Raphael Cohen-Almagor, DPhil, St. Catherine’s College, University of Oxford, is Professor of Politics, Olof Palme Visiting Professor, Lund University, Founding Director of the Middle East Study Centre, University of Hull, and Global Fellow, Woodrow Wilson International Center for Scholars. Raphael taught,inter alia, at Oxford (UK), Jerusalem, Haifa (Israel), UCLA, Johns Hopkins (USA), and Nirma University (India). With more than 300 publications, Raphael has published extensively in the field of political philosophy, including Liberal Democracy and the Limits of Tolerance; Challenges to Democracy; The Right to Die with Dignity; The Scope of Tolerance; Confronting the Internet's Dark Side; Just, Reasonable Multiculturalism,and The Republic, Secularism and Security: France versus the Burqa and the Niqab.
In 1991, Dworkin taught at Oxford a seminar titled “Abortion, Euthanasia and Dementia”.
Until then, I never paid too much attention to these subjects, not more than any lay person with general knowledge. I attended the seminar simply because Dworkin delivered it.
This was the most interesting and thought-provoking seminar I have ever attended in my life. It opened my interest in medical ethics, a field that is still one of my preoccupations.
Dworkin was writing at that timeLife’s Dominion. Each week he would circulate a chapter of his book, to be discussed in the following week.
We were some twelve students in class; each of us read and commented on the chapters. There was a verylively exchange and fierce debates.
Again, while I disagreed with some of Dworkin’s arguments, I could not but appreciate the force of his reasoning. After that seminar, I decided to embark…
Internationally renowned lawyer and philosopher Ronald Dworkin addresses the crucially related acts of abortion and euthanasia in a brilliantly original book that examines their meaning in a nation that prizes both life and individual liberty. From Roe v. Wade to the legal battle over the death of Nancy Cruzan, no issues have opened greater rifts in American society than those of abortion and euthanasia. At the heart of Life's Dominion is Dworkin's inquest into why abortion and euthanasia provoke such controversy. Do these acts violate some fundamental "right to life"? Or are the objections against them based on the belief…
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
Who would have thought Catholic Italy in the sixteenth and seventeenth centuries would have tolerated widespread abortion? John Christopoulos brilliantly shows that, despite the moral proscription and legal prohibition of abortion from church and state leadership, women across the social spectrum from elites to peasants practiced abortion with the tacit or explicit support of key people in their communities. Compelling mini-narratives about individual women’s abortion stories are interwoven with an expert analysis of the legal, religious, and scientific knowledge and attitudes.
A comprehensive history of abortion in Renaissance Italy.
In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the "traditional family." Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its…
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
What happens to women who can’t get the abortions that they want or need? For most of our history, the answers were anecdotal and speculative until Diana Greene Foster and a team of fellow researchers followed one thousand women, some of whom obtained abortions, some of whom could not do so.
The answer is a triumph of social science reporting. By almost every measure, those women who could not access abortion care fared worse ten years later, and many of the years in between, than those women who were able to make their own choices about their bodies and their lives.
What I loved about the book was how transparent Foster was about the research design for the study and how intertwined she showed that abortion is in so many aspects of women’s lives.
“If you read only one book about democracy, The Turnaway Study should be it. Why? Because without the power to make decisions about our own bodies, there is no democracy.” —Gloria Steinem
The “remarkable” (The New Yorker) landmark study of the consequences on women’s lives—emotional, physical, financial, professional, personal, and psychological—of receiving versus being denied an abortion that “should be required reading for every judge, member of Congress, and candidate for office—as well as anyone who hopes to better understand this complex and important issue” (Cecile Richards).
What happens when a woman seeking an abortion is turned away? To answer…
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
The word “abortionist” usually conjures up images of dangerous back alleys where untrained men take advantage of women.
In the case of Rickie Solinger’s book, instead, we meet Ruth Barnett, who performed approximately 40,000 abortions in the mid-twentieth century (1918-1968) in Portland, Oregon, without losing a single patient.
