I’m a writer and a teacher of writing who fell in love with France after my first visit fifty years ago. I was lucky enough once to spend a year in a small village about thirty miles west of Avignon in the south where I was able to observe, and eventually participate in, the daily life of this village. I wrote my book, French Dirt, about that experience. I have read intently about the South of France ever since with an eye for those books that truly capture the spirit and character of these people who are the heart of this storied part of France.
Most everyone knows Vincent van Gogh spent time in the South of France. Most of us know he was a tortured soul and that he spent time in an asylum in Saint Rémy. And most of us know his wonderful painting, The Starry Night, which was painted in Saint Rémy. Since so much of the exquisite joy of the South of France is visual, who better to represent that visual beauty than Vincent van Gogh, one of the greatest painters to ever put brush to canvas? But what you may not know is that Vincent was one of our greatest letter writers as well. He wrote many to his brother, Theo, and reading these letters you cannot help but see Provence through Van Gogh’s remarkable eyes.
'I cannot help that my pictures do not sell. Nevertheless, the time will come when people will see that they are worth more than the price of the paint ...' Vincent van Gogh
Discover the moving story of Vincent van Gogh, with his artistic genius and emotional torment told through personal letters, sketches and paintings in this beautiful reissue of a previous bestseller.
Vincent van Gogh's letters are a written testimony to the artist's struggle to survive and work. This fascinating book's combination of deeply personal letters alongside rough sketches and finished paintings gives an intimate insight into the painter's…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
In December 1970, a group of acclaimed American culinary experts met in Provence, where Julia Child had a holiday house, planning to celebrate Christmas together. Joining them were food writer Richard Olney and novelists Sybille Bedford and Eda Lord, all living relatively close. Barr, Fisher's grandnephew relies on her journal and letters to recreate their sumptuous tables in delectable detail. Alas, hopes for a joyous gathering of friends soured as egos clashed and petty rivalries intervened; MFK left abruptly and spent Christmas alone in Avignon. What interests me is how these authorities on French cuisine engaged with the French, the relationship between the 'French' cooking they portrayed and the food of the French, and their response to the changes creeping into France post-1968.
Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later…
The first time I visited a vineyard was as a child with my mother and grandparents. Driving to San Francisco from Oregon, we stopped to tour a Sonoma vineyard and winery there. Later, as a young adult touring Western Europe, I became intrigued by the vineyards there. Something about the beauty of gently rolling slopes of green vines tugged on me. And I found the science and art of winemaking fascinating. Even the history of wine-making is noteworthy. And I love that Jesus’ first miracle was transforming ordinary water into extraordinary wine. So using the setting of a vineyard for my novel just felt right. And it was a fun adventure!
This story, primarily set in France, is about a guy who loses his job in Great Britain and inherits his uncle’s vineyard in Provence. There are quirky scenes in this book that make you laugh out loud, and scenes that tug at your heartstrings. Years ago, I spent a little time in France and remember looking longingly at French wine country—from the windows of a train, and wishing I could hop off and visit some of those beautiful places. Isn’t that why we love books? We can travel vicariously!
Max Skinner is a man at the heart of London's financial universe until his employers embark on a little asset-stripping of their own. Himself. Amid the grey London drizzle, there is one potential ray of sunshine: Max's Uncle Harry has left him his estate in his will - an eighteenth-century chateau and vineyard an hour's drive from Avignon. Out of a job, and encouraged by his friend Charlie about the money in modern wine, he heads for France.
What Max discovers is a beautiful house, wonderful weather and a bustling village. The downside is the quality of the wine in…
My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.
Book 1 in Gill’s Troubadour series opens in Provence, in 1150.A young runaway wakes in a ditch protected by a huge white dog. The girl becomes the celebrated lutist Estela at the court of Alienor of Aquitaine. Her tutor, then lover, is the Queen’s finest troubadour, Dragonetz los Pros. Using Jewish money and Moorish expertise, Dragonetz builds a paper mill, bringing him into desperate conflict with the Christian Church. This is a compelling story woven into real events: the writing is captivating, the history fascinating. Jean Gill is one of those authors who can ‘take you there’. I was watching what was happening and fearing for the safety of the protagonists to the last page. History, action, and a not-too-treacly romance. A great read all round.
