I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
Kate Horsely’s writing is exquisite. Every word, every detail is carefully chosen and her language has a beauty all its own. The novel is about an Irish nun, Gwynneve, who was raised pagan. She sought refuge in Saint Brigit’s and is welcomed because of her literacy. She is to transcribe the words of St. Augustine and St. Patrick. She observes the crossroads of paganism and Christianity and witnesses the positive and negative of both sides. I don’t want to give any spoilers, but Gwynneve becomes caught up in the conflict as she records her diary of observations and pays the price for honesty. Again, I’m fascinated by the two belief systems, pagan and Christian, side by side, and searched for how that transition occurred.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal)
Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language.
From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!
Being a fan of history, mythology, and folklore really drew me to this book. It delves into ancient magic, pagan practices, and other traditions that continue to this day. The book was thoroughly researched and opens a window into mankind’s beliefs and superstitions throughout the ages. The book explores the similarities between different cultures’ creation myths and ritualistic practices as well as Christianity’s appropriation of many pagan holidays, rituals, and locations. Anyone interested in mythology or folklore should definitely have this on their reading list.
Published originally in two volumes in 1890, this extraordinary study of primitive myth and magic, collected from sources around the world, led Frazer to identify parallel patterns of ritual, symbols and belief across many centuries and many different cultures. Frazer's learning inspired a whole generation of ethnographers and comparative anthropologists, and had a particularly powerful effect on many other thinkers and writers such as Sigmund Freud, D H Lawrence, Joyce, Yeats and T S Eliot.
I just looked this up. The word is Hibernophile. I love all things Irish even though I'm American, and distantly, Irish American. My inspiration for the Brigid of Ireland trilogy met at the intersection of genealogy research and discovering druids. The novel Druidsby Morgan Llywelyn whichI read soon after The Mists of Avalon impacted so much of my future writing I love research, too. Finding my family roots—immigrants to the New York marble quarries during the Famine—was the impetus for tying these two things together. This—researching Catholicism in Ireland—led me to Patrick and Brigid. I live, teach, and write in the mountains of Virginia.
This was the first book that made me realize druids had been real, and that entire belief system was nearly—in historical chronology—stamped out by the Roman Empire. The story focuses on a young druid, Ainvar, who befriends Vercingetorix, the Celtic warrior who was brought to Rome in chains by Julius Caesar. While the setting is in Gaul, I began to understand the beliefs of the druid life that was very nearly lost. Where Rome’s war with the druids of Gaul was bloody and decisive, the Irish conversion took a different path. I wanted to find out why the two histories, the change from druid to Christian, was so dramatically different.
The tale of one man who has the vision and genius to save his Celtic people from destruction at the hands of Julius Caesar, this fantasy novel tells the story of the General's invasion of Gaul from the unusual point of view of the invaded.
J.D. Foslan is the author of Loki’s Saga: A Novel of the Norse Gods and has been a practicing Polytheist and mystic for over a decade. The author’s other interests include the Frisian language spoken by roughly a half-million people in the Netherlands.
We live in a society that allows for only two possibilities: that there exists either one God or no God at all. What C.S. Lewis did for Christianity, this book does for modern Polytheism. It’s an intelligent and thoughtful read that opens up the mind and heart to new spiritual possibilities.
In this book John Michael Greer turns his attention to the intellectual underpinnings and superstructures of the Pagan and magical movements. Pagan religions have tended to be more concerned with practice that with theory and in a system that has no dogma - no legislated doctrine - that is as it should be. Yet as out movement grows and matures, it is inevitable that we will begin to think in a more abstract way about our models and systems. John Michael Greer has provided a primer on the kinds of ideas and themes that must be included in any discussion…
Charles M. Odahl earned a doctorate in Ancient and Medieval History and
Classical Languages at the University of California, San Diego, with an
emphasis on Roman imperial and early Christian studies. He has spent his
life and career traveling, living, and researching at sites relevant to his
interests, especially in Britain, France, Italy, Greece, Turkey Israel, Egypt, and
Tunisia. He has taught at universities in Britain, France, Idaho, and Oregon, and
published 5 books and 50 articles and reviews on Roman and early Christian topics.
Dr. Watts, a prolific author on Roman history, gives a detailed survey of the lives and careers of some of the last prominent pagan intellectuals who lived from the time of Constantine's conversion to Christianity to Theodosius' outlawing of paganism. He shows the intellectual, social, and religious changes in the fourth century as the Roman world was transformed from a pagan to a Christian society. A fascinating story brilliantly told.
