90 books like Dark Harvest

We tell stories for many reasons, but one of the best reasons is to teach our kids (or remind ourselves!) how to navigate in the world. We’ve all read Aesop’s Fables and at the end, the moral lesson is spelled out. This ruins the conversations you can have with someone else about what the story was about. Instead of feeling entertained, we feel like we were being told what to think and how to feel. As a writer, I love to include multiple themes in a book so that, depending on the age of the reader, or how many times the story is read, new ideas jump out of the book and into your brain.

I started reading and listening to memoirs in preparation for writing my own, and they inspired me to be honest and vulnerable about my story in ways that helped me overcome sexual shame. I lived a fascinating lifestyle as a sugar daddy for a few years, but talking about it was scary as hell. Reading other men who admitted their fears and failings gave me the courage to be radically honest and lay it all out there. Writing the book was cathartic in ways decades of therapy failed!

I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel in The Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.

Julian Friedmann is co-owner of the Blake Friedmann Literary Agency and was the publisher of ScriptWriter magazine. At the agency, he has represented both book and scriptwriters for over 40 years and also acts as Executive Producer for and with clients. Julian is a TEDx speaker and is the author of the Make Money Screenwriting series, co-author of The Insider’s Guide to Writing for Television, and editor of two volumes on Writing Long-Running Television series. He has taught at universities and film schools all over the world. He designed the MA in Television Scriptwriting at De Montfort University, and PILOTS (for developing long-running television series) for the EU MEDIA Programme. 

I’ve been fascinated by the link between golf and the Eastern arts since I heard the great Jack Nicklaus say that golf is played with the feet. This immediately struck a chord with me as my background spans over thirty years of Tai Chi training and I have understood from this art that all movement comes from the ground upwards. The early training of Nicklaus in fact echoes that of the ancient warriors who understood the link between intention and action, which is a very different approach to the modern way of over-thinking technique. The simplicity of flow cancels out the need to separate the golf swing into individual positions. 

When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books. 

There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.

I grew up a fan of all things sci-fi, Star Wars, Star Trek, Battlestar Galactica, and so on. But the older I got, the pickier I got, wanting more depth in character, creative stories and fun, but believable action. I read classic sci-fi like iRobot, Starship Troopers, and Enders Game, to name a few. I did find some contemporary authors I liked like Marco Kloos, Detmare Wehr, and Rebecca Branch, but they were needles in a haystack. So, instead of complaining that there were not enough good books out there, I started writing my own. A decade later I have 8 published titles and more on the way.  

I am Annette Joseph, a writer and food stylist. I spend most of the year at our twelfth-century fortress in northern Tuscany. I have written six books, three cookbooks, and two memoirs about life in Italy. We run private retreats on the grounds. My book My Italian Guestbook is based on these retreats. Writing about everything around me in Italy gives me great pleasure.

I always used food to cope with painful feelings, and I developed Binge Eating Disorder as a child. As an adult, I was in therapy to deal with traumatic stuff, and I lost 100 pounds. I finished therapy with a whole new set of tools with which to navigate the world, but I still regained the weight and started hating myself again. I said, “Whoa. Time-out. I am worthy of love. That has not changed, so why do I hate myself again?” That is what I explore in Big Fat Disaster: what is our worth, and why should that worth depend on what we look like?