Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
The gangsters in Kevin Barry’s vibrant, poetic novel are past their prime.
Their glory days behind them, Maurice Hearne and Charlie Redmond are now in the ferry terminal of the Spanish port of Algeciras waiting for a boat and looking for Hearne’s missing, estranged daughter. They talk, they reminisce, they question locals, they drink.
Sound boring? It’s not. Imagine two aging, Irish, very loquacious Tony Sopranos in Waiting for Godot, told in beautiful, luminous prose—and you’ll have an idea of the magic that is Kevin Barry’s unforgettable novel.
LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter 'Beautifully written' Guardian
It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can…
I’m a scholar of gender and state violence, and I live and work at the US-Mexico border. For the past several years, I’ve worked collaboratively with large teams of Latinx-identified students to study the impacts of US immigration policies on migrants from Mexico and Central America. We realized that even though about half of immigrants are women, around 95% of deportees are men. So, we started to think about how US policies criminalize immigrant men. I became especially interested in how immigration enforcement (at the border and beyond) intersects with mass incarceration. In the list, I pick up books that trace the multinational reach of the carceral apparatus that comes to treat migrants as criminals.
Muehlmann’s beautiful, gripping book reveals how cartels and drug violence are not separate from everyday life, but instead interwoven with almost all facets of life on the Mexican side of the US-Mexico border.
In a narrative style, she traces how everyday people unwittingly get into supporting the drug trade, or find themselves wrapped up in supporting traffickers without their knowledge. She also illustrates how the figure of the “narco” (drug trafficker) gets idealized in the borderlands. An incredible read for anyone interested in the complexity of the US-Mexico border.
When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural…
Phil Halton has worked in conflict zones around the world as an officer in the Canadian Army and as a security consultant and has extensive experience in Afghanistan. He is the author of two novels and a history.He holds a Master's Degree in Defence Studies from Royal Military College of Canada, and a Graduate Certificate in Creative Writing from Humber College.
Drug trafficking has become entwined with Afghanistan in the minds of many, though the true situation is often misunderstood. Bradford’s meticulous research not only clearly explains the present situation, it places it in the broader historical context that is almost always missing. The legal trade in opium has deep roots in Afghanistan, and even in the present day, there are as many senior government officials benefiting from it as there are insurgent leaders. He also explores the growing problem with addiction that plagues Afghanistan, humanizing a complex problem.
Historians have long neglected Afghanistan's broader history when portraying the opium industry. But in Poppies, Politics, and Power, James Tharin Bradford rebalances the discourse, showing that it is not the past forty years of lawlessness that makes the opium industry what it is, but the sheer breadth of the twentieth-century Afghanistan experience. Rather than byproducts of a failed contemporary system, argues Bradford, drugs, especially opium, were critical components in the formation and failure of the Afghan state.
In this history of drugs and drug control in Afghanistan, Bradford shows us how the country moved from licit supply of the global…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
Bourgois’ and Schonberg’s accounts opened up the ‘parallel world’ of homelessness for me and inspired me to do my own research on homelessness.
They spent years trying to understand people experiencing homelessness in San Francisco, following them on their daily journeys through institutions and city landscapes; they intimately understood their struggles, from mental health and addiction to systematic exclusion.
Their long, in-depth, and grassroots accounts of people on the street made me grasp their varied experiences for the first time.
This powerful study immerses the reader in the world of homelessness and drug addiction in the contemporary United States. For over a decade Philippe Bourgois and Jeff Schonberg followed a social network of two dozen heroin injectors and crack smokers on the streets of San Francisco, accompanying them as they scrambled to generate income through burglary, panhandling, recycling, and day labor. "Righteous Dopefiend" interweaves stunning black-and-white photographs with vivid dialogue, detailed field notes, and critical theoretical analysis. Its gripping narrative develops a cast of characters around the themes of violence, race relations, sexuality, family trauma, embodied suffering, social inequality, and…
I was a political consultant for much of the first half of my nearly 30-year career in communications. Having run statewide and local political campaigns, I experienced many of the personalities I write about today. What is behind the political decisions elected leaders make? Can you truly be a dedicated public servant in politics today? If you only play to win, how do you keep from becoming your own worst enemy? My writing and the works I gravitate towards explore these challenging issues, which are as prevalent today as they were analyzed by the Greeks, Shakespeare, and 20th-century writers.
