Between us, we’ve been in the interreligious relations business for a combined 50 years. We started working together when Jerry was Deputy Assistant Secretary of State under President Barack Obama. In 2015, we were both invited by Prince Ghazi of Jordan to join other interreligious leaders to advance a UN resolution defining and taking a stand against religicide. That resolution never made it to the Security Council. But we joined forces to sound the alarm about religicide. We wrote our book in the hope of inspiring an international campaign to end this killing in the name of God – or being killed because of your God.
Ever since I’ve been engaged in interreligious and peacebuilding work, I’ve struggled with the question of whether religion is the cause of violence or its solution. This book on proceedings of an Auschwitz conference in Poland does a deep dive into religion being both a cause and victim of violence. It examines where religious violence fits into other forms of violence as well as the roots of peace in various religious traditions. Its nuanced and revealing essays were an enormous help to me in formulating my own thinking and helped educate me in the roots of international human rights law. Not being a historian myself, the essays gave me a grounding in events about which I had only superficial knowledge. I personally know and have worked with a number of the contributors. As such, I can vouch for their authority and the esteem in which they are held.
Based on papers presented at a 1998 conference held in Auschwitz and sponsored by the Center for Christian-Jewish Understanding at Sacred Heart University, this volume focuses on the role that religion plays in cultivating peace or promoting violence. Contributors include Amira Shamma Abdin, Anthony J. Cernera, David L. Coppola, Georges Cottier, OP, Cahal B. Cardinal Daly, Rabbi Joseph H. Ehrenkranz, Archbishop Jeremiasz, William H. Cardinal Keeler, Franciszek Cardinal Macharski, Martin Marty, Elisabeth Maxwell, Samuel Pisar, David Rosen, and Rene-Samuel Sirat.
I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.
If Lothar Orbach survived in Berlin by creeping about in the shadows, Freddie did the opposite. This Viennese Jew brazenly entered the lion’s den of Nazi-occupied Paris and hobnobbed with the Wehrmacht. His true story is so amazing it would seem preposterous in a novel. Freddie left Austria after Hitler’s annexation of his country, and aged 20, with a false Aryan identity, he headed for the City of Lights. There he befriended Nazi soldiers and sold them his services as a guide to the red-light district, thereby earning commission from the nightspots and brothels to which he ushered them. "In reality I was a pimp," he writes. "But I didn’t consider it a situation I should be ashamed of. Because it saved my life." His luck ran out when a spurned lover betrayed him to the Gestapo, and he ended up in Auschwitz. Thankfully this remarkably resourceful man stayed alive…but…
Freddie Knoller was so used to anti-semitism that he hardly questioned it, not since the day at school when, aged six years old, he punched a fellow pupil for shouting "Sans Jud" at him. November 9th 1938 the telephone rang: "The Synagogue is burning" Brownshirts entered the courtyard of the Knoller's apartment building. The crash of breaking windows, a scream and the body of a neighbour lay crumpled in the courtyard. Kristallnacht had come to the Knollers. This is the all too familiar background to Freddie Knoller's story of persecution, flight and the death camps of Auschwitz and Bergen-Belsen. From…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
This is a book that grabbed my attention straight away because it shows just how powerful the human spirit can be. Eisen explores the ways in which children caught in the horror of the Holocaust attempted to make sense of their surroundings. They might be playing in bomb craters; they might even be playing alongside the death-camps of Auschwitz, but these children’s spirit of play survived even in the shadow of annihilation.
An interdisciplinary study of the Holocaust combining history, psychology and anthropology, which analyzes the use of play in Jewish communities to bring an element of sanity into the lives of young people in the midst of the catastrophe.
I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.
This is the Inspiring true story of a young girl surviving Mengele’s hell. This is an incisive, harrowing, and touching memoir of Eva Mozes Kor and her twin sister Miriam, who are sent to Auschwitz only to be torn from their parents and given to Josef Mengele, "The Angel of Death," for his evil and damaging experiments on human subjects.
In the voice of the ten-year-old Eva, we learn about what life was like in the death camps and how a child survives when food, water, comfort, and care are absent. At times heartbreaking and at other times a triumph of the will of a child to survive, this is a memoir that is not easily forgotten.
The Nazis spared their lives because they were twins.
In the summer of 1944, Eva Mozes Kor and her family arrived at Auschwitz.
Within thirty minutes, they were separated. Her parents and two older sisters were taken to the gas chambers, while Eva and her twin, Miriam, were herded into the care of the man who became known as the Angel of Death: Dr. Josef Mengele. They were 10 years old.
