73 books like The Art of Time in Memoir

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.

I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it. 

I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss.  Who wants to see what goes on inside the factory? I do. I’m obsessed with stories that showcase the factory. 

I am an ordained minister with over 10 years of experience serving as a pastor in both the hospital and church settings. I’m also a mom of three children, ages 2, 5, and 7. I routinely get asked for resources to help raise children in the Christian faith. As both a pastor and a mother, I am a strong advocate for teaching children a theology they won’t have to heal from. All the books I recommend are progressive, inclusive, and diverse. I’ve done extensive research when it comes to faith-based literature, and I’m passionate about finding the best books to recommend to families.

As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.

I love suggesting these topics of coloring books because my clinical work involves using art, coloring, and creativity in a therapeutic setting. I am an art therapist working with children in a hospital setting and am trained in applying the arts to build coping skills for managing difficult emotions. As a Christian author, I like to integrate both scripture and art to allow big concepts to become more comprehendible for the younger reader. Growing up, I've always been a visual learner! Art accesses parts of the brain that reading cannot. So, I hope these recommendations and my book can be just the start of discovering the benefits of art.