The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“One of the first discoveries I made when I began to return in a reflective way to earlier parts of my life was that there was often very little connection between events that by rights ought to be capitalized—important trips, moves, friendships, deaths—and the experiences that had in fact left the most vivid deposit in memory,” Birkerts writes in this little book that packs a punch. Focusing on Coming-of-Age Stories, Fathers and Sons, Mothers and Daughters, Trauma and Memory, Birkerts deconstructs well-loved texts to teach us how their writers chose to manage time.
Memoir is, for better and often for worse, the genre of our times,' Birkerts writes. This piece of elegant literary criticism seeks to understand what makes some memoirs memorable and others self-serving. Birkerts argues that the memoirists strategies for presenting the subjective experience of time reveal the power and resonance of the writer's life. By examining Virginia Woolf's A Sketch of the Past, and Mary Karr's The Liars' Club, Birkerts describes the memoirists essential art of assembling patterns of meaning.'
I came to discover the healing power of art, nature, and ritual while I was grieving the loss of my father a decade ago. I would go to the park and make impermanent and symmetrical art from found twigs, flowers, pine cones, berries, and leaves as a way to ground, heal my broken heart, and make sense of a chaotic time. Since then, I‘ve made over a thousand nature altars, written a book about it (Morning Altars), and have taught tens of thousands of people around the world to make meaning in their lives through a creative collaboration with the natural world. It still amazes me that something so simple and impermanent can bring such wonder and resilience.
Goldsworthy is the grandfather of impermanent nature art, creating one-of-a-kind ephemeral sculptures out of snow and ice, stone and twigs, leaf and bark. This book carries the quiet intensity of his art that lives at the edge of decay and change. The book wove me into a world of understanding the impermanence in nature through the lens of art being created on the precipice of change. He sculpts spiraling ice crystals just at the time in the morning when the temperature would permit and builds stone structures at the edge of the water, just before the tide would come in and carry it away. Enchanting art, magical photography, a genius in our midst.
Ever since I was a child, growing up in Gloucestershire, England, I have been passionate about fashion and made and designed my own clothes. I originally wanted to be a fashion designer but feared my drawing wasn’t good enough so studied journalism at the London College of Fashion and went to work for Condé Nast Publications. I later became a newspaper journalist but my love of fashion never went away - I did a millinery course with designer Edwina Ibbotson and a bag designing course at my alma mater. Since then, I have written many articles on fashion and the Royals as well as a number of books.
After the death of Lee Alexander McQueen in 2010, I was fortunate to meet his sister Janet and do an interview with her for the Mail on Sunday.
I was later invited to the launch of the V&A’s exhibition Savage Beauty alongside Lee’s brothers and sisters. This book reminds me of Lee’s extraordinary talent and a very special evening.
Celebrating the astounding creativity and originality of designer Alexander McQueen, who relentlessly questioned and confronted the requisites of fashion
"An authoritative and moving insight into the legacy of the British designer."-Carola Long, Financial Times
"McQueen's brilliance is celebrated in this sumptuous tome."-Harper's Bazaar
"Excellent."-Huffington Post
Arguably the most influential, imaginative, and provocative designer of his generation, Alexander McQueen both challenged and expanded fashion conventions to express ideas about race, class, sexuality, religion, and the environment. Alexander McQueen: Savage Beauty examines the full breadth of the designer's career, from the start of his fledgling label to the triumphs of his own…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
Martin Bailey is an expert on all things Van Gogh, and any of his books could have been recommended.
This one though - if we are learning about influences that have shaped and guided and disconcerted Vincent - has to be considered. To know the artist is to understand the numerous homes and landscapes that have shaped and influenced both him and his art. In an era when people rarely left the area where they were born, Van Gogh was both a traveller and unsettled.
This book made me truly consider what that might actually mean.
Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work.
Living with Vincent van Gogh tells the story of the great artist's life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight…
I wish I had discovered this book before I visited the Sistine Chapel, rather than after it. On the other hand, it's possible that if I did so, I would still be in there staring up at the ceiling. The authors make *such* a marvelous case, and fill in so many supporting backstory details that it does feel that it is absolutely open-and-shut.
Nevertheless, they still responsibly dedicate the opening chapters to explain that protest art itself is a thing, and provide sterling examples, including the art already present on the walls of the Sistine Chapel before Master Buonarotti began his work. Once that's established in its own right, the rest of what's going on with the ceiling and the front wall is just mind-bending stuff.
Michelangelo's art was subject to the whims of various rulers coming and going, with numerous edicts, with multiple close calls, and we have what…
The Shocking Secrets of Michelangelo's Sistine Chapel Artwork
The recent cleaning of the Sistine Chapel frescoes removed layer after layer of centuries of accumulated tarnish and darkness. The Sistine Secrets endeavors to remove the centuries of prejudice, censorship, and ignorance that blind us to the truth about one of the world's most famous and beloved art treasures.
