As a children’s librarian and author, I am curious about all kinds of subjects. So, the arctic wilderness which appears to be barren tundra but teems with animal life, unique landforms, and aurora borealis glow intrigued me. Winter Solstice is an excellent theme to use for multicultural study and as an alternative topic for December when the completing holidays seem like overkill. I have been to Alaska to hear glaciers boom as they calf, see endless ice fields, and witness frolicking sea lions.
I was captivated by the gentle colors and repeating texts of this books.
Not so much a story as a description of forest animals summoned to share gifts to encourage the light to return on this longest night of the year. Even though the animals are outdoors in the snow it was clear they were warmed by being together and sharing.
Excellent bedtime book or to start discussion of generosity and sharing.
1
author picked
Winter
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
From debut author Kelsey Gross and New York Times bestselling artist Renata Liwska comes a gentle and lulling picture book celebrating the magic of the Winter Solstice with a group of animal friends in a quiet forest.
Tonight is the longest night of the year-solstice is here! Deep in the forest, the dark, cold, and quiet of winter is all around. Owl, Mouse, and Deer all watch the light fades and dark surrounds them, but they have a gift of hope to share with their neighbors. The moon and stars shine down on a lone tree in the forest, and…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
The haunting themes and mood of The Owl Service lodged themselves in my imagination when I first read it as a teenager and there they stay, decades later. I’ve returned to its mysterious and beguiling world several times since then, and on each occasion, the book has immediately woven its old spell around me. It is rich in Welsh magic as the past is played out against the backdrop of the present, and a hidden collection of plates decorated with what might be a pattern of owls becomes something far more potent and sinister. This is one of the books that first introduced me to the mysteries of landscape, the power of the past, and the enduring life of myths.
A 50th Anniversary Edition featuring a new introduction by Philip Pullman, THE OWL SERVICE is an all-time classic, combining mystery, adventure, history and a complex set of human relationships.
It all begins with the scratching in the ceiling. From the moment Alison discovers the dinner service in the attic, with its curious pattern of floral owls, a chain of events is set in progress that is to effect everybody's lives.
Relentlessly, Alison, her step-brother Roger and Welsh boy Gwyn are drawn into the replay of a tragic Welsh legend - a modern drama played out against a background of ancient…
I have written stage and radio plays, poetry, short story collections, and, beginning in 2013, novels that comprise The American Novels series, published by Bellevue Literary Press. Unlike historical fiction, these works reimagine the American past to account for faults that persist to the present day: the wish to dominate and annex, the will to succeed in every department of life regardless of cost, and the stain of injustice and intolerance. In order to escape the gravity of an authorial self, I address present dangers and follies through the lens of our nineteenth-century literature and in a narrative voice quite different from my own.
Impulse and happenstance set the syllabus of my reading, and so it was that, shortly after reading Lydia Davis’s Madame Bovary, I chanced to see a notice for her rendering into English, from the Dutch, a selection of the very short stories written by the late A. L. Snijders. He wrote plainly, eschewing elegance and complications of form and syntax in favor of simple sentences that laid out, in workmanlike prose, his casual, wry observations of, and on, his fellow Dutchmen, Dutch women, and also Dutch animals, of whom he was fond. Here is no Modernist heroic ambition, no Postmodernist archness, no posturing, or overbearing intellectual or moral superiority. He wrote thousands of his peculiar miniatures, we are told by Davis in her foreword on the writer and on the problems of translation in general.
Those she chose for Night Train rise above anecdote or sketch, despite their Dutch…
Gorgeously translated by Lydia Davis, the miniature stories of A. L. Snijders might concern a lost shoe, a visit with a bat, fears of travel, a dream of a man who has lost a glass eye: uniting them is their concision and their vivacity. Lydia Davis in her introduction delves into her fascination with the pleasures and challenges of translating from a language relatively new to her. She also extols Snijders's "straightforward approach to storytelling, his modesty and his thoughtfulness." Selected from many hundreds in the original Dutch, the stories gathered here-humorous, or bizarre, or comfortingly homely-are something like daybook…
I am a freelance journalist who started writing about animals after getting and falling in love with a flock of chickens. Animals are fascinating in their own right but the way we talk about them, and our relationships, shine a fascinating light on humans and what we value. My work has appeared in The New York Times, The Washington Post, The Guardian, Country Living, and many others.
