David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the Soviet Union. He has been affiliated with the Hudson Institute and the John Hopkins University School of Advanced International Studies. He is presently a member of the academic advisory board of the Victims of Communism Memorial Foundation.
Tibor Szamuely was the nephew of a leading Hungarian communist who was killed in the purges. In this book, completed just before his death at 47, he traces the process through which Russians were enslaved by the state. Peasants were progressively bound to the land. The Russian church accepted the fusion of political and religious authority in the person of the Tsar. After the fall of Byzantium, the tsars, as the heads of the only surviving Orthodox state, treated Moscow as the ”Third Rome” and began to claim worldwide moral and political leadership. This claim was supported by the Russian people who saw in it justification for their miserable conditions. Communism was supposed to be entirely new but as Szamuely eloquently shows, it merely modernized the Russian state tradition.
This analysis of Russian history traces the essential features of Revolutionary Russia back to medieval times when authoritarian rule first became a prerequisite of survival and is intended as a contribution to our understanding of the Soviet Union.
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
I grew up in a politically active family but had never read The Communist Manifesto. Martin Rowson's adaption blew me away.
The book opens with an amazing series of spreads; in bold black and white and blood-splatted red, he charts the development of human history from the serfdom of early civilisations through the Middle Ages, up to the slave trade, the age of revolutions and the Industrial Revolution that ripped workers away from life in the fields and into factory labour and then on.
From this, Marx and Engels begin their walk through the rest of the book, announcing, "A spectre is haunting Europe, the spectre of Communism."
Rowson’s dense and beautiful artwork makes demands on the reader; in its multi-layered depths of meaning, it’s a phenomenal achievement.
Published in 1848, at a time of political upheaval in Europe, Karl Marx and Friedrich Engels's Manifesto for the Communist Party was at once a powerful critique of capitalism and a radical call to arms.
It remains the most incisive introduction to the ideas of Communism and the most lucid explanation of its aims. Much of what it proposed continues to be at the heart of political debate into the 21st century. It is no surprise, perhaps, that The Communist Manifesto (as it was later renamed) is the second bestselling book of all time, surpassed only by the Bible.
One Day in the Life of
Ivan Denisovich highlights the harshness of human life, particularly those
experienced by prisoners during World War 2 in the Soviet Union.
The tale
follows the life of a man, Ivan Denisovich, and although we are only met with
the reality of a day in his life, we can only assume that not much differs day by day. This book is a powerful portrayal of what human beings can endure in order to be who they are.
It explores how people will cling to
their ideologies, and, in the case of the author himself, promote an
understanding of the inequalities that plague the people of the world, which, more often than not, are derivatives of the political situation of the area
which a person is subjected to.
Foreshadowing his later detailed accounts of the Soviet prison-camp system, Solzhenitsyn's classic portrayal of life in the gulag is all the more powerful for being slighter and more personal than those later monumental volumes. Continuing the tradition of the great nineteenth-century Russian novelists, especially Dostoevsky and Tolstoy, Solzhenitsyn is fully worthy of them in narrative power and moral authority. His greatest work.
I have been fascinated by Russian history and American-Soviet relations since high school. Now at American University’s School of International Service, I teach courses on the history of U.S. foreign relations, the Cold War, as well as human rights and U.S. foreign policy. I have written two books on the role of human rights in U.S. foreign policy, including Human Rights Activism and the End of the Cold War: A Transnational History of the Helsinki Network and From Selma to Moscow: How U.S. Human Rights Activists Transformed U.S. Foreign Policy. When I’m not working, I love a good Cold War TV series (Deutschland 83 or The Americans).
In How We Survived Communism and Even Laughed, Slavenka Drakulić details the everyday indignities of living under communist Yugoslavia, including thin toilet paper and no access to luxuries such as strawberries or fruit juice. Her essays show the impact of high politics on everyday living but also how communism failed – to produce washing machines, manufacture tampons, or meet the needs of its citizens.
This is an account of what life is like for women in communist Europe - from the lack of toys for their children to their own lack of privacy. This book charts the tentative strings of feminist movements from the Velvet Revolution of 1989. Slavenka Drakulic is the co-founder of the first feminist group in Yugoslavia and she holds teaching Fellowships in several European and American universities.
