Here are 100 books that Apples Never Fall fans have personally recommended if you like
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As a reference librarian, I love doing research for myself and others. By reading a well-written historical novel, we can learn about the past and compare and contrast it to our present. All but the last of my choices have strong female characters who must overcome the customs of their time. The struggle goes on today. Let these books remind you of how far we have come and how far we have to go.
When I was fifteen, I stayed up reading the end of this book under the covers with a flashlight because I could not put it down.
A scandalous bestseller in 1847, this was the first romance to feature an antihero. Mr. Rochester is far from pure and kind. He mocks Jane, who describes herself as small and plain and stands up to him. He has an immoral secret and when Jane learns of it, she leaves him. I doubt I would have.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I've always been drawn to stories in which all that glitters isn't gold, and all three of my novels contain this theme. They are, at the bottom, tales of hubris, which is why I like them. A character strives to obtain some glittery thing, confident it will be better than what they have. Yet, ultimately, their confidence is misplaced, and their ambition brings about their downfall. Perhaps because I'm someone who's naturally quite risk-averse but also believes little good comes in life without taking chances, stories like this attract me. They allow me to safely hunt for the Aristotelian mean between being overly sensible and irrationally ambitious.
Daphne Du Maurier has made a permanent mark on my soul. Whether it was Hitchcock's adaptation of The Birds, which I watched when I was far too young, or the wrecked ships of Jamaica Inn, her imagery and ideas are unforgettable.
And like the titular character of Rebecca, part of me still roams the halls and grounds of Manderley. I first encountered the story at a transitional moment in early adulthood. Having been a child drawn to spooky stories about ghouls and spectres, this book marked the moment I came to understand that not every haunted house has a ghost.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I have been writing about motherhood, family, love, loss, and finding yourself for over fifteen years. I have been a journalist, wife, mother-of-three-boys (yes, that’s one word), aerobics teacher, puppy wrestler, and novelist. Being a novelist is by far the hardest job but it’s the most rewarding. (OK, boys, no – motherhood is – really.) I enjoy reading stories about family, love, and relationships in all their guises, good, bad, and messy, just like life – and I’m keen to write stories that readers will remember too. My latest book is about two sisters who, after a car crash, are affected differently, yet both are on a journey for the truth.
If there was ever a book that inspired me to write, it’s this!
Pearson captures the push-pull of motherhood and trying to have a career and the fragile relationship with Kate Reddy and her husband so well.
This book ‘talked’ to me as a mother and journalist and was one of the most ‘real’ books I’d ever read about family dynamics and having young children.
Kate Reddy is a fund manager and a mother of two who is trying to survive in a man’s world. Only she’s a woman! Loved it.
Meet Kate Reddy, fund manager and mother of two. Always time-poor, Kate counts seconds like other women count calories. Factor in a manipulative nanny, an Australian boss who looks at Kate's breasts as if they're on special offer, a long-suffering husband, her quietly aghast in-laws, two needy children and an email lover, and you have a woman juggling so many balls that some day something's going to hit the ground.
In an uproariously funny and achingly sad novel, Allison Pearson brilliantly dramatises the dilemma of working motherhood at the…
Transforming Pandora, women's fiction with a metaphysical undercurrent, is written with humour and a light touch. As the plot slips between two time frames, separated by more than thirty years, the reader explores her life and loves: her ups and downs.
In the opening chapter, Pandora is attempting to come to terms with her husband's death. At a friend's suggestion, she reluctantly attends an evening of clairvoyance, after which her life is transformed by a mysterious spirit who sets her on a new path.
Her romantic life is reignited when she encounters a new man, but complicated by the appearance of a significant figure from her past. At the same time her spiritual life is presented with a challenge when she's offered the chance of enlightenment via a heavenly correspondence course. Her quest in life to find her true purpose is within her reach. Will she grasp this opportunity? Or will she choose love over light?
Pandora, 51, childless, and still beautiful, is attempting to come to terms with her husband's death. Having a history of being drawn to the esoteric, yet remaining a healthy sceptic, she reluctantly attends an evening of clairvoyance and raises a spirit who sets her on a new path...
As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book so much because it’s about two people giving their relationship a second chance.
At first it made me feel sad because the heroine Anne Elliot could so easily have been happy with Captain Wentworth when he first proposed. It’s only when he returns to the area years later that she begins to listen to her heart rather than her head.
The years have changed them and they need to rediscover each other before they can be truly happy. It’s a quiet and deeply moving love story.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
Girl, Woman, Other was the book I recommended to all my friends and family this year in our Christmas newsletter (yes, we are one of those families).
It follows twelve characters across two generations in the United Kingdom. Massive cultural shifts occur, socio-economic status changes, and children grow up.
