The most recommended King Arthur books

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.

The Oxford Companion is an encyclopedia, not a narrative, but I love that it includes stories from the Bible, the Quran, and other sacred texts alongside fantastical legends that span the globe. The line between myth and religion is, after all, largely subjective. King David, the nymph Daphne, and the Dayak myths of Borneo all share the same page. For those of us seeking inspiration in myth, the Oxford Companion offers ideas from Abraham to Ziusudra.

This gender-swapped retelling of King Arthur showcases a female Merlin, Emry, who packs some serious girl power. Far superior at magic than her twin brother Emmett, Emry takes his place training as the new court wizard for the adorable, bumbling Prince Arthur. I knew I was going to love this book when chapter one began with Arthur and Lancelot sneaking out of the castle to have one too many drinks at a bar and ended with Arthur getting sick all over Sir Kay’s shoes. Witty banter among lovable characters, the occasional bit of bathroom humor, and lots of magic and heart made this book one of my favorites of 2021.

This was one of the first Arthurian reference books and remains one of the best.

Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.

I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.

This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.

Clawson's protagonist, Harry Fox, is a criminal, working for criminals—which makes him a bit unusual in a field dominated by historians and law enforcement. And yet…Harry is highly sympathetic.

I love how Clawson uses Harry's interactions with secondary characters and random strangers to develop that side of his character. This book delivers on medieval clues and ciphers without ever losing that focus on character.

As a history geek myself, I get excited when I recognize the characters from my research, emerging from a thriller plot, in this case, the historian Geoffrey of Monmouth. (Don't worry if you haven't heard of him, he's a little obscure, but that only makes it more fun to see his work incorporated into fiction!)

I read an early proof of this book (it is published on 13 April 2023) and was hooked from the first page.

Owens opens with footfall on medieval castle stairs and the tread of time – only the stairs she walks on are seventeenth-century copies and are part of the ongoing mythologising of England’s past.

She covers King Arthur and the Crusades, Beowulf and Tennyson, Shell tourist guides, and the rebuilding of Coventry Cathedral. Her excellent earlier book Spirit of Place (Thames & Hudson) is focused more squarely on the British landscape but this new book connects to the myth of England, how it has been and still is constructed in all our minds.

Eye-opening and beautifully written.

I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.

These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.

In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.

Into the Labyrinth by John Bierce is another academy-fantasy tale where the main character, Hugh, studies magic alongside others. This is a great story for emotional development and plot twists! At first, things seem like they don’t add up, but by the end, you get a satisfying sense of “ah-ha!” as most of your questions are answered (not all, though!).

This is a great coming-of-age story where Hugh finds great mentors, deals with his first love, and struggles with magic where others excel. It’s a great entry point for younger readers, too. Just well worth the read.

Even richer than the tradition of Arthurian films are musical adaptations of King Arthur, stretching back, at least, to the seventeenth century. As it says on the lid, this book explores how King Arthur has been approached in the wide realm of music. I love operas, musicals, and orchestral music, and Arthur is a consistent subject and theme.

Whether Camelot or Spamalot, putting Arthur’s story on stage or to music brings out aspects of his story that words or images alone cannot, and the musical Arthurs are some of the most nuanced versions of the man. I’ve returned to this book and the works it explores many times–often writing about Arthur myself while listening to music about him or featuring him.