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
I added this book simply because I think it’s charming. Although written for children, grownups will love it, too! In 15th century Paris, Marguerite, the young daughter of a manuscript illuminator, has to help her aging father illuminate a Book of Hours for a very important lady or her father will lose both his commission and his reputation. This beautifully illustrated book joins Marguerite through each step of her illuminated book’s creation. You will be transported to medieval Paris and Marguerite’s workshop as you read and gaze at the pictures! This book was inspired by a rare collection of illuminated manuscripts held by the J. Paul Getty Museum.
It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day? In this richly illustrated tale, Marguerite comes to her father's aid by secretly completing his commission. She journeys all over Paris buying goose feathers for quills, eggs for mixing paints, dried plants and ground minerals for pigments, and gold leaf; then she expertly finishes…
I have always been drawn to the archetype of the witch, ever since I was a little girl and one used to visit me at night beside my childhood bed. If Harry Potter had been around when I was a kid, I would have been in heaven, but I had to piece my understandings together over the years, complicated by what society told me about witches being evil and scary. When I read Starhawk in college, my mind was blown. I am always on the lookout for beautifully written books about the powerful healers that are witches. As for that witch beside my bedside, I sometimes wonder if she was a version of myself that didn’t yet exist. If she was in fact me, now.
Witches everywhere are rejoicing the fact that Pamela Coleman Smith is finally being celebrated. If you don’t know (but I’m sure you do,) Coleman Smith illustrated the most iconic tarot deck that exists, which used to be referred to only as the Rider-Waite deck (Waite directed the project and Ryder was the company that published it). Now the decks are being renamed after their creator, a fascinating woman who went by “Pixie” and hung out with Bram Stoker and William Butler Yates. This book is the most beautiful tribute, thick with her illustrations and writings. A deep dive into the life of an important and most magical witch.
Pamela Colman Smith: The Untold Story brings together the work of four distinguished scholars who have devoted years of research to uncover the life and artistic accomplishments of Pamela Colman Smith. Known to millions as the creator of the Rider-Waite Tarot deck, Pamela Colman Smith (1878-1951) was also a stage and costume designer, folklorist, poet, author, illustrator of ballads and folktales, suffragette, and publisher of books and broadsheets.
This collaborative work presents: a richly illustrated biography of Pamela's life with essays on the events and people that influenced her including Jack Yeats, Ellen Terry, Alfred Stieglitz, Bram Stoker and William…
I’ve been ensconced in horror since childhood—from the Monster Double Feature to Creepy and Tomb of Dracula. I’m part of the Monster Squad; I’m what goes bump in the night. I live for the scare. My love for all things spooky started young, growing up with Bradbury and Matheson, before graduating to King, Koontz, and Straub. I continued to absorb horror wherever I could: books, films, and comics, drinking it in as quickly as it came out. Eventually, I found that I’d absorbed so many stories, I had one or two of my own to contribute—so I began writing short stories and novels to terrorize the genre myself!
Danielewski is as much an artist as he is a storyteller. The Fifty Year Sword is a work of literal—and literary—art. The story is brief, haunting, and beautifully told. The book is a labor of love beyond words on the page. The art accents the story, propelling it forward and assisting the tension that grows as the unread pages dwindle. It is neither grotesque, nor leave-the-lights-on scary, but it is fantastically memorable and shocking, making it a wonderful introduction to the fun-filled intensity the genre offers. For all its simplicity, it’s an unforgettable read, worth picking up for repeat visits to admire the way story and art meld into this single binding. It’s an every-October treat for me that sets the mood for Spooky Season.
In this story set in East Texas, a local seamstress named Chintana finds herself responsible for five orphans who are not only captivated by a storyteller’s tale of vengeance but by the long black box he sets before them. As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.
The blank pages in this book are a deliberate design element.
This book's theme was so unexpected. When I bought it at the library used bookstore, the clerk said it was one of her favorite books ever. I hadn’t paid attention to the back matter, rather, I was attracted by the title. The cover artwork might have alerted me, but I missed the connection. (And I won’t give it away here.)
I am always fascinated by the intersection of private lives and historic events. Discovering that this book was a multi-generational family memoir of one of the Ephrussis, one of the wealthiest Jewish banking dynasties in Paris and Vienna, I expected surprises. Rather than create a standard biography, de Waal describes his journey to understand the family’s rare artistic inheritance. I became a silent companion during his trips to interview sources and dive into archives. I felt like the author’s close friend, not an anonymous reader, invited to meet his uncle…
264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined.
From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century.