While twins at Auschwitz were granted the 'privileges' of keeping their own clothes and hair, they were also subjected to Mengele's sadistic medical experiments. They…
I have always known that my parents survived the Holocaust. I often listened in when they, my aunt, uncle, and their survivor friends would sit and talk of their lives during the Holocaust. I am the past president for the Phoenix Holocaust Survivor’s Association (now called the Phoenix Holocaust Association) and am on its Board and the Chair of its Education Committee. During this year of Covid, I have been instrumental in hosting numerous writers from around the world who have spoken, in Zoom, about their Holocaust writings and research.
No one can truly know what life was like for Jews under the Nazis. We cannot feel the constant terror and inhumanity imposed upon their Jewish victims. We cannot hear their constant pleas, moans, and screams. We cannot smell the stench of filth, sickness, and death. Nevertheless, Joseph Gershowitz manages to take us as close as we can to his suffering in his absolutely riveting first-hand account of life in the Nazi’s concentration camps. On the Borderline of Extermination is a must-read for understanding the cruelty, barbarism, and inhumanity of the Germans and their all too willing helpers.
A true story of strategy and survival as told by Joseph Gershkowitz (AUSCHWITZ HÄFTLING 99310). With this inspiring story of innate knowledge and determination, Mr. Gershkowitz paints a vivid picture of the atrocities of the Holocaust as seen through his eyes. With that, 100% of the proceeds will be split and donated to the United States Holocaust Memorial Museum in tribute of Joseph Gershkowitz to ensure the memory of the Holocaust is never forgotten & the Women for Women International organization that works to support marginalized women in countries that have been severely affected by conflict and war.
Raised in a proud Jewish home, I was instilled with an appreciation for my cultural heritage from a very young age. Today, I am utterly fascinated with the convergence of Judaism and popular culture in film, television, comics, literature, and other media. After college, I became a freelance entertainment journalist, writing stories for SYFY WIRE,The Hollywood Reporter,Forbes, and Marvel Entertainment. I currently reside in Philadelphia with my wife, Leora, and adorable Cavapoo, Archie.
In someone else’s hands, the tale of a global Nazi conspiracy to restore the Third Reich to its former glory by cloning Adolf Hitler would probably come off as utter insanity. But Levin makes you believe every word of it, funneling the story through the eyes of Nazi hunter Yakov Liebermann (based on Simon Wiesenthal) and infamous doctor of the Auschwitz concentration camp, Josef Mengele.
In this classic thriller, Ira Levin imagines Dr Josef Mengele's nightmarish plot to restore the Third Reich. Alive and hiding in South America, thirty years after the end of the Second World War, Mengele gathers a group of former colleagues for a sinister project - the creation of the Fourth Reich. Ageing Nazi hunter Yakov Lieberman is informed of the plot but before he hears the evidence, his source is killed . . .
Spanning continents and inspired by true events, what follows is one of Levin's most masterful tales, both timeless and chillingly plausible.
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this memoir because the author was a very dear and cherished friend.
I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.
Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.
Helena Dunicz Niwińska was born in Vienna in 1915. She lived with her parents and brothers in her hometown of Lwów until 1943. At the age of 10, she began learning to play the violin at the conservatory of the Polish Musical Society. She studied pedagogy from 1934 to 1939, continuing her musical education the whole time. After their arrest in January 1943 and incarceration in Łącki Prison, she and her mother were deported to Auschwitz in October 1943. In Birkenau, she was a member of the women's orchestra—as a violinist—until January 1945. After being evacuated to the Ravensbrück and…
Spending my childhood in Nazi Germany, the nature and the horrific consequences of Nazi ideology have occupied me as a student of German history and later as a teacher of intellectual and literary history. In 1933 Car Schmitt opted to support the Nazis. While he was banned from the public sohere in post-war Germany, his ideas remained influential on the far right and the far left, fortunately without significantly impacting the democratic reconstruction of West Germany. It was the growing international visibility of Schmitt’s writings that became my personal concern after 2000. In particular, Schmitt’s increasing influence in the United States energized me to reread and respond to his writings.
