82 books like Vienna Blood

Any time Kate Quinn writes a book, I grab it immediately. Her characters are always amazing women doing amazing things. This one is, I think, her best.

The character of Nina is possibly the most interesting single character I have ever read about. I can’t describe Nina as words just fail me. I will never forget her. Nor will I forget the evil huntress either. 

This is World War II historical fiction at its absolute best, as Ms. Quinn does super solid research.

Spies, a mysterious death with what could be construed as a “ghostly” sighting, and an atmosphere that could be considered modern Gothic. This is the setup of Graham Greene’s The Third Man.

Under the backdrop of darkness and devastation which was still lingering in postwar Vienna, Greene shows it as a once beautiful city cast in a foggy pall, the cursed cloud of death hanging over it, which also happens to the characters in the story. The Third Man mixes the dread of Gothic and the unfolding suspense and paranoia involving the shadowy people in a shadowy world of espionage in a memorable, haunting fashion.

Recalling Ibbotson’s personal experience of leaving Austria for England before Hitler’s Anschluss, The Morning Gift is a witty and warm marriage of convenience story between a witty and intrepid archaeologist, Quinton Somerville, and a brilliant professor’s daughter Ruth Berger. When Ruth is accidentally left behind in Vienna after her family has emigrated to England, Quin marries Jewish Ruth and protects her from oncoming Nazi occupation: under the condition that they will part ways when both are safely back in London. But Quin and Ruth continue to run into each other again and again and again. A deliciously Austrian-flavoured book. Ibbotson’s Viennese set-sequences and memories are a love letter to her city.

I have been fascinated with Sisi since I visited the Habsburg Castle in Vienna several years ago. In The Accidental Empress, Allison Pataki imbues Elisabeth of Bavaria—known as Sisi—with humanity and intelligence. Engaged to Sisi’s older sister, the emperor Franz Joseph falls in love with the younger girl instead, making Sisi an “accidental empress.” However, his choice unleashes a chain of intrigue and political maneuvering. Pataki’s novel is rich in psychological insight, and her detailed descriptions of court life and the Austrian landscape transport the reader to another time and place. Pataki captures beautifully the atmosphere of luxury and intrigue of the Habsburg court and having been in the Castle, I can well imagine Sisi gliding through its vast space or dining on its priceless china. 

This unlikely story has a different focus from other Holocaust memoirs. After working in a slave labour camp, Edith Hahn, a Viennese Jew, was ordered to report for transport east, and probable death, but instead went into hiding with a new identity thanks to two Christian friends. Jews hiding in plain sight were called U-boats. Though trained as a lawyer, she worked as an ignorant nurse’s aide in a hospital and met a Nazi Party member who fell in love with her. She told him she was Jewish but he wanted to marry her anyway and became both a protector and a constant threat. In an unsentimental style and with surprising dark humour, Hahn has written a gripping account of that period when being found out would have been fatal.

A sensitive yet relentless story of his family’s failed assimilation that ends in its annihilation. Clare ends up in the UK, seeking meaning, in vain. His story so closely mirrors the real-life story of my own family, also Jewish refugees from Vienna who found refuge in the UK, that it sent a chill down my spine. Beautifully written and evocative. Clare concludes with Voltaire’s verdict: “History never repeats itself, man always does.”

This is a story about the best-selling Viennese cookbook that was stolen by the Nazis and republished under someone else’s name during the War. The text and color photographs are identical, but the names of the authors are different. The original author, Alice Urbach, who was Jewish, had her book “Aryanized” for over 80 years, even though her hands are still featured in the illustrations. It shows how respectable businesses and individuals can continue to profit from the persecution of Jews long after the Holocaust ended. 

I found this a quite remarkable story that has only recently been published in English. It demonstrates the extremes to which the Nazis went to stamp out anything that was Jewish. Only in 2021 were the rights returned to the original author posthumously.

Elfriede Jelinek has many anti-heroines in novels and plays, but I pick Erika Kohut, a repressed Austrian piano teacher who in her late thirties is still living under the power of her stifling elderly mother. Vienna, the city of music and great composers like Franz Schubert, is seen not only through the Vienna Conservatory but inside peep-shops that Erika frequently visits to escape from her mother. Although she is a masochist and self-mutilates, she begins a relationship with Walter, a new student, and gives him the instructions through an atypical letter. Jelinek's work makes me feel many things, not only due to her stories and characters but also the depth of her writing! The importance of her voices in novels and plays is extraordinary, her prose is satirical and very critical. She looks at their characters psychologically, from the deep of human behavior.

Mary Stewart was such a huge talent. She wrote in more than one genre but I am most drawn to her gothic novels like this one.

The original vintage cover from 1965 presents what it is: 60s style, castle parapets (pivotal scene in novel), and that Fawcett Crest price tag!

(And can we just take a moment here to recognize that the original covers were always the best ones in this genre of reads?)

Stewart was a genius at spinning out a mystery that keeps the reader guessing. This novel is no exception to that and adds in that gothic flavor with just the right touch.

Also a book written by an insider. Langbein was an Austrian communist who was arrested by the Nazis in Vienna and got deported.

He became a Funktionshäftling in the camp (a prisoner who had to help the Nazis with daily tasks) and wrote this formidable book about Auschwitz right after the war. Langbein describes in great detail and with style about the daily life, including sports and music, in Auschwitz I.

Non-judgemental and seemingly without anger. That’s why this book is so impressive.