What I loved about this book is how Solinger takes us behind the scenes of a thoroughly illegal abortion clinic that still managed to provide expert care to all its patients, even as it sought to evade the law and its enforcers at every turn.
Prior to Roe v. Wade, hundreds of thousands of illegal abortions occurred in the United States every year. Rickie Solinger uses the story of Ruth Barnett, an abortionist in Portland, Oregon, between 1918 and 1968 to demonstrate that it was the law, not so-called back-alley practitioners, that most endangered women's lives in the years before abortion was legal. Women from all walks of life came to Ruth Barnett to seek abortions. For most of her career she worked in a proper suite of offices, undisturbed by legal authorities. In her years of practice she performed forty thousand abortions and never…
I have been fortunate to have had many Supreme Court experiences–seven arguments, a clerkship for Justice John Paul Stevens, head of Justice Stephen Breyer’s confirmation team, two books on the Court, analysis for the media, and my current Georgetown Law School position teaching constitutional law. I love to read about the Supreme Court and write and talk about the Court and its Justices. The vivid sagas that underlie the Justices and their cases help us to understand this powerful institution about which we know less than our other branches. It has never been more important to understand the Supreme Court and its role in American life and our constitutional democracy.
Every American needs to understand the current Supreme Court's aggressive new “supermajority.”
The Court has quickly implemented far-reaching changes, eliminating reproductive rights; overturning gun safety laws; and sharply limiting the government’s authority to respond to crises ranging from COVID to climate change.
Michael Waldman brilliantly analyzes the new Court. He vividly places it in historical context, and, drawing on past eras, highlights possible democratic responses. In addition to illuminating the current moment, the book is a superb, readable, and highly informative one-volume history of the Supreme Court.
A “terrific, if chilling, account” (The Guardian) of how the Supreme Court’s new conservative supermajority is overturning decades of law and leading the country in a dangerous political direction.
In The Supermajority, Michael Waldman explores the tumultuous 2021–2022 Supreme Court term. He draws deeply on history to examine other times the Court veered from the popular will, provoking controversy, and backlash. And he analyzes the most important new rulings and their implications for the law and for American society. Waldman asks: What can we do when the Supreme Court challenges the country?
As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters.
This suspenseful novel centers on the life of Hannah Isaacson, a female obstetrician in the early 1900s, a time when women’s choices for birth control and abortion were more than limited. A devoted women's advocate and suffragist, Hannah is determined to make a difference for her patients, even if it means going to jail or challenging the governor of New York.
We women stand on the shoulders of those strong, determined women who fiercely fought for our rights, and Rubin’s well-researched novel brings that home.
In the Hands of Womenis a suspenseful historical novel centered on the life of Hannah Isaacson, an obstetrician in training who was determined to improve medical safety for women in a time when women had few choices. This carefully researched work, set in 1900 Baltimore and New York City, when birth control and abortion were both illegal, leaves us contemplating whether history is repeating itself.
With the advent of obstetrics and anesthesia as distinct fields of practice in 1900, hospital births rapidly gained popularity. Midwives, who previously cared for these women, began supplementing their shrinking incomes with abortions, sometimes performing…
I’m an author and human rights lawyer passionate about making reproductive rights accessible in law and in real life. My written work translates my legal cases into stories to engage readers in the fight to expand rights for all. My legal work leading the Abortion Coalition for Telemedicine seeks to make medication abortion legally available in all 50 states, regardless of a person’s ability to pay for it. I have 2 daughters and am always looking to learn from their experience in an ever-changing world and from a diverse range of other women making decisions about whether, when, and whom to have and raise children.
A doctor colleague of mine said that this story made her decide to become an abortion provider.
This lively novel provides a wonderful time spent with an engaging and flawed doctor who is caring for children in an orphanage while also providing illegal abortion services for women in need. John Irving writes such engaging characters with humor about the heavy issues that play out in a bucolic New England town.
