Here are 100 books that The Traveling Vampire Show fans have personally recommended if you like
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I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
I first saw the movie that this book was adapted into, Stand By Me, and the book works every bit as well.
When I was a kid, I had a deal with my parents that I could watch R-rated movies if I read the book first, but for some reason, this was one of the rare exceptions that was turned the other way around.
It’s just such a compelling read, and I wanted to start it over again as soon as I finished it.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
While The Body is poignant and nostalgic, and The Traveling Vampire Show is goofy fun, A Boy’s Life is simply a very solid, weighty, well-written tale. McCammon nails the mindset of his young protagonist so much so it’s hard for the reader not to feel like a twelve-year-old kid again, viewing the world through impressionable and innocent eyes. It’s a book that will evoke memories of your own childhood, and it is one you will remember long after you have stopped reading.
Robert McCammon delivers “a tour de force of storytelling” (BookPage) in this award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally.
Boy’s Life is a richly imagined, spellbinding portrait of the magical worldview of the young—and of innocence lost.
Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson—a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake—and a desperate rescue attempt brings his father face-to-face with a…
I’ve always been intrigued by the behaviors of humans. Even as a child, I’ve watched how people interact with each other. We are all so different, yet we are all the same. Each of us has an imaginary box where keep some things locked up such as: our innermost desires—and our worse fears. Fears that, in a very subtle way, guide us in our life decisions. Afraid of blood… then you’d likely not choose nursing. Afraid of flying… then you probably won’t become a pilot. But what happens when we cannot avoid what we are most afraid of? This is where a horror story begins.
To set the record straight, I do not love this book. I still haven’t come to a decision if I even like it. It isn’t the “best” book on my list, yet it isthe most disturbing. And it is a must-read.
A warning, though. It’s a book that you won’t be able to stop and you’ll likely feel very guilty for even reading it. It dives into human behaviors that we don’t want to think about and surely would not intentionally want to take part in. I’ve a question for you: Is there a limit to what you would do to another human being if others were doing it too? How confident are you in your answer? The worse part about this novel is that it is based on a true story.
A teenage girl is held captive and brutally tortured by neighborhood children. Based on a true story, this shocking novel reveals the depravity of which we are all capable.
This novel contains graphic content and is recommended for regular readers of horror novels.
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
Unlike the other authors on this list who mostly write about adult characters, John Saul writes almost exclusively about children (at least he has in all the books I’ve read by him). I chose Suffer The Children for this list because it was the first book he wrote back in 1977, I believe. There are some disturbing moments in it, as there are in most horror novels, so be aware of that. However, Saul is a talented author who can effortlessly get into the heads of the kids he writes about. He’s also a master of the slow-burn, building suspense page by page until the big pay-off, so if you don’t need action every other sentence, he might be right up your alley.
Innocence dies so easily. Evil lives again . . . and again . . . and again.
One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea.
Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.
Ever since I first read Alvin Schwartz’s Scary Stories to Tell in the Dark, I have been enamored of all things weird and creepy—so much so, in fact, that when I grew up, I started writing my own weird, creepy things! As a writer, I am drawn to horror that is shaped by its characters’ inner worlds, stories that explore the monsters in our heads, as well as our closets. The books on this list will haunt me for years to come. I hope that they will haunt you, too.
This lyrical and unsettling novel is about the things we inherit, both from our families and from the world around us, and I was firmly under its spell from the very first line. I was particularly enamored of Oyeyemi’s characterization of the Silver house, a monstrosity of a building (and one of the book’s narrators) that literally consumes the women who live within its walls. What, after all, is trauma but a kind of haunting, and what is the mind but a kind of house?
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
Coming-of-age stories fascinate me because they are all so different. While we each experience many of the same events, each person’s story is unique. I like to read about how they first understood love or how they met their best friend. I like to try on their life for a bit, walk around in their shoes, and then return to my reality with the person I’ve worked so hard to become. The more I read other people’s stories of growing up, the more I feel we all harbor the same worries about ourselves and our future. We all struggle with similar problems while becoming who we’re meant to be.
