100 books like Yonder

Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.

“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.

The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.

The reason I chose this book is simple. It was the first one to show me the first-person way.

I read this book in high school around 1973 and it stayed with me all these years. This dark side of adolescence skillfully narrated by the introverted Gene is as real today for me as it was when I was a prep school kid reading it.

Gene remembers some fifteen years earlier as he comes back to visit, and tells this story under the guise of a quintessential American story, though as he says “a very untypical one, I guess, and unfamiliar transitional blur in the memories of most people, which is the real America for me.” Every first-person story I’ve tried to write since has had a little bit of Gene in it. 

There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.

Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”

Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.  

Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.

Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”

The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless. 

Although this book does feature some heavy themes (CW for mentions of rape), it’s a powerful story about dealing with trauma – and moving on from it, to the life one wants to live. Draven’s characters simply breathe. They feel fleshed-out and real, with all the contradictions of real people. Although the book is part of a series, the story feels complete on its own; the worldbuilding is lush and interesting. I love books that feature travel because being on the road is a great way for characters to connect with each other, as they must rely on one another for safety and survival. Phoenix Unbound features two very different characters who come together in a way that feels real – and beautiful.

The two main characters in Who Do You Love stayed with me long after I read this book, and I’ve found them popping into my thoughts again and again over the years – a sure sign of well-written characters. It’s the story of two people who come in and out of each other’s lives and how their love changes and evolves over time. Full of joy, heartbreak, hope, and loss, this love story will draw you in and stick with you.

I’ve been a huge fan of Marian Keyes for years and I’ve read all her books.

She has a wonderful talent for character development and describing the intricacies of family life and relationships and she seamlessly combines chick-lit humour with meatier, serious themes. In The Break, a story about midlife crisis, Amy’s husband Hugh decides to take a break from their marriage and family, and go travelling to find himself, leaving her at home, a single mum, wondering what the heck has just happened. But will he return, and if he does, will Amy still be the same woman?

I was actually reading this book when I got the idea for my debut novel! 

The author describes this book as Pretty in Pink meets Stranger Things—and I must agree! The story takes place in the 80s, and as a child of the 80s myself, that makes me love it even more. Lyrics & Curses is the perfect balance of romance and mystery (and epic 80’s music) that will keep you guessing until the very end. If you’re looking for something quirky and dark, this book may be the perfect fit for you. L&C is the first in a YA duology suitable for younger readers. 

Serengeti National Park is one of those places I’m not sure I’ll get to visit in my lifetime, and in my opinion, that’s exactly what makes books like this one so special.

I love when I finish a book feeling like I’ve been there. Farah Heron’s descriptions of Tanzania are absolutely stunning. I also love the idea of second-chance romance on vacation, sort of forcing the characters to find common ground and work through their problems. Definitely worth the read. 

I'm a huge fan of contemporary romance, but I also love it when a little element of magical realism steps in to churn up the plot, and that's exactly what happens in this book.

Georgie and Neal love each other, but is that enough, or could their relationship be over? Then, through an old yellow landline telephone, Georgie connects to Neal in the past. Now she has a chance to change everything–or realize why she fell in love in the first place. I found this story memorable and moving, as well as loads of fun!