Researchers don’t know much about barn owls so Stacey O’Brien, a biologist, and owl researcher, takes on the chance to raise one as a research assignment. Wesley quickly becomes so much more than that.
This memoir opens the door on owl intelligence and behavior while including unforgettable details like that baby barn owls smell “like maple syrup.” You’ll love the friendship between Wesley and his human.
On Valentine’s Day 1985, biologist Stacey O’Brien adopted Wesley, a baby barn owl with an injured wing who could not have survived in the wild. Over the next nineteen years, O’Brien studied Wesley’s strange habits with both a tender heart and a scientist’s eye—and provided a mice-only diet that required her to buy the rodents in bulk (28,000 over the owl’s lifetime). She watched him turn from a helpless fluff ball into an avid communicator with whom she developed a language all their own. Eventually he became a gorgeous, gold-and-white macho adult with a heart-shaped face who preened in the…
I have been an animal lover and caretaker all my life. I have memories of taking care of toucans, skunks, alligators, fish tanks, chameleons, various birds, and monkeys from the time I was a child! I received my licenses from the NYSDEC and US Fish and Wildlife Service and Ravensbeard Wildlife Center was founded in 2000. I hold permits to rehabilitate injured/orphaned wildlife and house unreleasable birds to educate communities in protecting wildlife. My entire life has been devoted to caring for animals and educating others about them, and I hope you can find joy in the books I recommended!
This book provides readers of all ages with a heartwarming story about wildlife rescue and the bond between us and birds.
This story provides a unique perspective from a fellow wildlife rehabilitator about what it takes to save wildlife. The illustrations in this book are wonderful and it is based on a true story!
You can find videos and photos of Jackson, the real owl, online!
From the Author (Robbyn van Frankenhuyzen): "For twenty years we have rehabilitated a wide variety of wild critters, from fawns, foxes, skunks, and crows to opposums, raccoons, rabbits, and owls. Some of the animals were injured adults, others were orphaned babies, but all of them were in need of a little help to get them back into the wild. Growing up on a farm, as well as my training as an animal technician, prepared me for many of the medical situations that arose. Gijsbert took every opportunity to sketch, paint, and photograph our temporary guests during their stay on the…
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
An oldie but a goodie, and a classic. Cronon’s lead essay “The Trouble with Wilderness” roused ‘90s environmentalism like a brilliant party crasher—but don’t miss Richard White’s “Are You an Environmentalist or Do You Work for a Living,” Giovanna Di Chiro’s “Nature as Community,” and, well, my own “Looking for Nature at the Mall.”
In a lead essay that powerfully states the broad argument of the book, William Cronon writes that the environmentalist goal of wilderness preservation is conceptually and politically wrongheaded. Among the ironies and entanglements resulting from this goal are the sale of nature in our malls through the Nature Company, and the disputes between working people and environmentalists over spotted owls and other objects of species preservation.
The problem is that we haven't learned to live responsibly in nature. The environmentalist aim of legislating humans out of the wilderness is no solution. People, Cronon argues, are inextricably tied to nature, whether…
I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
Using the surreal premise that a human woman named Tiny gives birth to an owl, Chouettepaints one of the truest and most beautifully messy portraits of motherhood I’ve ever encountered.
Chouette is not like other babies, and Tiny is nothing like other mothers. Holding tightly to her dream/memory of the female owl lover who impregnated her, Tiny embraces her life as the wild mother of a wild child, as she both struggles to contain Chouette’s most violent impulses and loves and protects her fiercely from everyone’s perceptions of what she’s supposed to be.
Chouettechallenged my ideas and made me think more deeply about what it means to be a woman and a mother—as well as an atypical child—amid society’s rigid expectations.
'A MARVEL' RUMAAN ALAM 'MAGNIFICENT' NEW YORK TIMES 'A TRIUMPH' i 'SUBLIME' GUARDIAN 'DAZZLING' OBSERVER
When Chouette is born, Tiny's husband and family are devastated by her condition and strange appearance. Doctors tell them to expect the worst. Chouette won't learn to walk; she never speaks; she lashes out when frightened and causes chaos in public.