Award-winning historical fiction. Like Game of Thrones with real history. 'Believable, page-turning and memorable.' Lela Michael, S.P. Review 1150: Provence, where making love and making paper are crimes against the Church. Death on her heels, Estela runs towards a new identity. Her life depends on her golden voice and the patronage of Eleanor of Aquitaine but her heart cares more for the judgement of her tutor, Dragonetz, a cynical ex-crusader. He knows he must not love this troublesome student but their duet makes its own demands. Will their secrets kill them both? The troubadours, Dragonetz and Estela, are an explosive…
When I was pitching my then novel-in-progress, Me, Myself, and Him to editors and agents, I usually got one of two responses: either “That sounds like a tough sell” or “That sounds great, and not like anything I’ve seen before.” Of course, I preferred to hear the latter, but I also enjoyed winning over skeptics by giving them something much more accessible than they might have expected, based on my pitch. It all speaks to the special place I have in my heart for the books you never expect to love…and then love anyway.
A healer and a matchmaker cross paths in 12th century France, and….zzzzzzz, right? Or so I thought, until I tried this Printz honor book, a piece of gorgeously written historical fiction that turned out to be a complete page-turner and attention-grabbing thriller. I’m a big TV watcher, so when I say that I was turning off the TV at night to spend more time with this book, you can take that as a 5+ star review. It’s one of my favorite YAs, and for what it’s worth, could just as easily have been shelved as an adult title.
The Printz Honor winner that garnered five starred reviews and was hailed by the New York Times as "magnificent"!
Dolssa is an upper-crust city girl who's been branded a heretic, on the run from the friar who condemned her mother to death by fire and wants Dolssa executed, too. Botille is a matchmaker and a tavern-keeper, struggling to keep herself and her sisters on the right side of the law in their seaside town. When their lives collide by a dark riverside, Botille rescues a dying Dolssa and conceals her in the tavern, where an unlikely friendship blooms. Aided by…
I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, there’s nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344.
I bought this book as a house gift before I even had the chance to read it. When I finally did, I was struck by the level of detail of the history of these four sisters.
Most importantly, this book could and should inspire a thousand pieces of fiction with its rich descriptions and characters. While the standard assumption that the rights of medieval women were limited to being decorative and useful pawns who would bear heirs, this was an eye-opening book in the breadth of these sisters’ reach throughout Europe.
Set against the backdrop of the turbulent thirteenth century, a time of chivalry and crusades, poetry, knights, and monarchs comes the story of the four beautiful daughters of the count of Provence whose brilliant marriages made them the queens of France, England, Germany, and Sicily. From a cultured childhood in Provence, each sister was propelled into a world marked by shifting alliances, intrigue, and subterfuge. Marguerite, the eldest, whose resolution and spirit would be tested by the cold splendor of the Palais du Roi in Paris; Eleanor, whose soaring political aspirations would provoke her kingdom to civil war; Sanchia, the…
Thirty-five years ago, I bought a dilapidated olive farm overlooking the Bay of Cannes. I was well-known as an actress for such roles as Helen Herriot in All Creatures Great and Small. Moving to Provence, living on the Mediterranean, transformed my life. I became passionate about the landscape, history, art, languages, literature of the region. I spent 17 months travelling solo round the Mediterranean basin, searching out the history and cultures of the olive tree, a mythical plant. I was invited to work with UNESCO to create a Mediterranean Olive Route. I make films, TV programmes, and write books. Almost all my work is set in the south of France.
The American novelist Henry Miller who loved France described Giono as "one of if not the greatest writer of the twentieth century." This novel is set in deep Provence and tells the tale of a lone shepherd who dedicates his life to reforesting a desolate valley area at the foothills of the Alps. Over forty years he plants his saplings, right up until his death, by which time the valley has been transformed into a paradise for men, creatures, and plants. The writing is sublime, poetic, and inspirational. This story is as relevant today as it was when written seventy years ago. A must-read.
