Here are 91 books that Titanshade fans have personally recommended if you like
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I’ve been interested in Japanese culture, mythology, and martial arts since I was a teenager. My favorite books are those where I become completely submerged, losing myself in the story and forgetting where the main character ends and I begin. Stories that focus on an ordinary person who gets pulled into another world while remaining firmly planted in their current world. Stories where the character has to learn new skills or discover special talents; a connection to the past or to another realm; or becomes part of some mysterious group operating outside of society. When I couldn’t find enough books that fulfilled my hunger for this specific genre, I decided to write some myself!
While this urban fantasy series isn’t Japanese per se, it’s full of realistic martial arts action. I love this series because of the unique mixture of concepts, and the well-imagined and likeable characters, even the bad guys. Jane Yellowrock is a shotgun-toting, motorbike riding, kick ass woman. She’s also a Cherokee Skinwalker (shapeshifter) and a security professional who works for vampire organizations to hunt down and kill their rogues; those who can't control themselves from biting humans. The books are set in modern New Orleans, which is quite an interesting location for me. I just don’t think you can get a better or weirder combination of ideas: Cherokee mythology and vampires. It may sound like a weird concept, but there are 13 books in the series. It works.
Meet shapeshifting skinwalker Jane Yellowrock in the first novel in the New York Times bestselling series that captures “the essence of urban fantasy” (SF Site).
Jane Yellowrock is the last of her kind—a skinwalker of Cherokee descent who can turn into any creature she desires and hunts vampires for a living. But now she’s been hired by Katherine Fontaneau, one of the oldest vampires in New Orleans and the madam of Katies’s Ladies, to hunt a powerful rogue vampire who’s killing other vamps.
Amidst a bordello full of real “ladies of the night,” and a hot Cajun biker with a…
I’ve loved reading ever since I learned how. Sometimes, that can be inconvenient. I now own over 8000 books, not including ebooks, so storage space is an issue. Fortunately, my heart space is not as constrained as my physical space. Anyway, given my keen interest in reading, it’s no surprise that I began to write. Though my reading tastes are wide, I mostly write in fantasy, my favorite genre. It’s an opportunity to explore new worlds and to use them to reflect upon our own. We may not make literal pacts with demons, but we all face temptation. Figuring out how to navigate our desires is a crucial part of life.
I find the combination of mystery and fantasy in the Harry Dresden books irresistible, and Storm Front is certainly no exception. A typical detective has to watch out for the as-yet-undiscovered killer. Harry has to watch out for the killer—as well as the White Council, the organization of wizards that is profoundly suspicious of him and more than ready to execute him if he takes one step out of line. And then there are various supernatural creatures who want either to kill humans or to use them for their own purposes.
Butcher’s imaginative humor is second to none. I have to laugh every time I think about Bob, the skull animated by an air spirit, or Toot-Toot, the wyldfae who serves Harry in exchange for pizza. Butcher seamlessly blends such touches of original humor with pulse-pounding excitement.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago…
As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put…
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
This lesser-known gem was my favorite book of 2019. You take a World War II-style submarine war but throw in horrifying new supernatural powers, and then pitch it against Cthulu-style interdimensional monsters and you start to have an idea of the gloriously-insane trajectory of this book. That may sound over-the-top at a glance, but I promise this is a grounded read that’s flush with complex interweaving relationships, and an unrelenting pace that constantly throws new, bigger dangers at the characters before they’ve had a chance to catch their breath. This book is far better than it has any right to be.
Naval officer Mila Blackwood is determined to keep her country's most powerful secret - shrouding, the ability to traverse their planet in seconds through an alternate realm - out of enemy hands. But spies are everywhere: her submarine has been infiltrated by a Dhavnak agent, and her teenage brother has been seduced by an enemy soldier. When Blackwood's submarine is attacked by a monster, she and fellow sailor, Holland, are marked with special abilities, whose manifestations could end the war - but in whose favor? Forced to submit to military scientists in her paranoid and war-torn home, Blackwood soon learns…
As an engineer for multiple space projects (including the ISS, Gateway, and commercial space), it seems like I should be a strict sci-fi person. But I love sci-fi and fantasy equally, and I love books that break through the wall between them. Especially in space opera, you can play with how much technology and how much magic shaped a world and a culture. Zooming in, that will greatly influence the characters. Some make it esoteric and exclusive, where others make it more common.All of them transport readers to magical, expansive universes.