Tiny's husband wants to make her better but Tiny thinks their child is perfect the way she is. In her fierce self-possession, her untameable will, Chouette teaches Tiny to break free of expectations - no matter what it takes.
When I was growing up, my favorite books were about kids getting lost in the wilderness. Now, as an artist and writer, I love to create stories about people’s connection to land and the plants and animals that inhabit natural spaces. The inspiration for my picture book biography, Alexander von Humboldt: Explorer, Naturalist & Environmental Pioneer, came after hiking many of the volcanoes that Humboldt had climbed some 200 years earlier in South America. Besides hiking, I occupy myself with drawing and watercolor painting, climate activism, and looking at bugs and rocks with my daughters. I’ve published four graphic novels, two picture books, and a cookbook about rice.
So simple and yet so poetic (both visually and lyrically), We All Play is a catalog of human and more-than-human animals delighting in movement and sound in the outdoors.
This book is great for a younger (baby and toddler) readership, and highlights our connection with all living beings. It also peppers in some Cree language words, which are fun to explore. I love the adorable drawings of animals and children that Flett created with the ochres and umbers of her earthy palette.
A BEST CHILDREN'S BOOK OF THE YEAR: New York Times, Washington Post, New York Public Library, Kirkus Reviews, Globe and Mail, Horn Book, and Boston Globe
STARRED Reviews in Kirkus, Publisher's Weekly, The Horn Book, School Library Journal
From Julie Flett, the beloved author and illustrator of Birdsong, comes a joyous new book about playtime for babies, toddlers, and kids up to age 7.
Animals and kids love to play! This wonderful book celebrates playtime and the connection between children and the natural world. Beautiful illustrations show:
birds who chase and chirp! bears who wiggle and wobble! whales who swim…
This novel describes the inhabitants and escapades of the
Woodlands Nursing Home residents. I found
it poignant and whimsical, engaging and comical - all
rolled into one.
Through the eyes of Hattie and Walter, we meet the staff and
fellow 'inmates' and share their adventures over time as small things become
paramount and love blossoms in the most unexpected way.
I recommend this book to readers who value a pleasant read with deep insights into the human soul.
'Poignant and warm-hearted . . . a tonic for our times.' - Holly Miller, author of The Sight of You
At nearly ninety, retired nature writer Hattie Bloom prefers the company of birds to people, but when a fall lands her in a nursing home she struggles to cope with the loss of independence and privacy. From the confines of her 'room with a view' - of the car park! - she dreams of escape.
Fellow 'inmate', the gregarious, would-be comedian Walter Clements also plans on returning home as soon as he is fit and able to take charge of…
I’ve worked with kids in preschools and elementary schools, (plus I’m a mom!) and to me, nothing is better than hearing kids laugh. I also just adore picture books and treasure my personal library, with its focus on (you guessed it!) humor. Sassy cats, bears who want to have kids for pets, chickens who interrupt, alphabets overrun by frustrated Zebras, picture books bravely go where other books might only tiptoe in a cowardly fashion—into the world of wild imagination and anthropomorphized everything. With amazing artwork!! Let’s be honest, I’ll choose funny picture books over War and Peace every time.
One of my favorite picture books ever of all time,I’m Not Santa features an exceptionally cute owlet. He’s the same guy from I’m Not Cute (but he is!!) except this time he’s out in the snow at Christmas time, wearing a red cap and pulling a sled. So, of course, when Baby Owl runs into Baby Hare, the little hare sees the red cap, mistakes the sled for a sleigh, and cries, “Santa! It’s you!” Baby Owl insists, “I’m not Santa! I’m an owl!” Baby Hare refuses to believe it and starts to cry. Soon they’re both crying, until the real Santa shows up to talk some sense into these two. Sweet and totally hysterical!
Baby Owl is back in this follow-up to the highly successful I'm Not Cute!and I'm Not Scared! Baby Owl is taking a Christmas Eve stroll though the woods with his sledge, when Baby Hare mistakes him for Santa. "I'm not Santa!" Baby Owl insists, and a comic Christmas tale unfolds. 'Absolutely hilarious' - Kirkus 'Made me laugh out loud ...a delight' - The Observer
