I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.
This is another historical novel set in my favourite time period AD 600’s, this time in Powys. The main character is Heledd – a peace-weaver bride, she is human, flawed, compelling, and courageous. The background detail is vivid and well researched, but what I love most about this book is the lyrical style of writing, which may almost give the reader the sense that the story is being sung, reflecting with feeling and humanity, the real Anglo-Saxon poetry that has come down to us. Here is a powerful sense of sadness, regret, and gathering doom, lifted by moments of pure joy – a true lament!
In seventh century Powys at the hall of King Cynddylan of Pengwern, the princesses, Heledd and Ffreur attend a celebratory feast where fifteen-year-old Heledd develops an infatuation for a travelling minstrel. Their illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty. Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and those around her. Judith Arnopp has carried out lengthy…
I like to write characters and situations that readers relate to and find reassurance from. Laughter comes from shared experiences of frustration and mistakes, it reassures us that we are normal and not alone, giving us a big hug when feeling overwhelmed or down. I love the healing power of comedy and use it in all my work. Reading how other authors use comedy improves my writing and expands my viewpoint. I also perform comedy with a mixture of storytelling, standup, and belly dancing, I learn from the audience's reaction and feedback, which not only feeds into my novels but makes me feel like a million dollars.
Deborah's characters struggle with the disappointments of getting older with a bittersweet humor that I found comforting.
Just shy of the "pensioner age" myself, I can relate to the loneliness and regret of lost dreams experienced by the characters. I was captivated by her storytelling. I felt like I was there, and that I not only knew the characters but shared their feelings when alone.
At Myrtle House, the twin beds have never been so busy...
The irrepressible Russell 'Buffy' Buffery has upped sticks from London and moved to a decrepit B&B in rural Wales. He needs to fill the beds, and what better way than with 'Courses for Divorces', his new money-making wheeze.
Those checking in include: Harold, whose wife has run off with a younger woman; Amy, who's been unexpectedly dumped by her (not-so) weedy boyfriend and Andy, the hypochondriac postman whose girlfriend is much too much for him to handle.
Under Buffy's tutelage, these casualties of the marriage-go-round find themselves re-learning all…
I was drawn into the study of medieval history through an interest in chivalry and this led to a PhD and various publications on the career and household of Edward the Black Prince (1330-76). He lived through the heart of what’s become known as the late medieval crisis: a period which many contemporaries thought was a prelude to the apocalypse. I’ve been teaching and writing about this period for more than 20 years now and remain fascinated by the contrasts between creativity and utter devastation that characterise the later middle ages.
Rees Davies was one of the first historians to seek to explore the histories of Britain and Ireland as both unique and intertwined narratives. Although this book focuses on the Welsh revolt of the early 15th century it shows the author’s formidable understanding of the relationship between England and Wales in the century after the Edwardian conquest. An object lesson in academic history written with the general reader in mind.
Owain Glyn Dwr is arguably the most famous figure in the history of Wales. His revolt (1400-1409) was the last major Welsh rebellion against English rule. It established a measure of unity such as Wales had never previously experienced and generated a remarkable vision of Wales as an independent country with its own native prince, its own church, and its own universities. In the event, Owain's rebellion was defeated or, perhaps more correctly, burnt itself out. But Owain himself was not captured; and soon after his death he became a legendary hero among the Welsh people. In more recent times…
I worked in high-tech electronics for thirty years, specialising in the design of radio communication equipment. My first love, though, has always been books, particularly exciting page-turners about spies and assassins. Eavesdrop – my first thriller – brought those two worlds together, and “what-if” ideas from my professional life engendered the plot’s high-tech angle. I wrote the early drafts largely while on planes and in airport lounges during business trips, and in snatched moments before starting work each morning. It was exciting when Assent Publishing took it on and did such a great job of producing the thriller ready for you to read. I hope you enjoy it.
This is the first book in Tom Cain’s series about the assassin Samuel Carver. It’s full of believable action and has a great storyline. Do you remember the conspiracy rumours surrounding the death of Dianna Princess of Wales? Well, in this story, Carver was responsible for the car crash that killed her, having been tricked into setting it up.
