I write historical YA in verse—pretty much the niche of the niche. Before I was published, I spent many years writing and querying various YA projects in prose, but it wasn’t until I decided to try a project in verse that I really found my groove. Nowadays, everything I write falls under that same (small) umbrella, so I really looked to novels like the ones here to learn from the best. These days, I still love reading YA historicals and anything in verse, but YA historicals in verse remain forever my favorite.
Here in Harlem pays homage to the people of Harlem in the first half of the 20th century. I loved how the rhythmic, musical verse brings the setting to life. It’s modeled on Spoon River Anthology by Edgar Lee Masters, but in a completely unique way that will really speak to YA readers.
The voices depicted in this poetry collection—especially Clara Brown’s recurring testimonies—make the book feel like a fully alive story rather than simple moments captured in time.
Acclaimed writer Walter Dean Myers celebrates the people of Harlem with these powerful and soulful first-person poems in the voices of the residents who make up the legendary neighborhood: basketball players, teachers, mail carriers, jazz artists, maids, veterans, nannies, students, and more. Exhilarating and electric, these poems capture the energy and resilience of a neighborhood and a people.
If there's a throughline in all my books, it occurs to me I've always been writing about the dangers of extremism, the times when we get sucked too deeply into ideologies that lead to dangerous action. So this most recent novel felt like an ideal time to take that head-on: to see what would happen within a sect of Kabbalists, led by a self-proclaimed prophet, when things went bad. With that in mind... here's a bunch of books focused around prophecy!
This novel may be my favorite book of the 1970s and a woefully underappreciated deep satire not just of its moment, but of ours as well. I think about the mere fact of museums being renamed "centers of art detention" once a day or so, and I haven't reread the book in a decade.
New in 2023, the 50th anniversary edition of the classic, freewheeling novel by one of the most iconic satirists of our time—now with a new introduction by the author.
“Part vision, part satire, part farce… A wholly original, unholy cross between the craft of fiction and witchcraft.” —The New York Times
It is the 1920s in New York City and an epidemic known as Jes Grew is sweeping the nation—a dancing plague, irresistible, joyful, and undeniably Black. Naturally, the powers-that-be are having none of it. A repressive conspiracy is operating in the shadows, and it is dead set on squelching…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Raymond Carney—savvy furniture store owner in 1960s Harlem; a small-time, look-the-other-way fence for stolen goods—is one of the most likable criminals I’ve ever read about.
He dreams of moving his young family on up to a nice apartment on Riverside Dr. and scraps for every dollar. His hustling ways occasionally flare into big-time crime or revenge, but his insights into the teeming city are always keen.
Whitehead can do it all: perfectly observed details of the time and place, great characters, wry humor, surprising plot developments, devastating emotional scenes. The implications of race and class are deftly drawn. The prose is gorgeous.
Really, no American writer is better than Whitehead right now. A fun and profound ride.
NEW YORK TIMES BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys, this gloriously entertaining novel is “fast-paced, keen-eyed and very funny ... about race, power and the history of Harlem all disguised as a thrill-ride crime novel" (San Francisco Chronicle).
"Ray Carney was only slightly bent when it came to being crooked..." To his customers and neighbors on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents…
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
Only when I arrived in Paris did I discover the works of this major African American writer.
Back then, Himes—still under-recognized in the USA—was a long-time household name in France. Himes not only brought the American crime novel to the Black part of town, he did it with a satiric bite that is his distinguishing feature.
The Black police detectives Grave Digger Jones and Coffin Ed Johnson are at the center of the nine novels in Himes's Harlem Cycle, an epic achievement in crime fiction.
Himes's Harlem is a violent phantasmagoria where Digger and Ed—in order to protect the poor, ordinary working folk of the community—are forced to be the baddest of the bad.
Cotton Comes to Harlem is my favorite work in the collection. Published in 1965, it skewers both Black militants and white racists with wicked glee.
From “the best writer of mayhem yarns since Raymond Chandler” (San Francisco Chronicle) comes a hard-hitting, entertaining entry in the trailblazing Harlem Detectives series about two NYPD detectives who must piece together the clues of the scam of a lifetime.
Flim-flam man Deke O’Hara is no sooner out of Atlanta’s state penitentiary than he’s back on the streets working a big scam. As sponsor of the Back-to-Africa movement, he’s counting on a big Harlem rally to produce a massive collection—for his own private charity. But the take is hijacked by white gunmen and hidden in a bale of cotton that…
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
Yes, the film adaptation of Push by Lee Daniels garnered Oscar attention, including a best supporting actress win for actress - comedian Monique but Sapphire’s contemporary Harlem set coming-of-age story about the difficult life of teen protagonist Precious is best told in Sapphire’s novel Push.
It is a devastating, exhilarating read that I couldn’t put down until the last page so shocked was I about the level of challenges Precious endures from her home life to social services and school experiences.
However, then there’s this amazing grace present that doesn’t seem likely, which just makes the name Precious and the title word “push” that much more revelatory. It’s another story that reminded me why I should keep writing and why books and the words we write can be important beyond our expectations.
'I'm alive inside. A bird is my heart. Mama and Daddy is not win. I'm winning.'