I loved the honesty of Charlie’s narration and how no subject was off-limits. While it might feel a bit overwhelming that Charlie deals with homophobia, suicide, rape, PTSD, mental illness, and child abuse, I thought Charlie’s acknowledgment of these social issues was realistic.
I often feel like these and other human problems are on my mind in a way that restricts my outer actions and that most other people don’t think about things like these as frequently as I do. Charlie made me feel understood.
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
I’m a writer who grew up in Massachusetts and now lives in Austin, Texas. Though I haven’t lived in Massachusetts for over a decade now, I find myself drawn back to the state’s coast in my fiction. My novel, Women and Children First, takes place in a fictional town south of Boston called Nashquitten. I’m obsessed with how where we’re from shapes who we become and the ways we use narrative to try and exert control over our lives.
This book marries two excellent elements: the campus novel and the 90s. Set on Harvard’s campus in 1995, this is an especially satisfying read for those of us who remember the rise of email, a mode of communication explored at length in the book.
Batuman captures the awkwardness of coming-of-age so precisely that you’ll either be compelled to look at your old Facebook photos or delete them entirely. Her deft depiction of growing up aside, this is also a beautiful exploration of finding intellectual and artistic community.
As a historical novelist, my passion is world history and the story of my own family. Having survived the First World War, my Scottish grandfather went to India as a forester and my granny followed him out there; they married in Lahore. I was fascinated by their stories of trekking and camping in the remote Himalayas. They lived through momentous times: world war, Indian Independence and Partition. Grandfather Bob stayed on to work for the new country of Pakistan. Long after they’d died, I discovered their letters, diaries, and cine films from that era – a treasure-trove for a novelist! – which have helped enrich my novels set during the British Raj.
As this novel is set in 1970s Islamabad, Pakistan and the ex-pats are mainly American, it’s technically not about the British in India. But the ex-colonial legacy is there to see: Pakistan was a creation of independence from British rule and is still being affected by geo-politics. I was gripped by the description of life in the Pakistani capital; an area where my grandparents had lived and worked and through which I had travelled in the ’70s. This coming-of-age story is told by teenager Aliya, (half-Pakistani and half-Dutch) who attends the American school. Not only are the tensions of identity well portrayed but also the growing unease between the communities after a traffic accident leaves a young boy dead and world events ignite further unrest. Fascinating and unusual historical fiction.
In this intimate coming-of-age story set in the late 1970s, a young girl struggles to make sense of the chaos around her during Pakistan's political upheaval, where the military revolts, the embassy burns, and a terrible secret tears her world apart.
Eleven-year-old Aliya Shah lives a double life in Islamabad, Pakistan-at home with her Pakistani father and Dutch mother, and at the American School, where Aliya tries to downplay that she is a "half-and-half." But when a hit-and-run driver kills the son of the family's servant, Sadiq, who is also Aliya's dear friend, her world is turned upside down. After…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
With a Persepolismeets Mausapproach, this graphic novel visually takes us into the daily life that locals live in Kashmir, the most militarized zone in the world. This ground-up storytelling is intimate and powerful, as it takes us behind the propaganda and gives us the insider’s view in explosive, insightful, and humorous ways. Images may be more powerful than words, and this book has haunting images that will linger long after you finish the last page.
A beautifully drawn graphic novel that illuminates the conflicted land of Kashmir, through a young boy's childhood.
Seven-year-old Munnu is growing up in Indian-administered Kashmir. Life revolves around his family: Mama, Papa, sister Shahnaz, brothers Adil and Akhtar and, his favourite, older brother Bilal. It also revolves around Munnu's two favourite things - sugar and drawing.
But Munnu's is a childhood experienced against the backdrop of conflict. Bilal's classmates are crossing over into the Pakistan-administered portion of Kashmir to be trained to resist the 'occupation'; Papa and Bilal are regularly taken by the military to identification parades where informers will…
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