The great thing about this one is how closely related the magic and technology are—the magic is really used to manipulate technology. For example, Mechanists can tap into the inner workings of machines, while Datamancers can comb through data even better than AI. The book features fantastic action sequences at a breakneck pace, and a lovable rag-tag team thrown-in together to defeat a terrifying villain named Mother.
Furious and fun, the first book in this bold, new science fiction adventure series follows a crew of outcasts as they try to find a legendary ship that just might be the key to savings themselves-and the universe.
Boots Elsworth was a famous treasure hunter in another life, but now she's washed up. She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she got something real--the story of the Harrow, a famous warship, capable of untold destruction.
Nilah Brio is the top driver in the Pan Galactic Racing Federation and the…
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
I picked the third book in the Greatcoats series as it contains the fight sequence I remember the most, but every entry in this series has some incredible swordplay and memorable action. The Greatcoats take all the swashbuckling bravado of the Three Musketeers but thrown into a far more dangerous world with black magic and angry deities. There’s a cavalier joy to every sword fight, which often details the specific strategies to the point where you feel like you’re learning how to fight for yourself. There’s tons of honor and bravery in the face of a brutal, bleak world, and worth every page.
'High energy, highly unique, swashbuckling-cop-epic-noir story. Buy it. BUY IT NOW' Sam Sykes
The Greatcoats are back - and this time it's personal.
How do you kill a Saint? Falcio, Brasti and Kest are about to find out, as someone is doing just that, and they've started with a friend.
The Dukes were already looking for ways to weasel out of their promise to put Aline on her father's throne - but with Saints turning up dead, and Church Inquistitors pushing for control - rumours are spreading that the Gods themselves oppose her ascension.
As a stage combat choreographer myself, fight sequences are always important to me: they have to be believable but exciting, they have to keep up the pace so the reader is experiencing the action at the same speed as the characters—but most importantly, they have to tell a story. Action just for the sake of action always feels empty, but great fight scenes that are both exhilarating and bound to the forward momentum of the plot and emotion will stay with me for a long time. Here’s some that I still remember long after I finished the book.
The Chronicles of Ghadid follows a family of assassins in a fantastical desert world—but rather than play it safe by following stealthy assassination quests, Doore throws her assassins into the fray against undead armies and unkillable spirits. The result is a truly unique setting with haunting action sequences, bound together by the close ties of family and budding romances. Also, necromancers and undead camels, how could you go wrong?
Thana has a huge reputation to live up to as daughter of the Serpent, who rules over Ghadid's secret clan of assassins. Opportunity to prove herself arrives when Thana accepts her first contract on Heru, a dangerous foreign diplomat with the ability to bind a person's soul under his control.
She may be in over her head, especially when Heru is targeted by a rival sorcerer who sends hordes of the undead to attack them both. When Heru flees, Thana has no choice than to pursue him across the sands to the Empire that intends to capture Ghadid inside its…
I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!
There is nothing else in the world like The Imaginary Corpse. Tippy is a stuffed triceratops detective trapped in the Stillreal after he is no longer needed. But there’s a serial killer targeting imaginary friends, and Tippy must work through his trauma to save the Stillreal. This book is somehow both dark and warm—like a needed hug after a traumatic experience. Anyone who suffers from PTSD should give it a shot. Or anyone who just likes a completely unique story.
Most ideas fade away when we're done with them. Some we love enough to become Real. But what about the ones we love, and walk away from?
Tippy the triceratops was once a little girl's imaginary friend, a dinosaur detective who could help her make sense of the world. But when her father died, Tippy fell into the Stillreal, the underbelly of the Imagination, where discarded ideas go when they're too Real to disappear.
