100 books like To Kill a Mockingbird

I’m of the opinion that good writers draw from life experience. Here are the broad strokes: a Boy Scout reporter at the 1964 national Jamboree, a drummer in country, rock, and jazz bands, a SCUBA instructor, a commercial real estate developer, a drug addict, and an inmate in the penal system. I’ve been reading and writing almost from day one. Most of my early work is crap. I’ve learned the hard way what makes a story worth telling and how best to tell it. Read my recommendations and decide for yourself. After all, it’s your opinion that counts.  

As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.

I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.

I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it

I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.

I am a professor of history at College of DuPage, a community college outside of Chicago. Growing up in New York City and rural Vermont in the 1980s and 1990s around people who questioned everything made me think a lot about how and why the social world is organized in such an obviously unjust and irrational way. I have tried to understand the development of this organization ever since.

I’m the author of the short story collection I Meant It Once. I often say it’s a book about being a mess in your twenties, but to speak more personally, writing it was a necessity, a way to make sense of both the intensity and mundanity of my own experiences. I love a book where you can palpably feel the author working to make sense of their own life, through language—and, in turn, sorting out what it is for any of us to be a person. Books like these are essential reading when life feels thorny, beautiful, and impossible to make sense of, and all you can do is try to write it down.  

I wear so many hats that if I murdered you, you wouldn’t know which one of me struck. I am a crime fiction writer, a producer, a public speaker, and an entrepreneur. I have to admit I am an accidental writer who wanted to leave a legacy behind and, ergo, wrote a book in 2010. But I found writing crime fiction so addictive I became a serial killer…err…writer. In my spare time, I read—spoiler alert!—crime fiction and binge-watch crime shows. I am an avid golfer, I love music and traveling, and I find something in the sound of water that encourages me to write and murder a few more people (fictionally, of course).

When I realized years ago that the universe isn’t merely a concrete reality, I turned to metaphysical/visionary books to understand my experience. There weren’t that many books, but the ones I found became dear friends. Now, after decades as a freelance editor, I am writing fiction in this genre because I believe stories can be as powerful as expository writing for awakening consciousness. However, I’ve noticed many metaphysical writers discourage the engagement and commitment needed to make this world a better place. For this reason, I seek to gather—and contribute to—writing that is visionary and also advocates for democracy and social justice.

I am Lecturer in US Foreign Policy at Queen Mary University of London, and I work on issues of national security and identity, political rhetoric and the role of the everyday in shaping politics, especially media and popular culture. I have written extensively on American politics and US foreign policy over these past years with two published monographs and more than a dozen articles in peer-reviewed academic journals, plus a couple of op-eds and multiple TV and radio appearances. My most recent research project explores the role of populism under the Trump presidency and its political impact in the United States.