It’s a great thriller, full of exciting action from start to finish as he tries to work out who set him up. Carver then becomes the target himself when those who tricked him realise he is learning too much and has to be silenced.
Breathlessly paced, international in scope, and featuring one of the most intriguing heroes in recent fiction, Tom Cain's smashing debut surprises the reader at every turn. A thriller that explores the secret of Princess Diana's death, The Accident Man imagines the man who may have killed her. For a certain sum of money, Samuel Carver can arrange a death. A ruptured gas line, an automobile crash, a fall from a window-anything can be made to look like an accident. But when Carver is set up, betrayed, and pursued by the very forces that hired him, he must execute his most…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
I like books with strong and sensible female characters and male characters who are not the stereotypical “alpha male,” that’s why I’ve read this book several times.
When widowed Samantha is faced with the prospect of being forced to live with her hateful in-laws, she neither dithers nor worries about the impropriety of fleeing her home with the help of a male acquaintance. Crippled in the Napoleonic wars, he is feeling somewhat oppressed by his own relatives.
Another “plus” for me is that they do not so much fall in love as slide into it. The tendency of romantic characters to kiss and immediately tumble into lust, if not love, strikes me as unrealistic. I also like good writing and the occasional plot twist, and Mary Balogh excels at both.
After surviving the Napoleonic Wars, Sir Benedict Harper is struggling to move on, his body and spirit in need of a healing touch. Never does Ben imagine that hope will come in the form of a beautiful woman who has seen her own share of suffering. After the lingering death of her husband, Samantha McKay is at the mercy of her oppressive in-laws - until she plots an escape to distant Wales to claim a house she has inherited. Being a gentleman, Ben insists that he escort her on the fateful journey. Ben wants Samantha as much as she wants…
I was lucky enough to be introduced to medieval Welsh literature when I was an undergraduate, and the Welsh language mesmerised me. It is so unlike any other language that I had come across and translating texts from Welsh into English was as absorbing as code-cracking. My apprenticeship as a scholar was long and hard and I soon realised that my particular contribution was to make Welsh literature accessible to non-Welsh speakers, not simply through translations, but by aligning the Welsh tradition with the wider literary cultures of Europe. I want Wales and its two literatures to take their place as two of the great literatures of Europe.
I first read the tales of The Mabinogion when I was an undergraduate and their amazing otherness helped to propel me towards a career researching medieval Welsh literature.
These prose tales were composed in Welsh between 1100 and 1300. Four of the tales are linked together and are known as ‘The Four Branches of the Mabinogi’. Other tales include two original Arthurian stories, a dream vision set in the Roman British past, and three tales based on the French Arthurian romances of Chrétien de Troyes.
In this rich mixture of genres, otherworldly women marry heroic men, warfare between Wales and Ireland destroys a generation, and Arthur strides the land as the king of the whole island of Britain. Sioned Davies’s translation is the latest and best, capturing all the drama and apparent simplicity of the original Welsh texts.
'I cannot be killed indoors,' he said, 'nor out of doors; I cannot be killed on horseback, nor on foot.' 'Well,' she said, 'how can you be killed?'
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse…
I read this novel soon after returning from Wales where I was visiting on a writing fellowship. My experience of the country is contemporary while the book is set several decades in the past. But I found the references and nuances of life, society, politics, language, and religion familiar.
It is a beautiful study of realistic rural life without romanticizing it. Spanning nearly four generations and panning wide to take in the entire neighbourhood, it depicts history as lived experience. Be it late 21st century India or early 20th century Wales, ‘upended’ power dynamics in marriages in historically hierarchical societies lead to tragic, albeit interesting, stories whose impact continues to be felt many generations on. While this is the underlying theme of the story, the narrative doesn’t seek to educate. It simply paints an intricate and highly enjoyable picture.
On the Black Hill is an elegantly written tale of identical twin brothers who grow up on a farm in rural Wales and never leave home. They till the rough soil and sleep in the same bed, touched only occasionally by the advances of the twentieth century.
