sucker punch them in the feels.) I also think the world can be a pretty dark and scary place. I love books that give us hope, enough hope to have the courage to change what we can to make the world a little brighter.
Sometimes, I don’t actually want a lot of tension; there’s a reason this book kicked off a craze for cozy fantasy. I loved the relatively small stakes of an orc-turned-barista.
Watching Viv build herself a family out of the folks in her new town, binding them together in ways they had never before felt bound, reminded me how much we can accomplish in our own surroundings just by being kind. Sometimes, heroism is less about fighting with weapons and more about building something that creates warmth and community.
High fantasy, low stakes - with a double-shot of coffee.
After decades of adventuring, Viv the orc barbarian is finally hanging up her sword for good. Now she sets her sights on a new dream - for she plans to open the first coffee shop in the city of Thune. Even though no one there knows what coffee actually is.
If Viv wants to put the past behind her, she can't go it alone. And help might arrive from unexpected quarters. Yet old rivals and new stand in the way of success. And Thune's shady underbelly could make it all…
I’ve been reading books about dark content since I was a teenager, and I’ve always loved the understanding and companionship it provides to people who carry around broken pieces of themselves. Over the years, this interest in hardship has become a lot more specific; I’ve discovered my own queer identity, which has cause me to seek shelter in queer fantasy. It also inevitably lead me to queer Norse mythology, whose source material is dripping with queer hints for anyone with the historical knowledge to find them. Combining all these things, I’ve gathered a large collection of stories that promise to help you lick your wounds, all while drawing you into the next chapter.
The entire Nine Worlds Rising series is an exercise in watching Loki get taken down a peg or six. I’m deeply in love with Norse myth material, and Lyra is not afraid to take a deep look at the pain that people inflict on each other. Book One deals with betrayal, ostracization, self-sabotage, and becoming the worst version of yourself. It’s not all doom and gloom, however, because the author has a fantastic sense of humour that really shines in Loki. Many of the characters are queer, including at least one that you won’t expect!
All Loki the trickster god of Asgard wants is a peaceful life where he’s free to stir up a bit of harmless mischief. But when he’s struck by a painful vision of blood, ash, and death he knows his fun has run out.
Refusing to have his life obliterated by some stuffy prophecy, Loki feels he must save Asgard. Except the gods stand in his way. They don’t trust the God of Lies—which means his only hope is to return to Odin, the man he wished to forget thanks to their complicated history.
I’ve been reading books about dark content since I was a teenager, and I’ve always loved the understanding and companionship it provides to people who carry around broken pieces of themselves. Over the years, this interest in hardship has become a lot more specific; I’ve discovered my own queer identity, which has cause me to seek shelter in queer fantasy. It also inevitably lead me to queer Norse mythology, whose source material is dripping with queer hints for anyone with the historical knowledge to find them. Combining all these things, I’ve gathered a large collection of stories that promise to help you lick your wounds, all while drawing you into the next chapter.
This book is just fun, but it’s also a weird kind of fun. Short and to the point, it follows two monstrous men as they wreak deadly havoc on a dark little town. It leans heavily on the media’s history of queer-coding villains in stories and allows the characters to be unapologetically evil. Readers who enjoy this book will find themselves thinking the pair are strangely cute together, all the while trying to remember that they’re very dangerous. It’s great as an audiobook and makes the perfect palate cleaners between longer books.
“A black tide of perversity, violence, and lush writing. I loved it.” —Joe Hill
A Finalist for the 2019 Shirley Jackson Award!
Debut author Jennifer Giesbrecht paints a darkly compelling fantasy of revenge in The Monster of Elendhaven, a dark fantasy about murder, a monster, and the magician who loves both.
The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart…
I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
In a world saturated with Greek Mythological Retellings, The Witch’s Heart is a breath of fresh (cold) air from Valhalla.