Today, as abortion is banned in so many parts of the US, and as we are having more honest conversations about the challenges of adoption, the book resonates even more. This book was made into a wonderful movie too–but the rule in our house is that you always have to read the book before you see the movie, no cheating.
'The reason Homer Wells kept his name was that he came back to St Cloud's so many times, after so many failed foster homes, that the orphanage was forced to acknowledge Homer's intention to make St Cloud's his home.'
Homer Wells' odyssey begins among the apple orchards of rural Maine. As the oldest unadopted child at St Cloud's orphanage, he strikes up a profound and unusual friendship with Wilbur Larch, the orphanage's founder - a man of rare compassion and an addiction to ether. What he learns from Wilbur takes him from his early apprenticeship in the orphanage surgery, to…
I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
I’ve been fascinated by poetry ever since I picked up this book for seven dollars at the second-hand bookstore near my university at the age of nineteen. Anne Sexton’s Selected Poems taught me how to write confessional poetry. They taught me how to write narrative poetry. They taught me to not be afraid to speak my truth, no matter how ugly.
I love how Anne Sexton writes about marriage, affairs, love, loss, family, and relationships with depth into herself and her psyche. Her poems in this collection encompass all her most remarkable work from her array of poetry books. Here you have all the classic poems as well as some obscure ones. Her famous, "Black Art" and the classic lines, "A woman who writes feels too much." As well, "For My Lover, Returning to His Wife," and the last two lines, "As for me, I am a watercolor. I wash…
Anne Sexton's language was simple, domestic; her imagery arresting; her subject matter urgent, shocking and exciting. She wrote about mental breakdown, sex, addiction, abortion - the other side of ordinary life. 'Madness' and its cultural meanings were central to her art as to her life; yet it is a bright, lucid and sane voice that resonates. Sexton's poems are accessible, moving and intensely honest. Her poems are brought together here in a diverse and powerful anthology spanning fifteen years of uninhibited writing.
David Edmonds is a philosopher, podcaster, and curry fanatic. A distinguished research fellow at Oxford’s Uehiro Centre for Practical Ethics, he is the author of many books including Wittgenstein’s Poker (with John Eidinow), The Murder of Professor Schlick, Would You Kill The Fat Man?, and Undercover Robot (with Bertie Fraser). If you eat at his local restaurant, The Curry Paradise, he recommends you order the Edmonds Biriani.
There’s a common prejudice that philosophy has nothing to do with the world in which non-philosophers live. I read Practical Ethics as an undergraduate and it came as a revelation. In crystal-clear prose, and with compelling logic, Singer addresses many issues in applied morality – abortion, capital punishment, charity, animal rights. Although some of his conclusions are radical, they’re hard to dissent from. Not long after reading the book I became a vegetarian. I haven’t eaten meat since.
For thirty years, Peter Singer's Practical Ethics has been the classic introduction to applied ethics. For this third edition, the author has revised and updated all the chapters and added a new chapter addressing climate change, one of the most important ethical challenges of our generation. Some of the questions discussed in this book concern our daily lives. Is it ethical to buy luxuries when others do not have enough to eat? Should we buy meat from intensively reared animals? Am I doing something wrong if my carbon footprint is above the global average? Other questions confront us as concerned…
I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss. Who wants to see what goes on insidethe factory? I do. I’m obsessed with stories that showcase the factory.
A friend once described her early years of motherhood as non-stop work but also total idleness. Galchen’s slim book of collected observations and witticisms about babies and motherhood, some only one dazzling paragraph long, made me pause to savor each word. I liken reading this book to reading fun poetry or admiring a pop-up gallery. You can read a bit of this book every day, without losing the thread. Each chapter (they are very mini chapters) made me see the world in a new light. Many made me laugh out loud with joy.
In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers-Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant-is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.
