I've been a student of horror since my mother first sat me down in front of the TV to watch the old monster movies with her. It's a genre for the outsiders, the underdogs, which I've certainly felt at several points throughout my life. Good horror is both an escape and a vessel to affect change in the world. Many people in my life believe horror is just boobs and blood, so I feel like it's my job to educate them. This is why I started hosting my horror movie nights, which later developed into my first cookbook. Horror is a major part of my life and I hope it gets the appreciation it deserves.
It is a beautifully gruesome story about love, desire, and greed. Though I found it to be absolutely frightening, I also found it strangely comforting.
As a young gay man in the early 00s, as the AIDS epidemic was slowing down a bit, Barker's depiction of sexuality and openness was quite refreshing. I can only imagine what it must have been like reading this story for the first time as a gay man in the 1980s.
The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser
From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to…
I started reading mysteries in elementary school: Nancy Drew, Agatha Christie, and Stephen King fed my thirst for story, puzzles, and the “super-psychological.” There’s so much about the mind we don’t understand—including our relationships with animals (like an octopus detective)—or the bond between twins (like the one in my Cici series). When I worked with Irene Webb as an associate literary agent in the 2000s, my fascination with the written word and “super-psychological” blossomed. I enjoy connecting motivations, secrets, and passions into a tapestry of humanity. At their core, stories teach us how to be more human, and I want to be part of that lesson. Please enjoy this book list I’ve curated for you.
I realize this book isn’t one of King’s supernatural thrillers like Kujo or The Shining, both of which petrified my middle-school self into turning the pages late, late into the night. But Misery is the best of King’s work because this “super-psychological” thriller pits two antithetical forces against one another.
The police interview setup seems a straightforward approach to story-telling, but it turns into a deeply emotion, personal journey for Paul, the book’s hero. We learn in subsequent pages that Paul’s “number one fan,” Annie Wilkes, refuses to allow Paul to continue on a journey of self-aggrandizement...to the point she’s willing to brutalize and imprison him…all while claiming to love his mind. Paul’s imagination becomes his only viable tool to escape Annie’s machinations.
Misery is powerful, brilliant work and the reason I now write mysteries and thrillers.
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
Anyone who’s ever taken drugs (or drunk an energy drink) will know that the high always comes at a price: you are not being given new energy; you are just borrowing tomorrow’s energy, and you will pay for it later.
This book tells the story of a man who lives a life of hedonistic depravity but sails through it all, apparently untouched by experience, his face as young and innocent-looking as ever. But all his guilt and fear show up on the face of the portrait of himself that he keeps in his attic. I can’t think of a more perfect example of the novel-as-metaphor.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
I had no idea what I was in for when
I started to readBird Box. I’d seen the movie, and it was good, but the sheer suspense of the book came as a complete
surprise. From the very first page, Josh Malerman has created an atmosphere
that balances on a very fine edge between dread and hope.
It’s been a long time
since a book kept me turning the pages all night, needing to know what happens and
getting completely invested in the characters—even after I’d seen the film
version.
Bird Boxpulled me straight in and
didn’t let go, and I’ll be reading the sequel with the lights on.
On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read.
This is really how the Disney film Old Yeller should have ended, with a rabid canine raising hell and ripping out throats. What a phenomenal book.
My first foray into the world of Stephen King. I loved it so much I tried to name my dog Cujo … but I was overruled. We settled on Otto cause it sounds sorta similar. But, again, I love this book for the same reason I love Who Goes There?—a beast is terrorizing people who are trapped and can’t flee. It’s a simple formula for monster-themed novels, but it gets me every single time.
The #1 New York Times bestseller, Cujo “hits the jugular” (The New York Times) with the story of a friendly Saint Bernard that is bitten by a bat. Get ready to meet the most hideous menace ever to terrorize the town of Castle Rock, Maine.
Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.
Meanwhile, Vic and Donna Trenton, and their young son Tad, move…
It wasn’t until high school when I read Stephen King’s Night Shift that illuminated the genre for me—horror. My first short story was The Dark Shadow, and it fit me like a glove. My writing is inspired by the books I like to read, as I’m sure it is with all writers, and I write characters that I know and in settings I am familiar with for authenticity. The years of experience have honed my craft, and my books are a culmination of my favorite things—supernatural horror, suspense, heart, drama, westerns, and action.
When this book caused me to pull over, park, and listen to the last hour, making me late to my work appointment, I knew I was reading (listening) to the most intense, suspenseful, tightly written novel.
As much as I love horror and the supernatural, none of it thrills me unless it is accompanied by suspense, and no one cranks them out better than Koontz.
If you delight in the suspense of Stephen King and Harlan Coben, you'll love Intensity - a classic thriller by Sunday Times and New York Times bestselling author Dean Koontz.
Edgler Vess is a sociopath intent on murder. He lives for one purpose only: to satisfy all appetites as they arise, seeking ever more outrageous experience. To live with intensity.
When he attacks her friend, Laura, Chyna Shepherd is saved by the instincts developed during a dark and turbulent childhood. Not knowing Laura is already dead, Chyna follows, hoping to save her friend, as Vess carries her body to his…
I’ve been a connoisseur of all things terrifying and fantastical since I was 5, and so scared of my Baba Yaga book downstairs I couldn’t sleep. I pursued the delicious fear of a well-written monster through my teens and into adulthood but found that so many books within the horror and fantasy genres are aimed at younger readers. So I wrote the books I wanted to read. I’d always planned to write, but it was developing extreme anxiety that inspired me to nurture my creative side and finally do it. I was having terrible nightmares at the time, and these awful dreams became the central scenes of my novels.
In her final novel of the Mayfair Witch Trilogy, Anne Rice really seduced me with the concept of the sympathetic monster. Ash, her Taltos character is inhuman, but so pure and love-filled, I understood that an inhuman character can be used to highlight humanity’s greatest strengths. Around the creation of her creatures, she wove a history of fiction and legend and Celtic history that I found fascinating. I read this book almost thirty years ago, and it’s still one of those books that I hark back to as inspiration.
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
The Mayfair Witches face an unimaginable new threat: the Taltos - the giant race gifted with preternatural knowledge, who breed in minutes and live for centuries. The race that spawned the monster-innocent Lasher, who gave the witches their power…
Growing up, I melted into the cinematic universe. And it was always the fantasies that made me feel wonderous. Star Wars, Skyrim, Fallout, Dune, The Hunger Games, you name it, they all sucked me in during the darkest times in life. That’s why I write, for the children and the young adults. I want them to experience my worlds to understand their own. I earned my BFA in Creative Writing at Full Sail University. I hope to translate my books into screenplays while my dream and goal is to watch my own story on the big screen with a bucket of popcorn in my hands.
Weird, right? The author of the story is unknown. Some may say it’s just a narrative of the main character’s story, but no one really knows the truth behind the mythical monster. Slender Man was a decent book, a very quick read too for four-hundred pages. While the story was slow, it pitched in its genre of suspense, mystery, and terror. We live in the real world, but we’re also living in a world of wonders. I’d recommend this story to anyone who loves mysteries and evil entities, even gamers who run around the worlds of Fallout and Skyrim.
As her friends and the police search for answers, Matt Barker begins to dream of trees and black skies and something drawing closer.
Through fragments of journals, blog posts and messages, a sinister, slender figure emerges and all divisions between fiction and delusion, between nightmare and reality, begin to fall.
The urban legend of the Slender Man has inspired short fiction, viral videos, and a feature film. Gathered from online whispers, Matt's story reveals the true power of the internet's most terrifying creation.
I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.
Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?
Most editions of Wielandinclude Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