I entered the United States Army in August 1970, two months after graduation from high school, completed flight school on November 1971, and served a one-year tour of duty in Vietnam as a helicopter pilot in Troop F (Air), 8th US Cavalry, 1st Aviation Brigade. After my discharge, I served an additional 28 years as a helicopter pilot in the Illinois National Guard, retiring in 2003. I graduated from Triton Junior College, the University of Illinois at Chicago, and Northwestern University Law School in 1981. My passion for this subject arises, as one would expect, from my status as a veteran. My expertise is based on my own experience and 16 years of research and writing that went into the preparation of my book.
Starting in World War II, American cryptanalysts broke Soviet codes and determined that hundreds of Americans working for the Soviet Union were active within the federal government during the New Deal and throughout the Second World War. Code named Venona, this operation was a closely guarded secret until declassification in 1996. When these intercepts were combined with information acquired from Soviet archives after the collapse of the USSR, they revealed not only a massive penetration of American government, science, and industry by Soviet spies but an American Communist Party that had assisted in these efforts, serving as an arm of Soviet intelligence. In other words (quoting American Communist Party member Alfred Bernstein), “[Joseph] McCarthy was right.” “The system was loaded with Communists.”
Only in 1995 did the United States government officially reveal the existence of the super-secret Venona Project. For nearly fifty years American intelligence agents had been decoding thousands of Soviet messages, uncovering an enormous range of espionage activities carried out against the United States during World War II by its own allies. So sensitive was the project in its early years that even President Truman was not informed of its existence. This extraordinary book is the first to examine the Venona messages-documents of unparalleled importance for our understanding of the history and politics of the Stalin era and the early…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
In contrast to Hollywood, Krzysztof Kieslowski worked under Polish Communism for the first 20 years of his career, before he became better known in the West with the Three Colours Trilogy. In Poland, it wasn’t the box office that determined a filmmaker’s fate but what the state censors thought. His film Blind Chance wasn’t released for six years because it suggested that a person’s political affiliation – whether they become a dissident or party member – was up to, well, blind chance. This is a wonderfully thoughtful book not only about film-making, but working under Communism, what it is to be a creative artist, and, if I may, life.
Decalogue, The Double Life of Veronique and his trilogy, Three Colours, earned Kieslowski his reputation as a world-class film-maker. Kieslowski was notoriously reticent, and even dismissive of his work and talent, but these frank and detailed discussions show a passion for film-making and a career which was often threatened by political and economic change within Poland. In the book he talks at length about his life: his childhood, disrupted by Hitler and Stalin; his four attempts to get into film school; and what Poland and its future meant to him at the time of writing, before his death in 1996.
Growing up during the Cold War, I became interested in Communism early. I read about how the Communist International worked to spread the world revolution. Despite its Eurocentrism, Communism appealed to people in Asia, Latin America, and Africa. However, it failed to make meaningful inroads in the Middle East. I wanted to know why. When I trained to become a historian, my curiosity turned towards the Arab world. I decided to combine my two interests and research the history of Arab Communist movements. I discovered a fascinating world of firebrand activists struggling against the tide of nationalism, fascism, and religious bigotry. I hope you find these books as gripping as I did.
I first came across this book as an undergraduate student many years ago. I was drawn to the book because it covered a topic that was not very common at the time, namely the Egyptian working class. Beinin and Lockman’s study of how the working class navigated the three major intellectual currents of the late nineteenth and early twentieth centuries—nationalism, religion, and Communism—opened my eyes to social history as no other book had done. Workers on the Nile analyses how Egypt brutally is drawn into the global capitalist system in the nineteenth century and how this process produced a native working class (alongside a large community of European ex-pat workers). Gradually the working class comes of age by organising its labour, and eventually, this gives rise to more radical politics in the shape of Communism, Islamic activism, and nationalist tendencies.