Twenty years ago Chelsea Green published the first trade edition of The Man Who Planted Trees, a timeless eco-fable about what one person can do to restore the earth. The hero of the story, Elzeard Bouffier, spent his life planting one hundred acorns a day in a desolate, barren section of Provence in the south of France. The result was a total transformation of the landscape-from one devoid of life, with miserable, contentious inhabitants, to one filled with the scent of flowers, the songs of birds, and fresh, flowing water.
Since our first publication, the book has sold over a…
Since first stepping off a train at Nice I've felt an affinity with southern France, but it was a chance encounter with the local shepherd who, speaking a version of the Provençal language, alerted me to the proud past of this region and its individual identity. (I've written about this time in my book Wild Asparagus, Wild Strawberries.) A serendipitous opportunity to study ancien Provençal led me down a meandering path to a PhD that eventually became The Original Mediterranean Cuisine, and on to a career researching and teaching culinary history. My next book looks at the roots of Provençal cuisine in the eighteenth century.
Finally, a food book. But more than that, Mediterranean Seafood recounts a personal journey, as Alan Davidson learned to identify the diversity of Mediterranean catches and how best to use each species. It was an invaluable guide on my visits to the market at Sète, and as I pored over the displays I listened to conversations between sellers and buyers, exchanges of gossip and cooking tips, and marvelled at the ingenuity of these Mediterranean women in accommodating seafood in so many different ways when my palate knew only fried or grilled. Part catalogue and part cookbook, it combines the best of both. If only eighteenth-century travellers had the benefit of such a guide, they might have been more daring in their eating.
Mediterranean seafood is a topic as vast as the riches of that fabled sea itself. Written by distinguished food historian Alan Davidson (author of The Oxford Companion to Food), MEDITERRANEAN SEAFOOD is a seminal work of culinary scholarship. The new edition catalogs edible marine life and provides identifications in a dozen languages and over 100 line drawings. Davidson puts knowledge into practice with 240 skillfully presented recipes, culled from cuisines throughout the region. Davidson'¬?s work possesses the quixotic charm of the true enthusiast; his practical discussions are enlivened by touches of witty erudition that will delight those new to the…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
A dream of many who live in cold climates is to live a second life (or first or third) in sunny France, and in particular Provence. Sands mainlines that dream in this book and especially the healing properties of sunshine and lavender. Her heroine recovers from a painful divorce and is reinvigorated, all the best qualities of a vacation, in reality or in reading.
On the evening of her twenty-second wedding anniversary, Katherine Price can't wait to celebrate. But instead of receiving an anniversary card from her husband, she finds a note asking for a divorce.
Fifty-five and suddenly alone, Katherine begins the daunting task of starting over. She has her friends, her aging mother, and her career to occupy her, but the future seems to hold little promise-until, after a winter of heartbreak, Katherine is persuaded to try a home exchange holiday in the South of France.
In Provence, bright fields of flowers bloom below medieval hilltop villages with winding cobblestone streets. Charmed…
While using the city of Albi in southern France as a base for visiting some cave art locations I became fascinated with the history of the early Christians of the region and the brutal Cathar Crusade which happened there. I was also surprised to learn this was the home of Toulouse Lautrec and other later artists. As an archaeologist studying cave art, I became caught up in the long and important history of this one small area. The idea for a story intertwining different religious movements and art over thousands of years quickly emerged. I couldn’t resist this unique opportunity to reveal a piece of the past from a perspective I hadn't considered before.
No book list on any aspect of southern France would be complete without one of Peter Mayle’s many books on his travels and adventures in Provence.
His initial best seller is a grand introduction to the many small villages, customs, foods, and peoples who maintain the traditional aspects of the unique lifestyle to be found there, which in some places reflects hundreds of years with little change.
I have found in my travels that because this area of France was spared the ravages of the two World Wars, any trip to the region puts the visitor in touch with this remarkable past in a way few other European locales can. I often found myself wrapped up in the incredible history that surrounded me everywhere I went in the region, leading to my own attempt at expressing some of it.
I’ve learned that Peter Mayle, through his books, is like having…
A personal description of Provencal life as seen through the eyes of the author and his wife when they move into an old farmhouse at the foot of the Luberon mountains between Avignon and Aix. The bestselling work of non-fiction in paperback of 1991 in the UK.