I am fascinated with the application of power and its intersection with business and politics.
Winslow’s expose on the Mexican drug cartels provides a real-life description of the tragedies of America’s longest war and the unexpected consequences. It is thought provoking as well as entertaining, opening up my own world to new thoughts on the realities of American intervention in South America to prevent the spread of Communism.
'Breathtaking' JEREMY CLARKSON 'Winslow's masterpiece (so far) ... should have a place on every crime freak's bookshelf. Superb' INDEPENDENT ON SUNDAY _______________________ A brilliant page-turning thriller of power and revenge on the front lines of the drug war.
Drug lord Miguel Angel Barrera is head of the Mexican drug federacion, responsible for millions of dollars worth of cocaine traffic into the US and the torture and murder of those who stand in its way. His nephew, Adan Barrera, is his worthy successor.
Art Keller is a US government operative, so determined to obtain revenge for a murdered colleague that his…
I became deeply interested in democracy and authoritarianism at an early age because of my experiences living under military dictatorships in Argentina in 1971-72 and in Brazil from 1980- 82, and also my experience as an undergraduate living in a democracy that failed in profound ways (Argentina, 1975). I saw first-hand that authoritarianism can affect daily life in hugely negative ways but also that democracy can fail in dismal ways. Reading and producing scholarship about democracy and authoritarianism, and teaching these subjects, became central to my immensely satisfying life’s work.
Trejo and Ley’s Votes, Drugs, and Violence highlights the devastating impact of Mexico’s drug wars has had on democracy and society. The death toll from Mexico’s drug wars far exceeds the one from the dirty wars waged by South American dictators from the 1960s through the 1980s and the death toll from El Salvador’s and Peru’s civil wars of the 1980s. Paradoxically, subnational alternations in power that removed the long-standing ruling authoritarian party of 1929-2000 from power helped to fuel the drug wars, which in turn have undermined democracy and unleashed horrific human rights abuses. Votes, Drugs, and Violence gave me new insights into the origins of the dramatic escalation of criminal wars in Mexico, and it also powerfully illuminates how profoundly drug wars have undermined democracy.
One of the most surprising developments in Mexico's transition to democracy is the outbreak of criminal wars and large-scale criminal violence. Why did Mexican drug cartels go to war as the country transitioned away from one-party rule? And why have criminal wars proliferated as democracy has consolidated and elections have become more competitive subnationally? In Votes, Drugs, and Violence, Guillermo Trejo and Sandra Ley develop a political theory of criminal violence in weak democracies that elucidates how democratic politics and the fragmentation of power fundamentally shape cartels' incentives for war and peace. Drawing on in-depth case studies and statistical analysis…
I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.
Autonomous is one of those books you finish reading and then just want to sit and stare off into space for a while.
The story takes place in a future world where Big Pharma runs basically the entire show. The main character is a drug pirate, fabricating expensive drugs to provide them to the population on the cheap… but when one of her fabbed drugs causes some horrible side effects, it kicks off a domino effect of chaos and death.
Other characters include a military agent sent to hunt our drug pirate down and his robotic, AI-powered partner. Every character is riddled with absolutely deal-breaking flaws, so if you’re looking for heroes, you’ve come to the wrong place. The story raises questions about morality, freedom, AI, and more. I can’t recommend it enough!
'Autonomous is to biotech and AI what Neuromancer was to the internet' NEAL STEPHENSON
'Something genuinely and thrillingly new' WILLIAM GIBSON
'Holy hell. Autonomous is remarkable' LAUREN BEUKES
WINNER OF THE 2018 LAMBDA AWARD FOR SFF SHORTLISTED FOR THE NEBULA AWARD 2018 SHORTLISTED FOR THE LOCUS AWARD FOR BEST DEBUT 2018
Earth, 2144. Jack is an anti-patent scientist turned drug pirate, traversing the world in a submarine as a pharmaceutical Robin Hood, fabricating cheap medicines for those who can't otherwise afford them. But her latest drug hack has left a trail of lethal overdoses as people become addicted to their…
I began my career as a journalist, including working as a reporter on an international newspaper. I left full-time journalism to write fiction where I can combine an interest in international affairs with stories of characters and issues of the heart which drive individuals and often shape events. Over the years I’ve worked and traveled with international organizations, serving as Vice President of PEN International, and on the boards and in other roles focusing on human rights, education, and refugees. I’ve been able to travel widely and witness events up close, walking along the edge of worlds and discovering the bonds that keep us from falling off.