Larry Tye is a New York Times bestselling author whose most recent book is Demagogue: The Life and Long Shadow of Senator Joe McCarthy. Before that, he was an award-winning reporter at The Boston Globe, where his primary beat was medicine. He also served as the Globe’s environmental reporter, roving national writer, investigative reporter, and sports writer. Tye, who graduated from Brown University, was a Nieman Fellow at Harvard University in 1993-94. He taught journalism at Boston University, Northeastern, and Tufts.
Bayley, a political reporter for the Milwaukee Journal during McCarthy’s rise and reign, offers riveting details about how the press enabled the Red Scare in a book that is at the same time dispassionate and telling for today.
This is a book for historians, journalists - and for all of us who need to remember this turbulent time in our nation's past, and its lessons for today. ""No one who cares about liberty will read Mr. Bayley's masterful study without a shudder about the journalistic cop-outs that contributed to making the nightmare called McCarthyism. This book reminds us that it could happen here, but perhaps will make it harder to happen next time."" - Daniel Schorr
I’ve always been interested in the topic of international relations and when I started graduate studies, I focused on Russian and Soviet foreign policy between the World Wars. When I began my research, I learned of the existence of the Comintern and was fascinated both by this attempt to develop a worldwide movement and its connection to Soviet foreign policy. Since then, I have focused on trying to understand the individuals who populated the parties and the organization and unearthing a legacy that still resonates today. One cannot fully understand the history of decolonization or of human and civil rights movements without considering the influence of the Comintern.
For over three decades, John Riddell has gradually made available the records of the key meetings of the early years of the Comintern. Focusing on the period when Bolshevik leader V.I. Lenin was still alive, Riddell’s edited collections have set the standard. Of his multiple volumes, those on the Second Congress, which took place July-August 1920, are the most important. Here, the Comintern developed its conditions for communist party membership and outlined key platforms on politics, anti-imperialism, trade unionism, and centralization. As the Bolsheviks won the Russian Civil War by this point, leftists, radicals, and colonial leaders alike believed the Bolsheviks genuinely offered an alternate way forward from the existing world order. The hope in the movement, regardless of its future, was on display and this collection highlights these possibilities.
Offering a vivid portrait of social struggles in the era of the Bolshevik-led October Revolution, the reports, resolutions, and debates among delegates from 37 countries take up key questions of working-class strategy and program: the fight for national liberation, the revolutionary transformation of trade unions, the worker-farmer alliance, participation in bourgeois parliaments and elections, and the structure and tasks of Communist Parties.
This book is part of a series, The Communist International in Lenin's Time by Pathfinder Press.
Volume 2: Maps, 16-page section of drawings and photos, chronology, glossary, list of books cited, notes, index.
I’m a Greek-American author and screenwriter and growing up I heard stories both of and about Greece for as long and far back as I can remember. At a certain point, I decided to join them, and tell Greek stories of my own. After all, it’s in our blood, right? My debut novel, Once We Were Here, is a multi-generational love story that’s set mostly during the Greek resistance of WWII, and which has been described as “stirring” (Paula McLain), “stunning” (Steven Pressfield), and “a modern epic” (Victoria Aveyard). I very much hope you’ll have a chance to give it a read, and also very much hope that you’ll enjoy it.
For many Greeks and Greek-Americans, Eleni is a literary north star, especially in the world of non-fiction. On one hand, it’s an urgent and imperative testimony to a brutal and tragic event that the world and history at large have over-looked and forgotten, and on the other, and a more personal level, it’s a poignant and devastatingly powerful testament of a son’s love for his mother. Revenge and forgiveness are constantly at odds and at the forefront of this journey, which also doubles as an important and specific type of immigrant story and experience. Which one will ultimately win out: revenge or forgiveness? In the end, it’s the reader who wins, because the story of Eleni Gatzoyiannis and her son Nikolaos is timeless, unforgettable, and will leave all who read it forever changed.
This is the biography of a woman who was arrested, tortured and shot in 1948 because she had helped her children to escape the Communist guerrillas during the Greek Civil War. Nicholas Gage, then aged eight eventually reached America where he became one of the New York Times' best investigative reporters.He returned to Greece as its chief correspondent in 1977, where he reconstructed his mother's life and death. He is the author of two novels and of "Hellas: A Portrait of Greece". He co-produced the film "Eleni" directed by Peter Yates.
