The most recommended books on perception

Do stones sit still or do they constantly travel and transform? Both are true!

This lyrical work of fiction explores the stillness and permanency of a single stone. As the world around the stone whirls with activity, the stone remains in place. Though it may seem to change, appearing purple in the moonlight, for example, and though it is perceived and used in a wide range of ways by a wide variety of creatures, it doesn’t budge.

This soothing story invites children to think about the passage of time and to contemplate all a stone experiences as it sits in stillness.

Redirect describes the research on how self-stories drive our behavior. “Self-stories” are the small stories we tell ourselves and others about why we do what we do. There are two reasons why this book is so amazing: First, it makes you see that these largely unconscious self-stories are really controlling our whole lives, and secondly, Dr. Wilson shares his research on how very easy it actually is to change the stories and therefore change our lives. I’ve used his techniques many times to make it through my own life challenges and it works. Changing your self-story is the only way to get your life to change. Luckily, if you follow Dr. Wilson’s research and techniques you will discover it is much easier than you think to change the stories.

Born in Los Angeles and with profound connection to this city’s psyche, Wendy Ortiz delivers a map of Los Angeles transformed into words, a fragmented memoir of hurt, love, loss, and reinvention. What does a young writer (one of thousands) living in this city and trying to make it worry about? Joblessness. Rent. Bills. Riding the metro. Alcohol. And yes, sex and publishing too, of course. This book proves that it’s not always 72 and sunny in Los Angeles.

On the last page of The Continuity of Mind, I playfully hinted at a sequel (probably written by someone else) that would continue the paradigm’s push not just away from a “computer metaphor for the mind” but even beyond a brain-based approach to cognition. A couple of years later, Tony Chemero published Radical Embodied Cognitive Science, which (to me) felt like that sequel. 

In Radical Embodied Cognitive Science, Chemero draws on philosophy, then on cognitive psychology, then on dynamical systems theory, then on ecological psychology, and finally back to philosophy to tell the story of a progressive interdisciplinary approach to understanding sensorimotor processing and human experience as belonging to the natural order – rather than being some unique phenomenon that has no overlap with the rest of the natural world. After setting the stage with a treatment of the philosophical background and defining what the theoretical stakes… show more.

While not a book explicitly about creativity, it opened my eyes to how our brains work, how we can make them work better, and what we’re just going to have to live with. For instance, “multi-tasking” is really a myth—some brains just switch from one task to another faster and women are better at that than men, something rooted in our evolutionary development. And our brains are hardwired for movement, particularly walking. Developmental neurobiologist Medina offers plenty of food for creative brains.

Reading this book completely changed how I think about the world around me.

Actually, I should say “worlds,” because Uexküll explores, both lyrically and scientifically, how the umwelt (often translated as “lifeworld”) of each animal is unique, likening each one to a separate “soap bubble,” each with its own particular character, but nonetheless all connected, as if in a giant symphony.

I admire those rare books of historical importance that manage to remain contemporary, and this book has lost none of its relevance since its original publication in 1934. A touchstone for major contemporary philosophers such as Giorgio Agamben, Gilles Deleuze, and Peter Sloterdijk, Uexküll’s famous foray is widely viewed as one of the founding texts of contemporary theoretical biology, biosemiotics, and posthumanist thought.

This is a classic book by German-born psychologist Rudolf Arnheim, in which he lays out the principles underlying our perception and understanding of works of visual art.  One of the major principles discussed is the human tendency to see the simplest form possible in any visual array. This ‘simplicity principle’ is also used to explain the intelligence and inventiveness of children’s art. In a brilliant chapter called Growth, Arnheim shows us that children are not striving towards realism; rather they are trying to create the simplest possible recognizable structural equivalent for the object they are representing.  The inventiveness with which children reduce complex forms to simple structural equivalents requires far more intelligence than mindless copying.  

I know I was a few years late getting to this one, and that’s on me, as it was in my TBR pile since the day it was released. I found the book intensely captivating. It drew me in from the very first page, and from there, it’s a rollicking, non-stop thrill ride to the end.

Combine that with the very realistic depictions of the Institute itself, which you can almost believe is a real place.

King has always been great at bringing his characters to life, and this book is no exception. It is classic King, and I would recommend it to any fan of horror or supernatural thrillers.

Becoming Animal changed the way I look at my habitat. I hope it does the same for you. In his philosophical musings, David Abram contemplates why nature is something we look at, not something we are. He suggests our calloused coldness and ordered separation from other species allows us to subdue the wild-ness, but it comes with a numbing feeling of solitude. I too believe our disconnect with natural systems fuels many human ailments (physical and psychological). I love Abram’s suggestion that we change the spelling of Earth to Eairth to acknowledge that we, and the air we breathe, are part of this planet, not separate from it. 

This brief tale offers a profound exploration of an artist's inner journey. It delves into the insecurities and fears that often haunt creative minds.

The protagonist's quest for inspiration, intertwined with a surprising twist involving her beloved poet, adds captivating layers to the narrative. It elegantly portrays the elusive essence of art, where the artist's intent can diverge from the audience's perception.

As an artist, I found it deeply relatable—a poignant reminder of the intricate dynamics within our creative pursuits. This narrative is a valuable gift to fellow artists, beautifully articulating the pursuit of visibility and the complex interplay between creator and audience.