A compelling history of radical transformation in the fourth-century--when Christianity decimated the practices of traditional pagan religion in the Roman Empire.
The Final Pagan Generation recounts the fascinating story of the lives and fortunes of the last Romans born before the Emperor Constantine converted to Christianity. Edward J. Watts traces their experiences of living through the fourth century's dramatic religious and political changes, when heated confrontations saw the Christian establishment legislate against pagan practices as mobs attacked pagan holy sites and temples. The emperors who issued these laws, the imperial officials charged with implementing them, and the Christian perpetrators of…
I have always been a voracious reader and was blessed with parents who filled my home with books, who read to me, and who exposed me to both true and fictional stories that expanded my heart and nourished my imagination. I grew up on Christian biographies, along with devouring history and novels. I was shaped, nourished, and strengthened by the stories of real men and women who lived lives that mattered, and who understood that God never puts His children in times, in places, or in circumstances where He cannot enable them to shine brightly, and where they cannot speak truth and compassion into the darkness.
The sheer, transcendent beauty of the language in this book would have made me love it even had I not found the story engaging, and the powerful, personal truth of the story it tells would have made me love it even if the prose had been awkward and lackluster.
The marriage of the language with the deeply personal story of a young American couple finding their way through love, marriage, and friendship to the love of Christ, and then facing the ultimate test of their young faith, will mark you forever. I will warn you that I finished the book in floods of tears!
A heart-rending love story described by its author as “the spiritual autobiography of a love rather than of the lovers” about the author’s marriage and search for faith.
Vanauken chronicles the birth of a powerful pagan love borne out of the relationship he shares with his wife, Davy, and describes the growth of their relationship and the dreams that they share.
A beloved, profoundly moving account of the author's marriage, the couple's search for faith and friendship with C. S. Lewis, and a spiritual strength that sustained Vanauken after his wife's untimely death. Replete with 18 letters from C.S. Lewis,…
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
I’ve been fascinated by Dante since my first years at university. For me, reading Dante was the beginning of a journey, opening up a rich world of theology, philosophy, art, literature, science, and culture. As Professor of Theology at the University of St Andrews, I especially enjoy facilitating students’ first encounters with Dante, and seeing how Dante so often leads them, also, to a deeper appreciation of some of the greatest thinkers and makers of our civilisation, from Aristotle and Virgil to Aquinas and Giotto.
This book was a revelation to me in first studying Dante. Here was an author taking Dante’s questions, and his answers to those questions, seriously. A brilliant Cambridge Italianist and a Dominican priest, Kenelm Foster is passionately engaged with the theology of Dante.
In this book, he provides his celebrated account of the ‘Two Dantes,’ one overly committed to paganism, the other devoted to Christianity. He also develops his comparison between Aquinas’s theory of implicit faith (according to which pagans may be saved) and Dante’s strange invention of a section of limbo in which virtuous pagans are, it seems, eternally damned. Although I do not hold now to all of Foster’s provocative assumptions or conclusions, I still find his mode of questioning Dante, and reading Dante historically and theologically, inspirational and exhilarating.
I write fantasy romance, or romantic fantasy, and one of my favorite things this little genre niche can do is use its otherworldly setting to re-examine our preconceived notions of romantic relationships. Polyamory exists in the real world, of course, so surely it should also exist in worlds with hauntings, spells, magic-powered giant mecha, and gods who intervene in mortal fates. Here are some books I have loved that make polyamory a fundamental part of their fantasy worldbuilding.
This novel is the start of a mesmerizing series about being in love with two of your very dear childhood friends, or possibly five of your childhood friends, and feeling inexplicably compelled to return to the eerie ancient manor home where the six of you first spent the summer together. Rare books, dreams, pagan rituals, and a whole lot of sex—what’s not to love? This book really captures the dark, wintery, haunted, strangely out-of-time atmosphere of the house, and it’s extremely (t)horny, putting all of Sierra Simone’s incredible skill on display. This is the kind of complex, emotional writing I aspire to.
Twelve years ago my mother disappeared into the fog-shrouded moors of Thornchapel.
I left her memory there, along with the others. Of my childhood friends, playing in the woods. Of the crumbling, magical world we found, and of the promises we made beneath the wild roses. I moved on, building a life as a librarian in America, far away from the remote manor where my mother was last seen alive.
And then the letter arrives.
A single word, in her handwriting, calling me back to England. Followed by a job offer I could never refuse, from a person I never…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