Now, he passes time doing detective work for other unwanted ideas - until Tippy runs into The Man in the Coat, a nightmare monster who can…
I’m Sarah J. Sover, and I adore smashing genres together, especially when there’s magic involved. My first book, Double-Crossing the Bridge, is a comedic fantasy about drunk trolls pulling a suicidal heist, and my new release, Fairy Godmurder is like Jessica Jones with sparkle. The novels are wildly different from each other, but they both exist in the crime-fantasy sphere, where I can delve deep into character motivations, explore wrongs in the world through a fantastical lens, and play with well-loved tropes, inverting and subverting in unexpected ways. I love that this is a growing genre, and I hope I get an influx of suggestions added to my own TBR tower because of this list!
After a near-death experience, PI Harper Blaine gains the ability to navigate the occult world of magic. But the realm between our world and the next is filled with monsters. Some are malicious, but some are looking to hire. The concept of the Grey is fascinating and slightly terrifying to me. Harper deserves to be on this list because only a true badass could survive her client list.
Meet Harper Blaine. She also sees dead people...Harper Blaine is a small-time private investigator trying to earn a living when a low-life savagely assaults her, leaving her for dead. For two minutes, to be precise. When Harper comes to in the hospital, she begins to feel a bit ...strange. She sees things that can only be described as weird-shapes emerging from a foggy grey mist, snarling teeth, creatures roaring. But Harper's not crazy. Her "death" has made her a Greywalker - able to move between our world and the mysterious, cross-over zone where things that go bump in the night…
I began my career as a business journalist writing about Arab finance and oil at a time when few women were in that industry. Rather improbably, perhaps, I became well-known for correctly predicting trends – geopolitical and geo-economical. In my thirties, I shifted to the academy, becoming a director of energy research at Rice University in Houston and subsequently a sought-after advisor to government, corporations, and financial institutions. I wrote my first paper on oil crises while in high school (winning third prize in a state term paper contest) and have never left the subject. Now more than ever, the public needs to understand the real facts behind oil and financial crises.
For as long as I can remember, the oil industry has been saying oil is a finite resource and we are only a few years away from running dry.
It may be confusing to fathom how an industry can keep repeating that meme and have it continue to be believable. The key is understanding the cyclical nature of oil exploration and development and how the long lead time it takes to drill for new oil can lag behind a sudden burst of economic prosperity that creates more demand for energy virtually overnight. In essence, every oil shortage will eventually be temporary.
Market Madness is one of the few oil books that gets that right and uses history to prove its point. The book takes you back to the time of Andrew Carnegie and doesn’t get sucked into the idea that “easy to find” oil will eventually run out, empowering the…
Stock market booms are cause for celebration. But when oil prices soar because supplies are failing to keep up with demand, the response is nearly always apocalyptic. Predictions of the end of oil can create anxiety on Wall Street and in Washington, stoking fears that production has hit a ceiling and prices will rise in perpetuity. Yet these dire visions have always proven wrong.
Market Madness is the story of four waves of American anxiety over the last 100 years about a looming end to oil reserves. Their sweeping pattern-as large price increases lead to widespread shortage fears that eventually…
Growing up, my mother worked for a local vet, which means I got to live with diabetic cats, baby bunnies, parrots, a brain-damaged squirrel, a dog with a mobility device, and much more. As a reader and eventually a writer, I’ve loved stories about the relationships between humans and their nonhuman companions. For me, relationships are the heart of a story. Relationships between people are great, but you can do so much with relationships between, say, a goblin and a magical fire-spider, or a young girl and a sentient telepathic kite, or Cinderella and the glass sword that holds the spirit of her mother…
Mona is a fourteen-year-old wizard with power over bread and other baked goods.
She has a sourdough starter named Bob for a familiar. Do I need to say more?
Well, there’s more. Mona creates animated gingerbread companions, bread golems, and more. It’s a fun and creative and thoroughly entertaining idea. The story can be dark at times, but how can you resist a book with lines like, “Death by sourdough starter. Not a good way to go.”
Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance.
But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of…
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