This is the story of Precious, a sixteen-year-old illiterate Black girl who has never been out of Harlem. Pregnant by her own father for the second time, she is kicked out of school and placed in an alternative teaching programme. Through learning to read and write, Precious begins to find her voice, and fight back.
Push is the unflinching diary of a girl whose strength and kindness shines amidst extraordinary adversity.
Meet ten of literature's most iconic heroines, featuring bold portraits by female photographers…
During my 37 years of teaching philosophy to undergraduate students, most of whom had no prior exposure to it, my purpose was to promote self-examination of the sort practiced and encouraged by Socrates. Such self-examination is upsetting, unsettling. It leads one to insights and realizations one would prefer not to have. But by undermining one’s assumptions, these insights break one open to a whole universe of which one had been oblivious. Breakdowns make possible breakthroughs. My students didn’t realize that, just as I was trying to provoke this kind of spiritual transformation in them, their questions, criticisms, challenges, and insights provoked it in me.
A cruise ship is, perhaps, the least likely of all possible venues for the beginning of a spiritual breakthrough. But this is where spiritual transformation starts for Avey Johnson, the 64-year-old African American woman who is the central character in this Marshall novel. Breakthroughs are often set in motion deep down inside us, below the surface of our ordinary awareness. In fact, a real breakthrough can’t happen unless it goes all the way down in us. I know of no book that conveys this truth more effectively.
From the acclaimed author of Daughters and Brown Girl, Brownstones comes a "work of exceptional wisdom, maturity, and generosity, one in which the palpable humanity of its characters transcends any considerations of race or sex"(Washington Post Book World).
Avey Johnson-a black, middle-aged, middle-class widow given to hats, gloves, and pearls-has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel-and in a panic packs her bag in the middle of the night and abandons her friends at the…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
Rudolph Fisher was a contemporary of Sayers, but working in a very different context: the Harlem Renaissance.
This novel, reputed to be the first detective novel written by a Black American, opens with the mysterious, apparently impossible murder of a Harvard-educated fortune-teller, N’Gana Frimbo, the ‘conjure-man’ of the title. Then the body disappears, and Frimbo (apparently) reappears – throwing medical and police investigations into chaos.
There’s a surfeit of suspects and lots of talking; what I really love about this novel is the sense of being plunged into a vivid, fully-populated world. This book wins my vote for most overlooked mystery novel from the Golden Age.
I’m a Black woman novelist in America who has made it through life with three things: God, great books, and greater friends. Throughout my writing career, friends have encouraged and supported each and every book I could not have written without them. I am also a literary scholar of black women writers in America, a champion of their works, and a soul dedicated to preserving their names in the literary canon. I have two English literature and language degrees from University of Chicago with my M.F.A. in Creative Writing from The New School. No novel I write is complete without empowering and strengthening relationships between Black women and girls.
This is the absolute, hands down best collection of interlinked stories framed as a novel I have ever read in my life. You will fall in love with each and every one of these colorful, dynamic, and heartwarming women who find themselves in one tenement building in 1970s Harlem. Mattie Michael, Etta Mae Johnson, Lucielia "Ciel" Turner, Melanie "Kiswana" Browne, Cora Lee, Lorraine, and Theresa all come from different backgrounds but intersect around one major theme: surviving urban America as Black women. By the end, you will roar in celebration and respect for their journeys to self-fulfillment, self-discovery, and self-empowerment despite incredible odds.
The National Book Award-winning novel-and contemporary classic-that launched the brilliant career of Gloria Naylor, now with a foreword by Tayari Jones
"[A] shrewd and lyrical portrayal of many of the realities of black life . . . Naylor bravely risks sentimentality and melodrama to write her compassion and outrage large, and she pulls it off triumphantly." -The New York Times Book Review
"Brims with inventiveness-and relevance." -NPR's Fresh Air
In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak-inner city sanctuary, creating a powerful, moving portrait of the strengths, struggles,…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
I am a creator and lover of stories. I think storytelling is the most powerful force in the universe. Lately, the world has felt scary and divided and overwhelming for adults, I cannot fathom how confusing it must be for kids. Stories like these can help them process traumas, learn kindness and compassion, and see the world from new perspectives.
Tar Beach is a classic and for good reason! This book addresses heavy subjects like racism and poverty but is threaded through with an overall message of hope and love. The main character flies above her life in 1930s Harlem, soaring over buildings and bridges -- claiming them as her own. The dreamy illustrations and surreal storyline acknowledge the hard realities of life, but leave the reader with a sense of optimism for the future.
CORETTA SCOTT KING AWARD WINNER • CALDECOTT HONOR BOOK • A NEW YORK TIMES BEST ILLUSTRATED BOOK
Acclaimed artist Faith Ringgold seamless weaves fiction, autobiography, and African American history into a magical story that resonates with the universal wish for freedom, and will be cherished for generations.
Cassie Louise Lightfoot has a dream: to be free to go wherever she wants for the rest of her life. One night, up on “tar beach,” the rooftop of her family’s Harlem apartment building, her dreams come true. The stars lift her up, and she flies over the city, claiming the buildings and…