This book revealed a threat new to me and to many readers in a culture where mothers had to hide their daughters in shallow graves in Guerrero, Mexico, adjacent to the drug cartels in order to avoid their abduction. They often masqueraded their daughters as boys or tried to make them ugly by chopping off their hair and blackening their teeth.
I was riveted by the story of Ladydi and her friends as they sought a larger world and future they instinctively knew existed. They supported each other but were constantly at risk and challenged by the dangerous drug culture and misogynistic environment they were born into.
Prayers for the Stolen is filled with vignettes and images that stayed with me, written in Jennifer’s poetic prose—she is also a poet. With imagination, narrative drive, and suspense, it explores the struggle and limited triumph of some of the women and reflects…
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
The Narcos only had to hear there was a pretty girl around and they'd sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula.
She came back a year after she'd been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a…
As a longtime reporter in a small state with big politics, I’ve become fascinated by how sly intrusions of power can distort what should be routine police investigations. One of my sources observed, “Sometimes the cover-up is more interesting than the crime.” With that in mind, I began writing books to examine cases whose outcomes didn’t seem to make sense. It’s become a genre I call “crime after crime.”
The movie based on this book featured the drama of Mazur’s undercover work as a U.S. Customs agent penetrating the money laundering behemoth known as BCCI, the bank that served crooks and governments around the world. What the film didn’t capture was the difficulty Mazur faced from federal officials who refused to act on the evidence he’d risked his life to obtain. After a state prosecuting attorney finally won indictments that brought down BCCI, Mazur testified that Department of Justice officials had ignored “hundreds of leads” that might have linked the institution to other cases of drug money, arms deals, and secret ownership of American banks.
The electrifying true story of Robert Mazur's life as an undercover agent who infiltrated one of the world's largest drug cartels by posing as a high-level money launderer -- the inspiration for the major motion picture The Infiltrator.
Robert Mazur spent years undercover infiltrating the Medellín Cartel's criminal hierarchy. The dirty bankers and businessmen he befriended -- some of whom still shape power across the globe -- knew him as Bob Musella, a wealthy, mob-connected big shot living the good life. Together they partied in $1,000-per-night hotel suites, drank bottles of the world's finest champagne, drove Rolls-Royce convertibles, and flew…
I was always a peculiar child with no friends, so I found my friends in books. As I got older I turned to writing my own. I wrote many stories, until one night I wrote my first book. It was paranormal fiction. Quite horrid actually. However, it started my obsession with crime romance. I love romance, but I find them a bit dull at times, but a crime novel never leaves me wanting. I decided to join the two worlds, and create my own. It's the reason even after 20 books published, my books are all linked to the biggest crime of all. But that is a secret you need to figure out for yourself.
If I was stuck on a train, and I could pick any book to reread, What Happened to the Bennetts is my first choice.
As a married woman, with a child of my own. I find myself at times drawn to stories like these. I live in South Africa, so it can become quite dangerous at times. I always wonder, how far does one goes with justice can’t be served? Do we stay a law-abiding citizen? Or do we protect our loved ones? Jason had to figure that out for himself. He tried it the right way, but things don’t always go the way you think they should.
This book taught me a lot when it comes to the way a man sees a situation versus a woman’s point of view. It also affirmed my initial thought that a man, in fact, does have a hero complex and that complex…
From #1 bestselling author Lisa Scottoline comes a pulse-pounding new novel.
Your family has been attacked, never again to be the same. Now you have to choose between law…and justice.
Jason Bennett is a suburban dad who owns a court-reporting business, but one night, his life takes a horrific turn. He is driving his family home after his daughter’s field hockey game when a pickup truck begins tailgating them, on a dark stretch of road. Suddenly two men jump from the pickup and pull guns on Jason, demanding the car. A horrific flash of violence changes his life forever.