At first glance, this might not appear to be a book about cross-cultural interactions but the relationship between the mother and daughter at the centre of the story highlight the monumental shifts that can occur in a lifetime.
“A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language.…
As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book because, even though it’s a crime story, it’s also a rollercoaster ride through the story of the marriage of Louise and Niall, who are both in various ways involved in the crime.
Each person is lying for different reasons and each of them is terrified to tell the truth to each other for fear of how the other person might react. The plot takes them through moments of dark despair, utter dishonesty, anger, and even hatred, all of which is somehow part and parcel of the marriage they have created.
There is hope, however, and they come to realise a deeper truth about themselves and their relationship which, for me, was incredibly moving in an unexpected way.
A HUSBAND. A LIAR. A KILLER . . . The gripping new thriller from the Sunday Times bestseller
'Utterly gripping and unpredictable' 5***** Reader Review 'Suspenseful and compulsive with twists galore' 5***** Reader Review 'You won't be able to put it down' 5***** Reader Review 'Absolutely brilliant' Claire Douglas, bestselling author of The Couple at No 9 _______
Louise wakes up. Her head aches, her mouth is dry, her memory's fuzzy. But she knows she's done something bad.
She rolls over towards her husband, Niall.
But it's not Niall lying beside her. In fact, she's never seen this man before.…
When I was pregnant for the first time, I knew exactly the sort of mother I was going to be. I had read all the articles, bookmarked all the tastefully filtered Instagram posts. But then I had my son, and I realized almost immediately how little I knew. It turns out that while those tender Instagram moments do happen (and they truly are magic), there are just as many moments that can only be described as: WTF? My novel, The Perfect Ones, goes deep behind the screens of two Instagram influencers and their messy, conflicting, and fundamentally human feelings on motherhood. Here are five more books about the parts that don’t make the Instagram grid.
The Husbands is not marketed as a “mom book,” but as a mother of young children, I saw so much of my own life on the pages.
The story follows Nora Spangler, an overworked attorney who is pregnant with her second child, as she digs into a wrongful-death lawsuit centered on a fatal house fire. The story teems with drama between the mystery of the fire and the motives for its potential coverup, but my favorite part of the book is how Baker gives voice to the things we as mothers “aren’t supposed” to say.
'A howl of feminist rage, but also one that is pure fun' Stylist
The wives here are different. They are living proof that women can have it all: successful careers, loving families, beautiful homes. Their husbands are different too. They are living proof that men can do just as much as women. They can remember the kids' schedules, use an iron and notice when the house needs dusting. Nora thinks she's found the perfect new home for her family. But when she agrees to get involved in a wrongful death case in the neighbourhood, Nora becomes convinced that there's a…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
Peter Orner creates a startling intimacy with his characters. In these short, pithy vignettes, we see estranged siblings, dying spouses, missing fathers, and a marriage that is ending. Orner’s gift is to drop us right into the conflict and emotional action of his characters. Every protagonist feels like someone we know and maybe even loved. His writing is breathtaking. Spanning America of the 80s, his stories take place across the country from California to Chicago to the East Coast.
In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (New York Times) takes the short story to new heights.
Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments.
Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar,…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
One of the most original voices in contemporary fiction, Offill’s novel is unusual and from my perspective, brilliant. Perspective is what makes this book shine, the story is so direct it feels as if it is originating in the narrator’s innermost thoughts. Weaving facts and articles with slices of daily routine with the narrator’s own thoughts, the reader is propelled forward, almost a participant in the gradual transformation of the narrator as she comes to terms with her husband’s betrayal. This short, spare book is hard to put down, wise in ways that are hard to articulate and yet Offill succeeds beautifully.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
Olive is not a likable character, yet so many readers related to her in the first book, as I did. Strout took a completely different approach in this sequel, which appealed to me even more. We see the larger community in Olive’s life, looking at her through her interactions with friends, neighbors, and a lover who becomes her second husband.
Strout weaves present and past using these different perspectives, showing the rare kindnesses that Olive allows herself. By the end, she was a hero to me because of her changes as a person—the increased compassion tempered her frankness. A brilliant and realistic exploration of aging, illness, and death.
From the Pulitzer Prize-winning, Number One New York Times bestselling author of Olive Kitteridge and My Name is Lucy Barton
'A terrific writer' Zadie Smith
'A superbly gifted storyteller and a craftswoman in a league of her own' Hilary Mantel
'A novel to treasure' Sunday Times
Olive, Again follows the blunt, contradictory yet deeply loveable Olive Kitteridge as she grows older, navigating the second half of her life as she comes to terms with the changes - sometimes welcome, sometimes not - in her own existence and in those around her.
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