In depicting the lives of Benjamin and Lewis and their interactions with their small local community Chatwin comments movingly on the larger questions of human experience.
The King’s Jewel recounts the story of Nesta ferch Rhys, the young Welsh princess who became the mistress of Henry I of England, bearing him at least one son.
The beauty of The King’s Jewel is that Elizabeth Chadwick brings Nesta to life, making her a real person in the eyes of the reader, eliciting sympathy for a young girl who has no control over her destiny, compassion for a woman making a marriage not of her choosing and understanding for the decisions made that led her down a dangerous path.
Elizabeth understands the internal conflict that must have arisen for Nesta out of being married to a Norman, whilst wanting freedom for her Welsh homeland and people.
Meet Nesta, a woman trying to survive in a man's world - a world where the men who would protect her are dead and banished.
The warm, comfortable family life of young Nesta, daughter of Prince Rhys of Deheubarth is destroyed when her father is killed and she is taken hostage. Her honour is further tarnished when she is taken as an unwilling concubine by King William's ruthless younger brother Henry, who later ascends the throne under suspicious circumstances.
Gerald FitzWalter, an ambitious young knight is rewarded for his unwavering loyalty to his new King with Nesta's hand…
I grew up an avid reader of children’s and YA fantasy, which is how I discovered the subgenre of Regency fantasy. When I stumbled across Wrede and Stevermer’s work in libraries and used bookstores, I absolutely loved it. As an adult, I enjoyed exploring the Regency romances of older authors like Georgette Heyer and Marion Chesney as well as more recent Regency writers. But when I began writing romance myself, I went back to the fantasies that were my first introduction to the Regency era. My Regency novels are primarily romance, with just a pinch of magic, but I hope both romantasy fans and historical romance readers can enjoy them.
This is the second of Stephanie Burgis’s Regency Dragons books, but in my opinion, it can stand on its own.
The protagonist and viewpoint character, Rose Tregarth, is slowly emerging out of a fog of depression caused by the loss of her parents. She now lives with loving and somewhat eccentric cousins in Wales. Part of the charm of the book comes from the diverse cast of secondary characters, which includes a sapphic couple, a young girl with an anxiety disorder, and a young woman of color.
As an autistic reader, I very much appreciate that Rose’s love interest, a renowned dragon scholar, is coded as autistic, because it’s difficult to find good autistic representation in historical romance. Dragon fans take note: the book abounds with adorable miniature dragons with magical powers!
A madcap Regency-era romantic comedy involving a most determined heroine, a baffled scholarly hero, and a surprising number of dragons.
Rose Tregarth may have been invited into her uncle's remote home in the heart of Wales as an act of kindness to a poor relation, but it doesn't take her long to realise that her newly-met family members are in need of all the help they can get. Between mysteriously appearing little dragons and a threatening new neighbour, Rose is soon up to her ears in plots and schemes to save the people and beasts she's come to love...with the…
I have a wealth of knowledge and experience for living through tragic situations from my young adult life. I have overcome a traumatic childhood, alcoholism, drug addiction, and mental health. I find psychology fascinating; I have personally had many attempts by others to take my life. I have survived violent attacks, stalkers, and abuse. I love thriller books that have psychology embedded alongside many life lessons.
Jenny Blackhurst is a beautiful writer who is known for different POVs and timelines.
This book is addictive and the author will have you turning more pages into the night to finish just one more chapter. The book is based in Wales which is not too far from where I live so that was interesting for me.
The MC is the daughter of a killer who is in prison for murdering her childhood best friend. Many years later another child is abducted with the same signature/patter as the MCs best friend from the past. The MC is compelled to investigate this further.
Twenty-five years ago, a local girl went missing. Now, another girl comes back...
When five-year-old Elsie Button was snatched from a garden in a sleepy town on the Welsh island of Anglesey, and a local man later confessed, it sent shockwaves through the tight-knit community. How could one of their own do such a thing? Especially when his own little girl was the same age - and the victim's best friend.
Kathryn and her family left under the cloak of darkness one night, unable to bear the shame, and the anger of their neighbours. She hardly remembers that time. Now,…