Are you tired of Hollywood clichés about Nazi culture? The Princeton historian Anson Rabinbach is your man. His brilliant essays on aspects of Nazi culture as diverse as the popular novel under Nazism, the Nazi-organized leisure industry, and the fate of the humanities at German universities between 1933 and 1945, provide the sharp, well-informed analysis you never got at school. Get started with the interview the author gave to two younger colleagues (pp. 450-480); here things become personal. Of course, Rabinbach is a pro, he knows the critical literature on the topic and cites it to differentiate his argument. But more importantly, his insights and arguments force you to rethink your response to German fascism, and to question the facile opposition of democracy and Nazism portrayed in American pop culture.
A widely celebrated intellectual historian of twentieth-century Europe, Anson Rabinbach is one of the most important scholars of National Socialism working over the last forty years. This volume collects, for the first time, his pathbreaking work on Nazi culture, antifascism, and the after-effects of Nazism on postwar German and European culture. Historically detailed and theoretically sophisticated, his essays span the aesthetics of production, messianic and popular claims, the ethos that Nazism demanded of its adherents, the brilliant and sometimes successful efforts of antifascist intellectuals to counter Hitler's rise, the most significant concepts to emerge out of the 1930s and 1940s…
Ellen Cassedy explores the ways that people, and countries, can engage with the difficult truths of the Holocaust in order to build a better future. She researched Lithuania’s encounter with its Jewish heritage, including the Holocaust, for ten years. Her book breaks new ground by shining a spotlight on how brave people – Jews and non-Jews – are facing the past and building mutual understanding. Cassedy is the winner of numerous awards and a frequent speaker about the Holocaust, Lithuania, and Yiddish language and literature.
Eva Mozes Kor was ten years old when she was sent to Auschwitz. As a survivor, she became an eloquent – and controversial – activist on behalf of forgiveness. Her book tells the gripping story of how she freed herself from the burden of hatred. Not everyone will agree with her stance, but everyone will be challenged and moved by it.
Eva Mozes Kor was just ten years old when she was sent to Auschwitz. While her parents and two older sisters were murdered there, she and her twin sister Miriam were subjected to medical experiments at the hands of Dr. Joseph Mengele. Later on, when Miriam fell ill due to the long-term effects of the experiments, Eva embarked on a search for their torturers. But what she discovered was the remedy for her troubled soul; she was able to forgive them.
Told through anecdotes and in response to letters and questions at her public appearances, she imparts a powerful lesson…
I've written books about Jewish subjects before. A few years ago I published a biography about a Jewish Dutch actress named Jetta Goudal who invented a new life story for herself and became a Hollywoodstar. Before that I wrote a book about my Jewish great-grandfather Emanuel Brouwer who traveled to London in 1908 to compete in the Olympics. He traveled to the UK by boat with his best friend Isidore Goudeket, who was murdered in a German deathcamp. My great-grandfather did not win a medal in Londen (63rd place!), but he had a lot of fun in London, with loads of beer, whisky, and cigars. In 1943 he was sent to a camp as well.
This moving memoir is written in 1945, right after the evacuation of Auschwitz and the start of the Death Marches.
It is considered the only book written inside the camp. Eliazer ‘Eddy’ de Wind hid himself in the camp in January 1945 to escape the Death Marches. He wrote about the daily life in the camp while it was still fresh in his memory. The memoir was published in 1946. Nobody was interested and it bombed, but it was rediscovered in 1980 and became a semi-classic.
'The ultimate Holocaust testimony.' HEATHER MORRIS, author of The Tattooist of Auschwitz and Cilka's Journey Afterword by JOHN BOYNE, author of The Boy in the Striped Pyjamas _______________
Eddy de Wind, a Dutch doctor and psychiatrist, was shipped to Auschwitz with his wife Friedel, whom he had met and married at the Westerbork labour camp in the Netherlands. At Auschwitz, they made it through the brutal selection process and were put to work. Each day, each hour became a battle for survival.
For Eddy, this meant negotiating with the volatile guards in the medical…
I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
An indelible scene: Several Auschwitz prisoners clear rubble from a dark, bombed-out basement. It’s a blisteringly hot August 1944. There is no drinkable water, none. While “hunger exhausts, thirst enrages.” Primo Levi spots a section of broken pipe against a far wall with a spigot near the floor. It holds perhaps a quart of water. He can easily drink it all himself. Or should he share with his best mate? Or with the entire work crew? (Read the book to find out.)
No one writes of the dilemmas of survival more cogently than Primo Levi. A chemist by training, Levi melds a scientist’s precision with spare, insightful writing to show how the prisoner pecking order in Auschwitz meant the difference between death and survival, between the drowned and the saved.
In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy.
Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness.
Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He…