Angrboda—a woman who made a recent appearance in the God of War PS4 games—blazes across this book as the mother of monsters! Odin's wrath leaves her powerless, and her only escape route? Off to a remote forest she dashes. Enter Loki, that sly trickster, stumbling upon her and—bam!—love sparks, birthing three whelps, each harbouring their own cryptic fate.
It's a Norse mythology remix with a modern twist and a brand-new leading lady—epic, heartbreaking, and full of oomph! And if every time you see Loki, you see Tom Hiddleston's mischievous grin, you aren’t alone.
Angrboda's story begins where most witch tales end: with being burnt. A punishment from Odin for sharing her visions of the future with the wrong people, the fire leaves Angrboda injured and powerless, and she flees into the furthest reaches of a remote forest. There she is found by a man who reveals himself to be the trickster god Loki, and her initial distrust of him-and any of his kind-grows reluctantly into a deep and abiding love.
Their union produces the most important things in her long life: a trio of peculiar children, each with a secret destiny, whom she…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
This novella is a close retelling of Carmillaby Sheridan Le Fanu, which is theOG sapphic vampire story. It recasts the ending to give the leads a happy ever after, and ups the sapphic content to modern standards, adding a bit of steaminess. Simper’s version retains Laura’s initial ambivalence and horror towards Carmilla, the historical setting, and the gothic flair. It’s a must-read for fans of the original who are looking for a more modern interpretation.
In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however – the eccentric and beautiful Carmilla.
With charm unparalleled and habits as mysterious as her history, Carmilla’s allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
I adore Sherlock pastiches, and this is one of my favorites with its high magic urban fantasy setting, pan sorceress Sherlock, and gay trans man Watson. Obviously, the leads aren’t romantically entwined. Instead, the plot revolves around Sherlock’s ex-paramour and current client, pan Irene Adler, whose impending marriage to a woman is being threatened by blackmail.
It’s joyously irreverent with a ton of literary allusions and dear Watson’s earnest and wholesome narrative voice. If you enjoy magic with your mystery, this book is for you.
In this charming, witty, and weird fantasy novel, Alexis Hall pays homage to Sherlock Holmes with a new twist on those renowned characters.
Upon returning to the city of Khelathra-Ven after five years fighting a war in another universe, Captain John Wyndham finds himself looking for somewhere to live, and expediency forces him to take lodgings at 221b Martyrs Walk. His new housemate is Ms. Shaharazad Haas, a consulting sorceress of mercurial temperament and dark reputation.
When Ms. Haas is enlisted to solve a case of blackmail against one of her former lovers, Miss Eirene Viola, Captain Wyndham is drawn…
I loved books as a kid, especially fantasy books, but could never find anyone like me within their pages. I’m a lesbian Chinese writer who adores stories about messed-up, complicated queer people. I’m thrilled by the range of books available now that feature queer, messy characters. We all deserve representation, and to me that means representation that’s complex, that encompasses the ugly and the beautiful. One of my goals as an author is to make you fall in love with monsters—brutal, flawed women who may not deserve love, but who demand it all the same.
The Witch’s Daughter is the third book in the Amendyr quartet, but can be read on its own. It’s a sapphic fantasy romance told from the point of view of Mother Gothel’s witchy daughter, Ailynn, who falls in love with Rapunzel.
It’s my favorite book of the quartet, possibly because Ailynn has a somewhat complicated relationship with Rapunzel, further harmed by an instance of betrayal (content warnings apply, although they’re also spoilers—seek them out before reading if it concerns you). The Witch’s Daughter is a tale of two damaged girls trying to grow beyond their trauma bond, with found family and major parental issues.
Ailynn Gothel has always been the perfect daughter. Thanks to her mother's teachings, she knows how to heal the sick, conjure the elements, and take care of Raisa, her closest and dearest friend. But when Ailynn's feelings for Raisa grow deeper, her simple life falls apart. Her mother hides Raisa deep in a cave to shield her from the world, and Ailynn must leave home in search of a spell to free her. While the kingdom beyond the forest is full of dangers, Ailynn’s greatest fear is that Raisa will no longer want her when she returns. She is a…
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